Art, Architecture & Photography

[DUMAS, Antoine-Joseph]. L'art de la musique enseigné et pratiqué par la nouvelle methode du bureau typographique.
Paris, Sr. Auguste [for the author], [1753]. Large oblong 4to (26 x 33.5 cm). Wholly engraved, including an engraved title-page, two-page engraved dedication, a double-page folding engraved musical table ("Elémens de la musique. Plan général du bureau typographique musical") and 427 engraved text pages by Mademoiselle Vandôme. Contemporary gold-tooled dark green (goatskin) morocco, richly gold-tooled spine with red morocco title label, gold-tooled boards with the coat of arms of Louis-Philippe d'Orléans (1725-1785) on both sides, gold-tooled board edges and turn-ins, pink silk endleaves, gilt edges (attributed to Jean-Charles-Henri Lemonnier). [4], 12-427, [1 blank]; 11, [1 blank] pp. Full description

DUPAIX, Guillermo, Alexandre LENOIR, David Bailie WARDEN, et al. Antiquités Mexicaines. Relation des trois expéditions du Capitaine Dupaix, ordonnées en 1805, 1806, et 1807, pour la recherche des antiquités du pays, notamment celles de Mitla et de Palenque.
Paris, Jules Didot l'ainé, 1834. 3 parts in 2 volumes. Large folio (55.5 x 36 cm). With lithographed frontispiece and 161 (numbered as 166) lithographed plates (1 double-page and 160 full-page), nearly half beautifully hand-coloured and most of the rest tinted or double-tinted. Lacking (as usual) the map mentioned on the title-page. Gold-tooled red morocco (1855?), with the arms of Czar Alexander II of Russia on the boards. [4], XIV, [1], [1 blank], 20, 56, 40, 88, [4]; 82, 224, [4]; [10] pp. Full description

DUPUY DU GREZ, Bernard. Traité sur la peinture pour en apprendre la teorie, & se perfectionner dans la pratique.
Toulouse, Widow of J. Pech, and A. Pech, 1699. 4to. With a woodcut vignette on the title-page, 4 full-page engraved allegorical plates after A. Rivatz, the first dated 1694, and 8 engravings showing perspecive, 2 of which are full-page. Further with large flowered and emblematic woodcut head- and tailpieces. Contemporary calf. [20], 396 pp. Full description

DÜRER, Albrecht. [with Johannes STABIUS and Konrad HEINFOGEL]. [Imagines coeli septentrionales cum duodecim imaginibus zodiaci].
[ca. 1515]. Map and leaf size ca. 43.5 x 42.5 cm. Woodcut map of the northern hemisphere in its second state, with Dürer's monogram. The map depicts all known constellations in the northern hemisphere in great detail, resulting in an intricate map in which all constellations can be clearly identified upon close inspection. According to Ptolemaic tradition the twelve signs of the Zodiac are displayed on the northern hemisphere and are to be read counter-clockwise. That is, as seen from space, or as they would appear on a celestial globe. The constellation figures are therefore shown from their back view. Dürer decorated the four corners of the northern chart by portraits of four ancient authorities, dressed in their assumed national dress, each holding a celestial globe: Aratus representing the Greek, Ptolemy the Egyptian, Al-Sufi the Islamic, and Marcus Manilius the Roman tradition of astronomy.
Mounted in a gold-coloured frame (67.5 x 67.5 cm), in white passe-partouts with a gilt line directly framing the map on the inside of the passe-partouts. Full description

[MANUSCRIPT]. DYLIUS, Joannes, compiler. Dagwyzer der geschiedenissen, kortelyk behelzende, een' aanteekening van verscheidene gedenkwaardige zaaken, op elken dag van 't jaar, door de geheele waereld; bijzonder in de Nederlanden voorgevallen. Benevens de geboorte, en sterfdagen, van hooge, en laage stands persoonen, zo geestelijke als waereldlijke: beroemde helden, geleerde mannen, en kunstenaaren.
[Amsterdam], [frontispiece: 1778]. Narrow 8vo (16.5 x 9.5 cm). Manuscript in brown ink on laid paper, written in Dutch in a neat and clear but minute Latin hand, forming a calendar of historical events from 17 CE to 28 November 1777, with a grey ink and ink-wash allegorical frontispiece title, dated 1778 but signed by the artist "A:C. 1777.", and a title-page in 8 styles of plain and decorated Latin and gothic lettering (signed "Dr. Waller.|scripsit."). Contemporary richly gold-tooled red goatskin morocco, each board with a centrepiece and frame, both built up from separate (mostly floral) stamps, the whole surrounded by a sawtooth roll, the spine with a green morocco label in the 2nd of 6 compartments and each of the others with a central floral stamp and 4 cornerpieces (further with some fillets and rolls), gold-tooled turn-ins and board edges (with a floral roll), altogether 83 or 87 impressions of 7 or 8 stamps, plus 3 rolls and the fillets. It appears to come from what Storm van Leeuwen calls the "Rocaille-and-flower bindery", active ca. 1775-ca. 1812. [8 blank], [1], [1 blank], [1], [1 blank], [187], [9 blank] pp. including frontispiece. Full description

EEGHEN, P. van and J. Ph van der KELLEN. Het werk van Jan en Caspar Luyken ... met 56 platen. Deel I[-II].
Amsterdam, Frederik Muller & Co., 1905. 2 volumes. With 56 plates. Contemporary half morocco, gold-tooled spine. Full description

EELKEMA, Eelke Jelles and André Léon LARUE (MANSION). Grondig onderrigt in de teeken- en schilderkunst, inzonderheid in miniatuur, ten nutte van jonge kunstoefenaren. Naar het Fransch van Mansion.
Leeuwarden, Lambertus Schierbeek, 1830. 12mo (15.5 x 9 cm). With folding lithographed frontispiece, coloured by hand, showing a palette of colours. Contemporay purple half morocco, gold- and blind-tooled spine. XII (incl. frontispiece), 131, [1 blank] pp. Full description

EERELMAN, Otto & Eugenius Antonius Ludovicus QUADEKKER. Paardenrassen. Kunstalbum van een en veertig afbeeldingen naar schilderijen van Otto Eerelman. Met beschrijvingen door E.A.L. Quadekker.
Zutphen, Schillemans & Van Belkum, [1898]. Large oblong folio (47 x 62 cm). With 41 chromo-lithographed plates of horses (45 x 59 cm) and several small lithographs at the end of each text. 12 parts in the original publisher's wrappers, preserved in the publisher's original richly gold-blocked brown decorated cloth portfolio. [168] pp. Full description

[EGYPT - PHOTOGRAPHY] ZANGAKI BROTHERS. [Photographic prints of the Nile with pyramids in the background and of the Al-Azhar Mosque in Cairo]. No. 827 Cour de la Mosquee El-Azhar reunion des theologiens Caire; No. 901 Nil et Pyramides.
[Egypt, Zangaki brothers, last quarter of the 19th century]. A single, oblong board (30 x 40 cm). 2 albumen photographic prints mounted on one board, 1 on each side (approx. 22,5 x 28 cm). Full description

[PHOTOGRAPHY - EGYPT]. Book I-[II] Egypt 1906-7. Book III Naples, Rome, Florence. Book IV Criccieth N. Wales, Zara, Khargeh Upper Egypt, Cairo, Freshwater Bay I.W.Egypt, Naples, Rome, Florence, Criccieth and the Isle of Wight, 1906-1908. Oblong (23 x 32 cm). An album in 4 volumes with 323 silver gelatin prints (8 x 5.5 cm to 14 x 8 cm, mostly ca. 10 x 7 cm). Side-stitched.
With:
(2) LEHNERT & LANDROCK. Souvenir of Cairo. 12 real artistic photos. Serie A.
Egypt, [late 1920s]. Envelope containing 12 silver gelatin prints (12 x 9 cm).
(3) [PHOTOGRAPHY - SINGAPORE?]. Photograph of a woman and a baby sitting in a rickshaw, with a child in front and the rickshaw puller.
[Singapore?], [late 1920s]. Silver gelatin print (7.5 x 12.5 cm). 9; 7; 12; 11 ll. Full description