AMPZING, Samuel [and Petrus SCRIVERIUS]. Beschryvinge ende lof der stad Haerlem in Holland: in rijm bearbeyd ...
Including: SCRIVERIUS, Petrus. Laure-Crans voor Laurens Coster van Haerlem, eerste vinder vande boeck-druckery.
Haarlem, Adriaen Rooman, 1628. 2 parts in 1 volume. 4to. Ad 1: With an allegorical frontispiece, 16 engraved plates, and a printer's device on the final page, the text is printed in roman, gothic and civilité type. Ad 2: With a woodcut printers device on the title page, a full-page engraved portrait, and a full-page engraved plate of the first printing office in Haarlem. Contemporary gold- and blind-tooled overlapping vellum, gold-tooled oval coat of arms of Haarlem in the centre of both boards, surrounded by a blind-tooled single fillet frame, green closing ties, red sprinkled edges. [88], 520, [8]; 1-5, [3], 9, 6-124 pp. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

BAYARD, Émile. [Proof impressions of illustrations for Alphonse Daudet's Fromont jeune et Risler aîné].
[Paris, 1885]. Folio (35 x 29 cm). Proofs of 12 engraved plates in many different states, giving 73 prints in total, engraved by Jules Massard and Eugène Abot after Emilé Bayard (image size 10.7 x 7.3 cm; plate size 19 x 14 cm). Contemporary half goatskin morocco. Full description

BELLARMINO, Roberto. Dichiarazione piú copiosa della dottrina Cristiana ...
Rome, [Propaganda Fide], 1770.
With: (2) BORGIA, Stefano. Irsad li-ajl al-i'tiraf wa-tanawul al-qurban, ... [= Instructions for confession and communion]
[Rome, Propaganda Fide, 1770?]. Both works are set entirely in Arabic type. 2 works in 1 volume. 8vo (18 x 12 cm). Grey laid paper wrappers (ca. 1823). 411, [1 blank]; 109, [1 blank], [1], [3 blank] pp. Full description

BUTTURA, Antonio. Sonetti a Bonaparte.
Paris, Pierre Didot laîné, An VIII [after Floréal, so 1800]. 8vo. Finely printed on vellum. Contemporary long-grained and gold-tooled red goatskin morocco, each board with a frame made from a decorated roll with palm leaves between 2 fine-line fillets, the smooth spine with the title in the 2nd of 6 fields, an acorn with leaves in each of the others, gold-tooled board edges and turn-ins, light green watered silk endleaves. [2 blank], [1], [1 blank], [8], [4 blank] pp. Full description

CLAUDIANUS, Claudius and Francisco TORRESANO (editor). Opera quam diligentissime castigata, quorum indicem in sequenti pagina reperies.
Venice, heirs of Aldus I Manutius, and Andrea I Torresano, 1523. 8vo. With the Aldus anchor woodcut vignette on the title page and the verso of the last leaf, both hand-coloured and highlighted in gold. 17th-century gold-tooled quarter calf, with the author lettered in gold on the spine, 18th-century gold-tooled polished and sprinkled calf sides, red sprinkled edges. 176 ll. Full description

CLICHTOVE, Josse (Judocus CLICHTOVEUS). De vita et moribus sacerdotum, opusculum: singularem eoru[m] dignitatem oste[n]dens, & quibus ornati esse debea[n]t virtutibus: explanans.
Paris, Henri Estienne I, 1519 (colophon: 4 August). With woodcut title-page with the letterpress title and imprint in the central opening; further with about 21 woodcut initials (4 series, mostly criblé) plus about 4 repeats.
With: (2) MARRE, Jean. Enchiridio[n] sacerdotale concinnatu[m] ad salutarem eruditionem Christifideliu[m] ab lo[n]ge revere[n]do in Christo patre d[omi]no Ioanne Mare Co[n]domien[sis]. episcopo. In quo haec sunt capita. ...
[Paris], (colophon: Jodocus Badius Ascensius, 25 November 1519). With numerous woodcut decorated initials (4 series, the largest 45-47 mm. criblé initials). 2 works in 1 volume. 4to (20 x 14 cm). 16th-century blind- and gold-tooled calf, each board in a panel design, with the owner's name "D. Ioa[n]mes[!] Lassere" on the front and motto "memento mortis" on the back, the motto and fleurs-de-lis on the back in gold. 75, [1 blank]; “LXI” [= LXXI], [1 blank] ll. Full description

DRUSIUS, Johannes. Opuscula quae ad Grammaticam spectant, omnia, in unum volumen compacta.
Franeker, Gilles van den Rade, 1609.
With:
(2) DRUSIUS, Johannes. De litteris mosche vechaleb libri duo.
Franeker, Gillis van den Rade, 1608.
(3) DRUSIUS, Johannes (junior). Lachrymae, Iohannis Drusii Iunioris, tribus carminum generibus expressae, in obitum illustriss. et incomparabilis Heroïs Josephi Scaligeri.
Franeker, Gillis van den Rade, 1609.
3 works in 1 volume. 4to. Each title-page with a woodcut vignette (ad 1 and 2 the same, ad 3 different) and with some woodcut decorated initials (3 series). The text is set in roman and Hebrew type. Contemporary limp vellum, with the author and title in manuscript on the spine, remnants of ties. [8], "152" [= 160]; 55, [1 blank]; [8] pp. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description

FERRIOL Y BOXEREAUX, D. Bartolome. Reglas utiles para los aficionados a danzar: provechoso divertimiento de los que gustan tocar instrumentos. Y politicas advertencias a todo genero de personas. Adornado con varias laminas.
Capoa, Joseph Testore, 1745. Small 8vo (14×10 cm). With 35 woodcuts in text (including many full-page), 7 folding leaves with woodcut music notation and letterpress text, and some letterpress text set along curves. Many of the full-page woodcuts and some on the folding leaves also include dance notation. Mid 19th-century gold-tooled green calf, with the emblematic device of the "Bibliotheca de Salvá" and initials VSP (=Vicente Salvá y Pérez) on each board. [20], 302 pp. Full description