Art, Architecture & Photography

JOSEPH I, King of Portugal Eu Elrey. Faço saber aos que este alvará virem, que por parte de Augusto Ludevico Thimne, de naçaõ alemãa, assistente na cidade do Porto, me foi representado, que havia descuberto o segredo de fabricar as folhetas para a cravaçaõ dos diamantes.
Ajuda (district of Lisbon), Palacio de Nossa Senhora ("reprinted by Miguel Rodrigues"), 22 August 1766. Folio. Disbound, folded. pp. 199-201, [blank 202]. Full description

JOST, W. Ein Besuch in der Rijks-Normaalschool voor teekenonderwijzers. (Reichsnormalschule für Zeichenlehrer) zu Amsterdam.
(No pl., no publ., ca. 1891). 8vo. With 4 photolithographs by Roeloffzen & Hübner, Amsterdam. Contemporary three quarter red morocco. 36 pp. Full description

KALDEWEY, Gunnar A. Trees.
(colophon: Poestenkill, New York, Kaldewey Press), 1988. Very large oblong folio (48 x 61 cm). With 17 artists prints (the artist calls them "linecut-monoprint illustrations") on hand-coloured backgrounds. Spine of Brazilian rosewood. Kept in a wooden box as published with two ties, and an illustrated printed paper label on the front. One of an edition of 51 copies, signed by the author-artist-printer. 7 ll. Full description

KASTEELE, Reinier Pieter van de. Redevoering over het belang van het teekenen naar het naaktmodel. Bij gelegenheid van het uitdeelen der prijzen, uitgesproken in de akademiezaal van Pictura. Op den 31sten van Louwmaand 1816.
The Hague, Johannes Allart, 1816. 8vo. With a full-page engraved allegorical frontispiece, and an engraved plate with the seals of the academy. Contemporary red sprinkled paper wrappers, kept in brown kraft paper wrappers. [18], [2], 33, [1 blank], [2] pp. Full description

KEIEN. Kengyu-ka shasei [= Morning glory sketches].
Japan, Meiji 31?, 34-36 [=1898?, 1901-1903]. Very large 8vo? (28 x 20.5 cm). With 85 double-page (mostly botanical) drawings in black ink on Japanese paper, each showing 1, 2 or 3 figures, sometimes with additional detail drawings, nearly all coloured in watercolour and/or gouache and most with captions identifying the subject and/or giving the date. Front wrapper with the title in Japanese in black ink. Wrapper-title plus [85] double-page spreads. Full description

[ISTANBUL]. [KING, Helena Caroline or Adelaide Charlotte]. [Prominent Ottoman and entourage boarding boats before the Kilic Ali Pasha Mosque].
[Istanbul?, ca. 1830/50?]. Watercolour drawing on wove paper (29.5 x 45 cm) with highlights in shellac and a thin black border. Mounted on a larger sheet of paper in a passe-partout. Full description

KIRBY, Joshua. Dr. Brook Taylor's method of perspective, made easy ...
Ipswich, W. Craighton for the author, 1755.
Including: [IDEM]. The practice of perspective: being the second book of Dr. Brook Taylor's method of perspective made easy, &c.
Ipswich, W. Craighton, 1755.
2 parts in 1 volume. Large 4to. With hundreds of perspectival figures, plans, and designs on 52 full-page engraved plates, including 2 intricate perspectival designs with movable parts, and several beautiful wholly finished perspectival designs. Further with the hilarious frontispiece by William Hogarth showing a lively river landscape with fishermen, boats, a cart riding over a bridge, a far away village church etc., drawn without any accurate use of perspective, which led to absurdities such as a woman leaning out of the upper window of a house in the foreground and offering a light to a man with a pipe on top of a hill in the background. Contemporary calf, spine ribbed and gilt. [1], [1 blank], [2], IV, XVI, 78; [1], [1 blank], 84, [15], [1 blank], [1], [1 blank] pp. Full description

KIRCHER, Athanasius. Ars magna sciendi, in XII libros digesta, qua nova & universali methodo ... [vol. 2 half-title:] Artis magnae seu combinatoriae sciendi, ... [titles on the frontispieces:] Ars magna sciendi sive combinatoria [vol. 1] Artis magnae combinatoriae [vol. 2].
Amsterdam, Johannes Janssonius van Waesberge and the widow of Elizaeus Weyerstraten, 1669. 2 volumes bound as 1. Royal folio (46 x 30 x 5.5 cm). With 2 richly engraved allegorical frontispieces, an engraved plate with a full-page portrait of the Holy Roman Emperor Leopold I, an engraved plate showing all knowledge of the universe organised as a tree, 2 engraved volvelles (with 4 rotating dials), 20 further engravings on integral leaves and a couple dozen woodcut figures in the text. Contemporary richly gold-tooled red goatskin morocco decorated a petit fers, gold-tooled turn-ins, board edges and raised bands, giving a total of more than 1500 impressions of about 14 stamps and 3 rolls, edges gilt over red and blue squiggles. Janssonius van Waesberge, who published Kircher's books in Amsterdam from 1664/65 to 1682, arranged to have copies of several luxuriously bound for Kircher to present to leading figures and this is almost certainly one of them, presented to Giovanni Paolo Oliva, Superior General of the Jesuit Society. [18], 482, [10] pp. (including 2 integral frontispieces), plus 4 inserted tables & 2 plates. Full description

KIRSCHBAUM, Johann Michael. Neues Weberbild- und Musterbuch, ... zur Beförderung der edlen Leinen- und Bildweberkunst, und zum Nutzen und Vergnügen angehender Meister und Gesellen, auch anderer Liebhaber der Weberkunst, auf 74 Kupfertafeln ... Fünfte Original-Ausgabe.
Heilbronn, Classische Buchhandlung, 1836. Oblong folio (21 x 32 cm). With 74 numbered engraved plates showing about 300 patterns for weaving. Contemporary half tanned sheepskin, tiger marbled sides. 6 pp. plus plates. Full description

[KLEEFSCHE OUTHEEDEN - VIEWS]. BEIJER, Jan de (draughtsman) and Paulus van LIENDER (engraver). Verzameling van twaalf Kleefsche outheden en gezichten.
Amsterdam, Gerrit Tielenburg, (signed in the plates:) 1758-1762. Large 4to (29 x 23 cm). With 50 leaves showing 46 engravings containing a total of 91 views: 42 leaves with 2 views per leaf, 6 leaves with 2 double page views each, and 1 double page view on 2 leaves. All engraved plates are signed "J. de Beyer del. Paul: van Liender fec [year: between 1758 and 1762]". All views are captioned beneath the illustration, telling the viewer what building, town, or view they are seeing, and some captions even mention the year when the view was captured by De Beyer. Near contemporary (ca. 1778) elaborately gold-tooled red morocco, with a green morocco title-label lettered in gold on the spine, gold-tooled edges and turn-ins, floral decorated paper end leaves, gilt edges. [1], [1 blank] pp. and 50 leaves showing 91 engraved views. Full description