Art, Architecture & Photography

BUTTURA, Antonio. Sonetti a Bonaparte.
Paris, Pierre Didot laîné, An VIII [after Floréal, so 1800]. 8vo. Finely printed on vellum. Contemporary long-grained and gold-tooled red goatskin morocco, each board with a frame made from a decorated roll with palm leaves between 2 fine-line fillets, the smooth spine with the title in the 2nd of 6 fields, an acorn with leaves in each of the others, gold-tooled board edges and turn-ins, light green watered silk endleaves. [2 blank], [1], [1 blank], [8], [4 blank] pp. Full description

BYE, Marcus de (after Marcus GHEERAERTS). [Bears].
[Amsterdam], Nicolaas I Visscher, 1664. Oblong 4to. 16 engravings (ca. 10.5 x 13.5 cm) depicting bears in various poses. Loose prints. [16] ll. Full description

BÉCHARD, Émile. L'Égypte et la Nubie. Grand album monumental, historique, architectural...
Paris, André Palmieri & Émile Béchard, 1887. Large folio (45.5 x 63 cm). With 150 collotype photographic plates, all signed, numbered and captioned in the wide margins of each plate. The half title-page and divisional half title-page for the explanation of the plates are printed in red , the typographical title-page shows a small vignette of an Egyptian mask. Loose leaves. 23, [1 blank], [3 (numbered [175]-177)], [1 blank], [1], [1 blank], [1], [1 blank] pp. and 150 plates. Full description

CAILLIAUD, Frédéric and Bernardino DROVETTI. Voyage a l'Oasis de Thèbes et dans les déserts situés a l'orient et a l'occident de la Thébaïde, fait pendant les années 1815, 1816, 1817 et 1818.
Paris, Royal press, 1821. With 24 numbered engraved plates, including 2 engraved maps (1 folding), 1 plate coloured by hand and 1 double-page.
With: (2) CAILLIAUD, Frédéric and Bernardino DROVETTI. Voyage a l'Oasis de Syouah ... pendant leurs voyages dans cette oasis, en 1819 et en 1820.
Paris, Rignoux, 1823. With 20 numbered plates (1 engraved map and 19 lithographed plates). 2 works in 1 volume. Folio. Contemporary green goatskin morocco, richly gold-tooled spine. [2 blank], XVII, [1], 120; [12], 28 pp. Full description

[CALLOT, Jacques, Carel ALLARD & others]. [Collection of 120 engravings by French, Dutch, Italian and German artists].
Venice, Paris, [Amsterdam], etc., 1601-1725 (album ca. 1745?), with additions [1788] & [ca. 1790]. 8vo, 4to, etc. (19 x 13 cm). 120 engraved prints, namely 44 from 4 complete print series (1 with a title-print), 57 (including 3 title-prints) from 10 or 11 other series and 19 prints apparently not from any series, by Jacques Callot (1 complete series), Odoardo Fialetti, Herman Weyen, Balthasar Moncornet, Henri Bonnart, Carel Allard (3 complete series), P. Landry and others (see contents, below). Mottled sheepskin (ca. 1745?). 95 ll. Full description

CALLOT, Jacques. Capitayn van de bende.
[Amsterdam], Claes Jansz. Visscher, [ca. 1645]. A series of 24 numbered engraved plates by Claes Jansz. Visscher after Jacques Callot (some copied in mirror image), the first with the title on a banner carried by the beggar in plate 1.
With: (2) QUAST, Pieter Jansz. T is al verwart-gaeren.
[Amsterdam], Claes Jansz. Visscher, 1652. With 24 (of 26) numbered engraved plates, the first with the title at the foot. 2 works in 1 volume. Small folio (26.5 x 19.5 cm). 18th-century paste paper over boards. 24; 1-2, 5-26 (of 26) engr. ll. Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Bouw schilder en beeldhouwkonst, van het stadhuis te Amsteldam, vertoont in CIX figuuren: ...
Amsterdam, Johannes Covens, Cornelis Mortier and Johannes Covens junior, [ca. 1758?, ca. 1767? or possibly 1772/83]. Large folio (49.5 x 30 cm). With the title-page printed in red and black with J. Covens & C. Mortiers engraved device by Bernard Picart ("JCCM" cypher monogram in a laurel wreath carried by 6 putti, dated 1730); 2 preliminary plates containing portraits of Jacob van Campen [by Lutma] and Arthus Quellinus by Henricus Quellinus; CIX (109) numbered engraved and etched architectural plates. All plates have French captions, some with laudatory verses below, and are described in Dutch in the letterpress text (pp. 3-15). Contemporary half red roan (sheepskin), brown sprinkled paper sides. 15 pp. Full description

[AUTOGRAPH]. CAMPER, Petrus. [Autograph letter, signed, to Reinier Arrenberg].
Groningen, 2 February 1773. 4to. Brown ink on laid paper, addressed on the outside and with an armorial red wax seal.
With: (2) [PORTRAIT]. [PUJOS, André]. P. Camper, ...
[Paris, André Pujos, 1786]. 4to. Mezzotint portrait on laid paper. [1], [1 blank, except for the address]; [1] ll. Full description

CAMPER, Petrus. Verhandeling van Petrus Camper, over het natuurlijk verschil der wezenstrekken in menschen van onderscheiden landaart en ouderdom; over het schoon in antyke beelden en gesneedene steenen. Gevolgd door een voorstel van eene nieuwe manier om hoofden van allerleye menschen met zekerheid te tekenen.
Utrecht, B. Wild and J. Altheer, 1791. Large 4to (ca. 26 x 20 cm). With 10 engraved plates: 5 folding double-page plates, 4 full-page plates, numbered I-IX and all dated ca. 1768-1786 in the plates, depicting heads and skulls of humans and apes engraved by Reinier Vinkeles after Petrus Camper, and 1 unnumbered plate depicting a geometric figure. 19th-century mottled calf, with a circular green morocco inlay lettered in gold, within a gold-tooled laurel wreath as a centre piece on both boards. "VIII" [= X], 108, [1]. [1 blank] pp. Full description

[CANALETTO]. VISENTINI, Antonio. Urbis Venetiarum prospectus celebriores, ex Antonii Canal tabulis XXXVIII.
Venice, Joannem Baptistam Pasquali, 1742. 3 parts in 1 volume. Oblong folio (ca. 36.5 x 52.5 cm). With 3 letterpress title-pages printed in red and black with engraved vignettes by Visentini, the original engraved title-page for the first series (Prospectus Magni Canali), a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV, XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto, engraved by Visentini, showing the Grand Canal, public buildings, renowned places in Venice and regatta scenes. Contemporary half morocco, brown paper sides, manuscript title (?) and two old shelfmarks on the spine. [8]; [1]; [1] ll. plus the part-title, double portrait and XIV, XII, XII prints. Full description