History, Law & Philosophy / Archaeology & Classical Antiquity

AESOP. Fabellae Graece et Latine, cum aliis opusculis, quorum index proxima refertur pagella.
Venice, (colophon: Giovanni Farri and brothers), 1542. Small 8vo (16 x 11 cm). With 1 woodcut decorated initial but further with spaces left for manuscript Greek and Latin initials (with printed guide letters). Contemporary limp sheepskin parchment, with fragments of a vellum manuscript used to reinforce the spine. 364, [4] pp. Full description

[ANTONINUS PIUS], Vibius SEQUESTER, Publius VICTOR & DIONYSIUS Periegetes. Itinerarium provinciarum Antonini Augusti. Vibius Sequester De fluminum, & aliarum rerum nominibus in ordinem elementorum digestis. P. Victor De regionibus urbis Romae. Dionysius Afer De situ orbis Prisciano interprete.
Lyon, heirs of Simon Vincent (colophon: printed by Nathias [recté Mathias] Bonhomme, [ca. 1540]. Small 8vo. With Vincents woodcut device on the title-page. Nineteenth-century vellum, gold-tooled spine with brown title label lettered in gold, marbled endpapers. 206, [1], [1 blank] pp. Full description

APHTHONIUS of Antioch; Rodolphus AGRICOLA and Giovanni Maria CATANEO (translators). Aphthonii sophistae progymnasmata. Partim à Rodolpho Agricola, partim à Ioanne Maria Catanaeo latinitate donata. Cum luculentis & vtilibus in eadem Scholiis Reinhardi Lorichii Hadamarii. Nunc verò omnia multò quàm antea & emendatiora & meliori artificio disposita.
Paris, Gilles Gourbin, 1580. 16mo in 8s. With a woodcut printer's device on the title-page, 3 woodcut headpieces in the beginning of the work, and 9 decorated woodcut initials throughout. 17th-century limp vellum. [12], 259, [3 blank] ll. Full description

APIANUS, Petrus and Bartholomeus AMANTIUS. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis . . .
Ingolstadt, Petrus Apianus, 1534. Folio (31×22 cm). Title-page with a large woodcut (15×16 cm) by H. Brosamer after Albrecht Dürer, Apianus's woodcut device above the colophon, woodcut coat of arms of Raimund Fugger (who helped finance the publication), and numerous woodcut illustrations by Brosamer, M. Ostendorfer, G.A. Benewitz and others, most showing sculptural elements from tombs, most pages in woodcut borders, usually assembled from 4 blocks each. 19th-century red half calf, gold- and blind-tooled spine. [40], CCCCXII, [8] pp. Full description

APIANUS, Petrus. Inscriptiones sacrosanctae vetustatis non illae quidem Romanae, sed totius fere orbis summo studio ac maximis impensis Terra Marique conquistae feliciter incipiunt.
Ingolstadt, Petrus Apianus, 1534. Folio (21 x 29.5 cm). With title-page printed in red and black, large emblematic woodcut after Albrecht Dürer (hand-coloured and highlighted with gold ca. 1730), woodcut coat of arms of Raimund Fugger (hand-coloured and highlighted with gold), 184 woodcut illustrations and 7 large woodcut initials. Nearly every page framed by 4 woodcut decorative border strips (several varieties). Contemporary vellum. [40], CCCCCXII, [8] pp. Full description

[ARCHAEOLOGY - PHILOLOGY] BARTHÉLEMY, Jean-Jacques and others. [Collection of texts on early archaeology and philology].
[Various places], [various publishers], 1760-1827.
Containing:
(1) [CHRISTIE'S - LONDON]. A list of the very rare and valuable Aethiopic and other oriental manuscripts, collected by the celebrated traveller, James Bruce, esq. of Kinnaird, taken from the catalogue of them made by the late Alexander Murray, editor of the travels by Mr. Bruce in Abyssinia.
[London, 1827].
(2) WEBER, Georg Friedrich. Observationes sacrae circa funera populorum orientis. ...
Strasbourg, Johann Heinrich Heitz, [1767].
With a woodcut headpiece, tailpieces (2) and open-sided factotum.
(3) SEYFFARTH, Gustav [and Friedrich August Wilhelm SPOHN]. Brevis defensio hieroglyphices.
Leipzig, Johann Ambrosius Barth, 1827.
(4) SCHLICHTEGROLL, Friedrich von. Ueber die bey Rosette in Aegypten gefundene dreyfache Inschrift...
München, printed by Ignaz Joseph Lentner, [1818?].
(5) BARTHÉLEMY, Jean-Jacques. Explication de la mosaïque de Palestrine. Paris, H.L. Guerin & L.F. Delatour, 1760.
With 1 large folding engraved plate of the mosaic, 1 plate showing the names of animals written in the mosaic. Bound with it is an unrelated engraved plate on a 4to leaf, showing Samaritan medals (drawn and engraved by Poisson in 1790) that accompanied another one of Barthélemys publications.
(6) BARTHÉLEMY, Jean-Jacques. Lettre de m. l'abbé Barthelemy ...
[Paris, 1760].
With 2 plates of the Phoenician medals and Phoenician inscriptions found on Malta, with an elaborate woodcut headpiece and a woodcut tailpiece.
(7) BARTHÉLEMY, Jean-Jacques. Seconde lettre de m. l'abbé Barthelemy, ... sur quelques médailles Phéniciennes. [Paris, 1763].
With one plate of the Phoenician medals and the same elaborate woodcut headpiece as ad 6.
(8) [PARQUOY (assistant to labbé François BEJOT at the Bibliothèque du Roi). Lettre à messieurs les auteurs du Journal des Savans, sur un projet d'edition du Syncelle.
[Paris, 1778].
(9) BARTHÉLEMY, Jean-Jacques. Lettre a monsieur le Marquis Olivieri, au sujet de quelques monuments Phéniciens ... Paris, L.F. Delatour (printer), 1766.
With 4 plates (numbered I-IV, nos. I & III folding), the first 3 signed by P.L Charpentier, of Phoenician inscriptions, alphabet and medals. With a woodcut (oak branches with a ribbon) on the title-page and a woodcut headpiece.
(10) [D'ANSSE DE VILLOISON, Jean-Baptiste-Gaspard (draughtsman) and DROÜET (engraver)]. Alphabetum codicis bibliothecae coislininae, nunc sangermanensis, ineunte decimo saeculo manu exarati, ex quo Apollonii lexicon descriptum est. Paris, 1771.
10 works in 1 volume. 4to. A wholly engraved monograph, in Greek and Latin with a few words of Syriac.
Mid-19th-century half red goatskin morocco, sewn on 4 supports, gold-tooled spine (blind-tooled fillets) with the cypher monogram of a French count in compartments 1, 3 & 5 and "labbé|Barthelemy" and "Dissertations|1760-1792" in mid-19th-century roman capitals across compartments 2 & 4, "agathe" chemical-marbled sides, Spanish-marbled endpapers, red sprinkled edges, green ribbon marker. 16; 43, [1 blank]; 24; 28, XIV; [2], 44; 12; 8; 12; [1], [1 blank], 45, [1 blank]; 9, [1 blank] pp. Full description

ASCONIUS PEDANIUS, Quintus. Expositio in IIII orationes M.T. Cic. contra C. Verrem [&c.]
(colophon:) Venice, heirs of Aldo I Manuzio & Andrea Torresano, December 1522. 8vo. With Aldos woodcut anchor and dolphin device on the title-page, repeated on the verso of the last otherwise blank leaf (each with letterpress "AL ... DVS" flanking the device), with spaces (with guide letters) left for manuscript initials, not filled in. Set in Aldos famous italic (with upright capitals), the worlds first italic printing type, first used in 1501 (showing the alphabet a-z and A-N in the register of quires above the colophon). Dark purple sheepskin (ca. 1880?). [12], 283, [1] ll. Full description

AUDENAERDE, Robert van, after Andrea MANTEGNA. C. Julii Caesaris Dictatoris triumphi de Gallia, Aegypto, Ponto, Africa, Hispania, quinquies eodem mense triumphantis; omnium, qui unquam fuere, Ducum, Regum Bellica virtute praestantissimi.
Rome, Domenico de Rossi, 1692. With an engraved allegorical title-print showing Minerva on a throne pointing towards a medallion with Caesar's profile, and 9 engraved prints by Robert van Audenaerde after Andrea Mantegna's paintings, showing the triumphal military parade celebrating Caesar's victory in the Gallic Wars. Each is numbered at the lower right and captioned below with an engraved description. The 10 prints are preserved in a paperboard folder covered with half green cloth and green marbled sides (ca. 57 x 47 cm). [1], 9 engraved ll. Full description

BAÏF, Lazare de and [Charles ESTIENNE (editor)]. De vasculis libellus, adulescentulorum causa ex Bayfio decerptus, addita vulgari Latinarum vocum interpretatione.
Paris, Roberti Stephani [Robert Estienne], (colophon: 13 October) 1543. 8vo. With a woodcut printer's device on the title-page. Later blueish-grey paper over boards with the title printed in black on the spine. 52, [3], [1 blank] pp. Full description

BALBI, Ambrogio. Dissertazioni risguardanti il culto di Venere Ericina.
Comprising:
-Il culto di Venere Ericina rivendicato ad erice re di Sicilia suo vero institutore.
-Dissertazione sopra una lapide inscritta da silla a Venere Ericina.
Turin, widow Pomba and sons, 1824. 8vo. Green half morocco, gold-tooled spine, with the arms of Joaquín Gómez de la Cortina (1808-1868) in gold on each board. 90 pp. Full description