AGRICOLA, Daniel [and Urs GRAF (illustrator)]. Passio domini nostri Jesu Christi s[ecundu]m serie[m] q[ua]ttuor eva[n]gelistaru[m].
(Colophon: Basel, Adam Petri de Langendorff, 31 July 1514). 4to. With large woodcut (12 x 9.5 cm) on title-page and 20 small woodcuts in text (ca. 4.5 x 3.5 cm), all by Urs Graf. Modern light-brown calf. 39, [1] ll. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Collectanea, ex universo opere librorum D. Aurelii Augustini passim decerpta, semitam quanda[m] media[m] Christianis, nu[n]c misere dissentie[n]bus[!] mon[s]trantia, qua unanimiter ad ecclesiam Christi redeant.
Deventer, Albert Paffraet, 1529. 8vo (16.5 x 10.5 cm). With the title in letterpress in a woodcut border and one woodcut initial. With a contemporary manuscript index (31 1/2 pp.) and contemporary manuscript notes (1 1/2 pp.) giving quotations from Saint Augustine on 16 leaves bound at the front. Contemporary blind-tooled brown calf over wooden boards (the back board replaced with paperboard), with a brass catch-plate in the middle of the fore-edge (clasp and anchor plate lacking and binding repaired). 196 ll. Full description

AUGUSTINUS DE LEONISSA. Sermones pulcherrimi sup[er] d[omi]nica[m] or[ati]o[n]em Pater noster & angelicam salutat[i]o[n]em Ave Maria. Unicuiq[ue] ad populu[m] vole[n]ti declamat[i]o[n]es facere acco[m]modati. editi p[er] venera[n]du[m] patre[m] Augustinu[m] de Leonissa ...
(Colophon: Cologne, heirs of Heinrich Quentel, 1505). With 3 decorated woodcut initials, many 3-line and 2 larger Lombardic initials. With the first decorated initial hand coloured, and rubricated throughout.
With: (2) BONAVENTURA, Saint (pseudo). Sermo[n]es Quattuor novissimorum perutiles et n[e]cc[ess]arii. unu[m]que[m]que in devot[i]o[n]is ardorem dei quam timore[m] i[n]ducentes. a Beato Bonaventura editi.
(Colophon : Cologne), [Cornelis de Zierikzee, ca. 1502]. With a small woodcut of Christ at the Last Judgement on the title-page framed by 4 decorative woodcut strip borders, a full-page woodcut of King David meeting Christ at the Last Judgement (repeated at the end), a few 3-line Lombardic initials and spaces left for a few larger manuscript initials (not filled in). 2 works in 1 volume. Small 8vo (14.5 x 10.5 cm). Modern blind-tooled brown goatskin morocco. [92]; [128] ll. Full description

AVERROES (Muhammad IBN AHMAD IBN RUSHD). [Tahafut al-Tahafut - latine: Destructiones destructionum philosophi Algazelis]. Eutyci Augustini Niphy Philotei Suessani in librum destructio destructionum Averroys com[m]entationes ad Dominicum grimanum cardinalem maximum.
With: NIPHUS, Augustinus. De sensu agente.
[Venice, Bonetus Locatellus] for the heirs of Octavianus Scotus, [ca. 1500]. Small folio. With numerous woodcut initials. Printed in Gothic type, in 2 columns. Near contemporary limp vellum. 130 ll. Full description

BEAUXAMIS, Thomas. In sacro sancta Coenae mysteria, passionem, et resurrectionem domini nostri Jesu, homeliae, & tabulae, annexis quibusdam scholiis, ex primis ecclesiae patribus. Ad amplissimum, & illustrissimum principem carolum cardinalem Lotharingum.
Mons (Belgium), Claude de Bronchin [printed in Paris by Guillaume Chaudière], 1570. 8vo. With Chaudières woodcut device on the title-page (Chronos, with the motto, "hancas iem sol retundit virtus"), a woodcut headpiece, 2 woodcut tailpieces and 2 woodcut initials (from 2 different series). Limp vellum (ca. 1700?). [6], 321, [1] ll. Full description

BEDA VENERABILIS (The Venerable BEDE). Ecclesiasticae historiae gentis Anglorum libri quinque diligenti studio à mendis, quibus hactenus scatebant, vindicati.
Including: BEDA VENERABILIS. Epitome sive breviarium totius praecedentis historiae Anglorum ...
Antwerp, Joannes de Grave (Gravius), 1550. Folio. With De Grave's woodcut armorial device on title-page (repeated on the otherwise blank final leaf) and 30 woodcut decorated initials. Contemporary blind-tooled calf, each board with a double border made from a roll with 4 heads in profile, not labelled but showing Martin Luther, Philipp Melanchthon, Desiderius Erasmus and apparently the Holy Roman Emperor Charles V rather than the more common Jan Hus, each in an oval wreath and separated by foliage (bilaterally symmetrical both vertically and horizontally). [6], 263, [1 blank], [12] pp. Full description

BOCKENBERG, Pieter Cornelisz. Catalogus & brevis historia pontificum Ultraiectensium. Item catalogus & brevis historia antistitum Egmondanorum.
Leiden, Jan Jacobsz. Paets, 1586 (Colophon: 'Extant Goudae, apud Leonardum Theodori Librarium, ad pontem Hornensem'). Small 8vo. [16], 99, [12] [1 blank] pp. Full description

BOEMUS (BÖHM), Johannes. Omnium gentium mores leges et ritus ex multis clarrissimis rerum scriptoribus ... nuper collecti: & in libros tris distinctos Aphricam, Asiam, Europam, optime lector lege. [Half-title:] Repertorium librorum trium Ioannis Boemi de omnium gentium ritibus. Item index rerum scitu digniorum in eosdem. Cum privilegio Papali ac Imperiali M.D.XX.
[Colophon: Augsburg, Sigismund Grimm & Marcus Wirsung, July 1520]. Folio. With the letterpress half-title in an elaborate woodcut border with a trophy of arms, putti and mermen. 17th century vellum with 3 raised spine-bands. [6], LXXXI, [1] ll. Full description

BOETHIUS. De consolatione philosophie duplici commentario videlicet Sancti Thome & Jodoci Badii Ascensii cum utriusque tabula. Item eiusdem de disciplina scholarium cum explanatione et quintilianum de officio discipulorum diligenter annotata.
Rouen, [printed by Pierre Olivier] for Jean Macé in Rennes, 1519. 2 parts in 1 volume. 4to With Macés large woodcut devices on the 2 title-pages and on the verso of the last leaf, the first title-page printed in red and black. Several fine woodcut initials. Modern vellum, red morocco spine-label. [312]; [64] pp. Full description

BONAVENTURA (pseudo); [attributed to Durand of CHAMPAGNE]. Sermo[n]es quattuor novissimorum perutiles et nec[ess]arij. unu[m]que[m]q[ue] in devot[i]o[n]is ardore[m] dei q[uam] timore[m] [in]ducentes.
[Colophon: Cologne, Cornelius von Zierickzee, ca. 1502]. Small 8vo (ca. 12.5 x 10 cm). With a small woodcut illustration surrounded by woodcut border decorations on the title-page and two full-page woodcut illustrations in the text. The text is set in Gothic type. Later half vellum with marbled paper sides, blue edges. [2 blank], VII, [120] ll. Full description