ALAMANNI, Luigi. Opere toscane.
Venice, heirs of Lucantonio Giunta (colophons: printed by Peter Schoeffer the younger), 1542. 2 volumes bound as 1. 8vo. With 2 title-pages, each with the same woodcut Giunta device, and a full-page woodcut showing a larger version of the same device on the last printed page of vol. 2. Set in an Aldine-style italic. 18th-century gold-tooled mottled calf. [16], 431, [1 blank]; 295, [7] pp. Full description

BEROALDO, Filippo. Epigra[m]mata: ac ludicra quedam facilioris muse carmina eruditissimi viro Philippi Beroaldi. Ab Afsefio nuper elucidate et eo ordine difpofita vt maxime fint omnium prima, C Ante domum cuius Martini pendet imag Rocius hec vendit pressa Dionysius.
Parijs, Denis Roce, [ca. 1505]. 4to. With a printer's device on the title-page, and 20 decorated woodcut/ metalcut intitials. Later vellum. [30], [1 blank] ll. Full description

BOCCACCIO, Giovanni. Il Filocopo ... Di nuovo riveduto, corretto, & alla sua vera lettione ridotto da M. Francesco Sansovino. ...
Venice, [device of Domenico Giglio] (colophon: Francesco Rampazetto, 1554). Small 8vo (15 x 11 cm). With Giglio's woodcut device on the title-page, 6 woodcut decorated initials (3 series) plus 2 repeats. Set in Aldine-style italic types (with upright capitals) with incidental roman. Contemporary limp vellum. “390” [= 380] ll. Full description

GUALTERUZZI, Carlo (compiler) and [Vincenzo BORGHINI (“corrector”)]. Libro di novelle, et di bel parlar gentile. ... Cento novelle ... Di nuovo ricorrette.
Florence, Filippo & Jacopo Giunta, 1572. 4to (21.5 x 16 cm). With the Giunta's woodcut device on the title-page and a different one on the last page and about 120 woodcut decorated initials (about 7 series) including some repeats. With the main text set in roman type but the extensive preliminaries in italic. Contemporary limp sheepskin parchment. [26], [2 blank], "153" [= 165], [3] pp. Full description

HOMER. Iliade di Omero. Traduzione del Cav. Vincenzo Monti.
Milano, Dalla Stamperia Reale, 1812. 2 vols. Large 8vo (23.5 x 16 cm). Contemporary(?) elaborately gold-tooled green calfn (or sheepskin), with a light brown title-label on the spine lettered in gold. All boards show the large gold-tooled crowned coat-of-arms (possibly of the family Paule, from the Provence - similar to Rietstap 5, Pl. XXI) within a gold-tooled frame, brown marbled endpapers, gilt edges. [1], [1 blank], [1], [1 blank], [4], 366; 386 pp. Full description

MARCHESE, Duca Annibale. Tragedie Cristiane.
Naples, Felice Mosca, 1729. 2 volumes in 1. Large 8vo. With two title-pages in red and black, an engraved frontispiece by Jeremias Jakob Sedelmayr after Francesco Solimena, an engraved author's portrait by Antonio Baldi and 11 engraved plates by Sedelmayr and Baldi after Solimena, accompanying the 10 tragedies and the dedication. Also with some engraved initials, woodcut tailpieces and 40 pages of engraved polyphonic music for the choruses. Contemporary gold-tooled brown goatskin morocco, gilt and gauffered edges with an intricate fore-edge painting, incorporating both a closed and fanned design for the fore-edge. The head and foot edges are painted with floral and botanical designs. [4], [16], 502; [4], 504, [2]; pp. plus 40 pp. of engraved music. Full description

VOGEL VON VOGELSTEIN, Carl Christian (artist); DANTE Alighieri. La divina commedia ...
Rome, Stamperia de Romanis, 1815-1817. 4 volumes. Large 4to (27 x 21 cm). With 3 etched illustration plates and an engraved portrait of Dante, all part of the edition. Interleaved copy owned by the German painter Carl Christian Vogel von Vogelstein (1788-1868), with 108 of his original lead pencil sketches, pen and ink drawings, watercolours, etc. (mostly illustrating Dantes Divine comedy), some drawn directly on the interleaves, some on separate leaves tipped in and a few on the leaves of the printed book. Further with a few additional images (including an etched portrait of Vogel and 5 sepia albumen(?) photographic prints: one showing an early portrait of Dante on coated paper, and 4 on uncoated paper showing details from Vogels oil painting of Dante and ten episodes from the Divine Comedy), along with many letters, clippings and other documents inserted, extensive notes by Vogel on the interleaves and some inserted leaves, and some manuscript notes in pen or pencil in the margins of the printed pages. Uniform half calf (ca. 1850?), sewn on 4 recessed cords, each volume with 2 dark brown morocco labels on the smooth, gold-tooled spines, the upper with "Divina Commedia|di Dante" and the lower with the volume number and relevant volume title ("Inferno", "Purgatorio" and "Paradiso"), glazed yellow paper sides, green edges, glazed ruddy blue endpapers, each volume with a pink ribbon marker and vols. 1-3 with numerous vellum tabs on the fore-edge and a few at the head and foot. li, [1 blank], 486; vii, [1 blank], 519, [1 blank]; “7” [= 5], [1], 522; viii, 184, 132, 164 pp., plus 3 engraved plates and the extensive collection of original drawings and manuscript material Full description

[ALPAGO, Cesare et al.]. Per le nozze del Sig.r. Marchese Guglielmo de' Fulcis, cavalier di Malta, maggiore attuale al servizio delle LL. MM. II. RR. con la Sig'.ra. Contessa Francesca de' Migazzi de Vaal e Sonnenthurn.
[Venice], (colophon: nella stamperia Albrizzi con privilegio dell' Ecc.mo Senato per tutti li rami che adornano le di lui stampe, 1776). Folio (35 x 25 cm). Engraved frontispiece with a decorative rococo border, engraved title in a rococo border incorporating the coat-of-arms of Guglielmo de' Fulcis, engraved full-page colophon on the last leaf; 7 pp. with additional engraved allegorical vignettes, one on C3 signed ''Piazzetta inv.''. Contemporary light green paper wrappers with gold rococo ornamental borders and a gold centre piece with allegorical seated figure on the front and back side of the wrappers, probably made for presentation to the bride, groom or an important person who attended the wedding. [57], [1 blank] pp. Full description

[ROSSI, Giovanni Gherardo de]. Scherzi poetici e pittorici.
(Colophon: Parma, Giambattista Bodoni, 1795). 8vo (22 x 14 cm). With engraved title-page and 40 engraved plates (plate size: ca. 7 x 11 cm). Richly gold-tooled red morocco by Rémy Petit (active 1855-1900), spine with 5 raised bands resulting in 6 compartments, one with black title-label and the other five gold-tooled with black oval inlays; the sides with gilt triple fillet borders, corner ornaments with same oval inlays and a central oval ornament (gold on green); further with gilt fillets on board edges and richly gold-tooled turn-ins with a floral motive, gilt edges. [52] ll. Full description