AESOP Les fables d'Esope phrigien, avec celles de Philelphe. Traduction nouvelle, enriche de discours moraux & historiques, & de quatrains à la fin de chaque discours. On a joint à cette nouvelle traduction les Fables diverses de Gabrias, d'Avienus, & Les contes d'Esope.
A Amsterdam, Chez Pierre Mortier, 1708. Two parts in one volume, 12mo. With an engraved frontispiece showing Aesop standing on a gallery holding an armillary sphere, hunting horn and spear, surrounded by a mixed crowd (including children), with a group of wild and domestic animals standing and lying below, 117 half-page engravings (6,5 x 8 cm) for the 117 numbered Aesop fables, initials, endpieces. Marbled half-morocco binding. [12], 297, [7], [4], 287, [5] pp. Full description

AESOP and [Henri-François d'AGUESSEAU]. Les fables d'Esope, gravées par Sadeler, avec un discours préliminaire, & les sens moraux en distiques. Edition toute différente de la premiere.
Paris, Claude-Charles Thiboust, 1743. 4to (25.5 x 20.5 cm). With a frontispiece and 139 half-page fable illustrations in the text (9 x 11 cm), all etched and engraved by Aegidius Sadeler. Contemporary mottled sheepskin, gold-tooled spine. [24], 306, [4] pp. Full description

AESOP. Fabellae Graece et Latine, cum aliis opusculis, quorum index proxima refertur pagella.
Venice, (colophon: Giovanni Farri and brothers), 1542. Small 8vo (16 x 11 cm). With 1 woodcut decorated initial but further with spaces left for manuscript Greek and Latin initials (with printed guide letters). Contemporary limp sheepskin parchment, with fragments of a vellum manuscript used to reinforce the spine. 364, [4] pp. Full description

AESOP. Fabulae ... Graecè & Latinè, nunc denuo selectae: eae item quas Avienus carmine expressit. Accedit Ranarum & murium pugna, Homero olim asscripta. Cum elegantissimis in utroque libello figuris, & utriusque interpretatione plurimis in locis emendata.
Leiden, Joannes Maire, 1632. 8vo. With 47 woodcut illustrations (5 x 6.5 cm) by Christoffel van Sichem II in the text. Contemporary vellum, each board with a panel stamp (59 x 50 mm) of the Amersfoort coat of arms. Most endpapers later. 158, [2] pp. Full description

AESOP. (Giulio LANDI, translator). Vita di Esopo Frigio ... Alquale di nuovo sono aggiunti le favole del medesimo Esopo, con molte altre d'alcuni elevati ingegni, ascendentia all somma di 400.
Trevigi, Girolamo Righettini, 1643. 2 parts in 1 volume. 12mo. With 137 small woodcuts in text illustrating the fables, including some repeats. Contemporary sheepskin parchment. 413, [19], [5 blank] pp. Full description

ANACREON. Anakreontos Teiou mele praefixo commentario quo poëtae genus traditur et bibliotheca Anacreonteia adumbratur.
Parma, in aedibus Palatinis [Typis Bodonianis], 1791. 16mo in 4s (15 x 11 cm). With a small engraved portrait of Anacreon in a roundel on the title-page, a small engraved portrait of the dedicatee J. N. de Azara in a roundel on the dedication page. Part of the text is set in Greek type. Contemporary gold-tooled green morocco with the title lettered in gold on the spine, gold-tooled board edges and turn-ins, shiny pink endpapers, with a frame of small silver leaves mounted on the pastedowns. [4], CXVIII, [2], 111, [1] pp. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, TIBULLUS & PROPERTIUS. Catullus, Tibullus et Propertius, pristino nitori restituti, & ad optima exemplaria emendati, cum fragmentis C. Gallo inscriptis.
Paris, J. Barbou, 1754. 3 parts. 12mo. Each part with its own title-page and engraved frontispiece. 19th-century brown morocco, double fillets in gold on the board edges, richly gold-tooled turn-ins, gilt edges. XVI, 96, [2], 97-168, [2], 169-344 pp. Full description