AESOP. Fabulae Graecè & Latinè, nunc denuo selectae: eae item, quas Avienus carmine expressit. Accedit Ranarum & murium pugna, Homero olim asscripta: cum elegantissimis in utroque libello figuris, & utriusque interpretatione, plurimis in locis emendatâ. Ex decreto DD. Hollandiae ordinum, in usum scholarum.
Utrecht, Jurriaen van Poolsum, 1685. Small 8vo. With small woodcut of a fox sitting under a tree on the title-page, a woodcut depicting Aesop with animals dancing around him, and children wearing crowns looking in at the door (illustrating the account Aesop's life), and 48 further woodcuts in the text, 40 illustrating Aesop's fables, and 6 illustrating the "Battle of the frogs and the mice", all by Christoffel van Sichem. Contemporary vellum. 134, [2] pp. Full description

APIANUS, Petrus and Bartholomeus AMANTIUS. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis . . .
Ingolstadt, Petrus Apianus, 1534. Folio (31×22 cm). Title-page with a large woodcut (15×16 cm) by H. Brosamer after Albrecht Dürer, Apianus's woodcut device above the colophon, woodcut coat of arms of Raimund Fugger (who helped finance the publication), and numerous woodcut illustrations by Brosamer, M. Ostendorfer, G.A. Benewitz and others, most showing sculptural elements from tombs, most pages in woodcut borders, usually assembled from 4 blocks each. 19th-century red half calf, gold- and blind-tooled spine. [40], CCCCXII, [8] pp. Full description

APIANUS, Petrus. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis summo studio ac maximis impensis Terra Marique conquistae feliciter incipiunt.
Ingolstadt, Petrus Apianus, 1534. Folio (21 x 29.5 cm). With title-page printed in red and black, large emblematic woodcut after Albrecht Dürer (hand-coloured and highlighted with gold ca. 1730), woodcut coat of arms of Raimund Fugger (hand-coloured and highlighted with gold), 184 woodcut illustrations and 7 large woodcut initials. Nearly every page framed by 4 woodcut decorative border strips (several varieties). Contemporary vellum. [40], CCCCCXII, [8] pp. Full description

ARATOR. Acta Apostolica, carmine heroico descripta.
Antwerp, Joannes Grapheus, 1535 (title 1534). 8vo. Old boards. (48) ll. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

AUDENAERDE, Robert van, after Andrea MANTEGNA. C. Julii Caesaris Dictatoris triumphi de Gallia, Aegypto, Ponto, Africa, Hispania, quinquies eodem mense triumphantis; omnium, qui unquam fuere, Ducum, Regum Bellica virtute praestantissimi.
Rome, Domenico de Rossi, 1692. With an engraved allegorical title-print showing Minerva on a throne pointing towards a medallion with Caesar's profile, and 9 engraved prints by Robert van Audenaerde after Andrea Mantegna's paintings, showing the triumphal military parade celebrating Caesar's victory in the Gallic Wars. Each is numbered at the lower right and captioned below with an engraved description. The 10 prints are preserved in a paperboard folder covered with half green cloth and green marbled sides (ca. 57 x 47 cm). [1], 9 engraved ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). De la cita d'Dio.
[Venice?, Antonio di Bartolommeo Miscomini, ca. 1477? (not after 1483)]. Folio. Printed in two columns, each 47 lines, with spaces for 3-6 line initials left blank. Early 19th-century gold-tooled calf. [1 blank], [322], [1 blank] ll. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari Latinarum vocum interpretatione.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 October) 1543. 8vo. With a woodcut printer's device on the title-page. Later blueish-grey paper over boards with the title printed in black on the spine. 52, [3], [1 blank] pp. Full description

BALBI, Ambrogio. Dissertazioni risguardanti il culto di Venere Ericina.
Comprising:
-Il culto di Venere Ericina rivendicato ad erice re di Sicilia suo vero institutore.
-Dissertazione sopra una lapide inscritta da silla a Venere Ericina.
Turin, widow Pomba and sons, 1824. 8vo. Green half morocco, gold-tooled spine, with the arms of Joaquín Gómez de la Cortina (1808-1868) in gold on each board. 90 pp. Full description

BOUTEROUE D'AUBIGNY, Claude. Recherches curieuses des monoyes de France depuis le commencement de la monarchie.
Paris, Edme Martin, 1666. Large folio (42 x 27.5 cm). With title-page with engraved allegorical illustration by N. Bonnart (including a minting press), and numerous engravings in text incl. 7 full-page (on pp. 336, 342, 349, 354, 359, 364 and 370). Contemporary mottled calf (ca. 1693), richly gold-tooled board edges and turn-ins, gilt edges; and each board with the (later) gold-tooled British Royal arms in the form used in Scotland 1801-1816, encircled by the inscription, "The Society of Writers to the Signet" (that is the Signet Library in Edinburgh; stamp 3, ca. 1815). [16], 398, [1], [1 blank] pp. Full description