ALCIATO, Andrea. Los emblemas ... traducidos en rhimas Españolas. ...
Lyon, Guillaume Rouille [printed by Macé Bonhomme], 1549. 8vo (18.5 x 12.5 cm). With an elaborate woodcut architectural frame; 210 emblems (200 with woodcuts); nearly every page in one of about 34 different richly decorated woodcut frames. Early 18th-century (Spanish?) sheepskin parchment. 256, [6] pp. Full description

ARIAS MONTANO (MONTANUS), Benito (Benedictus). Humanae salutis monumenta.
Antwerp, Christoffel Plantin, "1571" [= 1582/83]. 4to (22 x 14.5 cm). With an engraved, illustrated title-page bearing the initials of the engraver Pieter Huys and the date 1571, an unsigned circular portrait of Jesus in profile and 70 full-page engravings (16.5 x 11.5 cm) by several artists. 17th-century gold-tooled black goatskin, the front board with a centrepiece comprising coat-of-arms (with a name below it) in an oval (the arms and name mutilated, but probably Robert de Ligne or an heir), gilt edges, later endpapers. [172] pp. Full description

BIVERUS, Pierre. Sacrum oratorium piarum imaginum immaculatae Mariae et animae creatae, ac baptismo, poenitentia, et eucharistia innovatae: ars nova bene vivendi et moriendi.
Antwerp, Officina Plantiniana/Balthasar Moretus, 1634. 4to. With engraved title-page, 42 engraved plates by Charles de Mallery after Adam van Noort and Adriaan Collaert, 2 engravings in text, and 15 heart-shaped engraved emblems in text by Theodoor Galle. 19th-century gold-tooled brown morocco, gilt edges; bound by Émile Bosquet. [20], 769, [9] pp. Full description

CAPUCIN, Père. Les emblèmes d'amour divin et humain ensemble. Expliquez par des vers François. Par un pere Capucin.
[Paris, ca. 1745]. 8vo. With an engraved title-page and 118 numbered full-page engraved emblems. Contemporary gold-tooled mottled calf, sewn on 4 recessed cords, the spine divided into 6 fields by fillets, the 2nd with a red morocco label and each of the others with a flower (closed thistle?) and several small stamps, each board with a frame of triple fillets with a second flower inside each corner and a star at each corner intersection, gold fillets on board edges, gilt edges, marbled endpapers (red, yellow, green, blue and white, curled). 119 ll. Full description

CASTRO, Joannes à (Jean van der BORCHT). Zedighe sinne-belden ghetrocken uit den on-gheschreven boeck van den aerdt der schepselen, met korte aen-merckinghen, op de deughden ende de sonden oft dat tot de selve verweckt, verdeelt in twee deelen.
Antwerp, Joannes van Soest, 1694. 8vo. With richly engraved allegorical frontispiece and 100 finely engraved half-page emblems, all by Gaspar Bouttats. Further with 3 woodcut tailpieces, three woodcur decorated initials (1 series) and an occasional decoration built up from typographic ornaments Contemporary mottled tanned sheepskin. [24], 316, [10], [2 blank] pp. Full description

CATS, Jacob. Alle de wercken, so ouden als nieuwe.
Amsterdam, Jan Jacobsz. Schipper, 1655. Folio. With an engraved frontispiece incorporating a portrait of the author, a full-page engraved portrait of the author, 2 double-page engraved plates, hundreds of engravings in text (including 1 full-page and 1 integral double-page) by J. Swelinck, W.H. Hondius, C. van Dalen and others. Gold-tooled grey-black morocco (ca. 1758), richly gold-tooled spine, boards and board edges, gilt edges; by the so-called "star bindery" in The Hague. [18], 151, [1 blank]; [20], 26, [2], 27-30; [4], 1-15, [5]; 195, [7]; [2], 32; [8], 184; [16], 266, [6]; [12], 184; 84; 60; 24 ; [8], 36; 159, [1 blank] pp. Full description

COOPMAN, Ocke Jeyes. Zee-clio, of gedichten in 's lants vloot gemaeckt in de jaren 1672, en 1673.
Amsterdam, Carel Allard, [ca. 1673]. 4to. With the woodcut device of the Amsterdam admiralty on title-page (Dutch garden guarded by a lion holding two anchors), 3 woodcut decorated initials (1 series). Modern half calf, marbled sides. 62, [2] pp. Full description

DIGEON, J.M. Nouveau contes Turcs et Arabes. Précédés d'un abrégé chronologique de l'histoire de la maison Ottomane & du gouvernement de l'Egypte, & suivis de plusieurs morceaux de poésie & de prose, traduits de l'Arabe & du Turc.
Paris, Dupuis, 1781. 2 volumes. 12mo. Contemporary calf, richly gold-tooled spines, gold-tooled board edges and turn-ins. VIII, 347 [1 blank]; [2], 278, [4] pp. Full description

DILHERR, Johann Michael. Heilig-Epistolischer Bericht, Licht, Geleit und Freud. Das ist: emblematische Fürstellung, der heiligen sonn- und festtäglichen Episteln.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1663. With engraved frontispiece and 85 large engraved emblems by M. Küsell after G. Strauch.
With: (2) DILHERR, Johann Michael. Augen- und Hertzens-Lust. Das ist emblematische Fürstellung der Sonn- und festtäglichen Evangelien.
Nuremberg, Johann Andreas Endter and the heirs of Wolffgang der Jüngere, 1661. With engraved frontispiece and 91 large engraved emblems by M. Küsell after G. Strauch. 2 works in 1 volume. Folio. Contemporary calf with the coat of arms of the Nuremberg patrician family Holzschuher Von und Zu Haszlach in gold in the centre of each board, gold-tooled spine, gilt edges. [8 blank], [30], 631, [33]; [8], 234, [4], 235-365, [31], [8 blank] pp. Full description

GODDAEUS, Conrad. Nieuwe gedichten. Sonder rym, naa de Griexe en Latynse dicht-maten, op allerhande soorten van verssen, ingestelt. Noit voor desen in Neder-duits gesien, noch gebruiklik.
Harderwijk, Joannes Toll, 1656. Oblong 4to. With woodcut of King David playing his harp on the title-page, a fine engraved frontispiece with an open music book below the title in centre, which is flanked by King David playing his harp and Horace playing his lyre, each on a pedestal, with a white swan above and publisher's address below. Contemporary mottled calf. [4], 184, [2] pp. Full description