Art, Architecture & Photography

[TAFEREEL DER DWAASHEID]. LAW, John (subject). Het groot tafereel der dwaasheid ...
[Amsterdam], 1720. Folio. With the title page printed in red and black and 79 engraved plates (including 1 repeat of plate 54, 3589 Muller), most double-page and several larger folding sheets, including several maps and the plate with the complete set of 52 playing cards (Pasquin variant). The copy contains the register listing 74 items and 4 plates not in Muller's principal list (Muller 3611-3613 and 3615), but unfortunately lacks plate 18 (3553 Muller). (Near-) Contemporary gold-tooled mottled calf, with the title and year lettered in gold on the spine, sewn on 7 supports with the corresponding raised bands on the spine. Bound by the Bird's Head Bindery in Amsterdam (ca. 1728-1765?), see Storm van Leeuwen. [1], [1 blank], 25, [1], 52, 31, [1 blank], 8, 10 pp. and 79 engraved plates (2 before the title page). Full description

[TAFEREEL DER DWAASHEID]. [Collection of satirical plates and illustrated poems related to Het groote tafereel der dwaasheid].
Including:
-11 very rare broadsheets, each of the first 10 with a satirical poem and 1 or more woodcut illustrations, the last with a verse by Joost van den Vondel and an engraved illustration.
[Netherlands, ca. 1720] (items 1-10); Rotterdam, Pieter vander Veer, 1721 (item 11). 1mo. Modern green half cloth.
-8 engraved prints with letterpress text by Jan de Ridder.
[Netherlands, ca. 1720]. Folio. Modern green half cloth.
-45 engraved satirical plates (including 2 made up of 4 separate prints each, and with a duplicate plate).
[Netherlands, ca. 1721]. Various formats. Each in passepartout.
-12 separate prints (a few with letterpress text) and 2 copies of an engraved map in 2 parts, showing the coast of South America and the South Sea.
[Netherlands, ca. 1721]. Various formats.
The whole kept together in a large 20th-century green half cloth portfolio (50×70 cm). Full description

[TAFEREEL DER DWAASHEID]. LAW, John (subject). Het groote tafereel der dwaasheid, vertoonende de opkomst, voortgang en ondergang der actie, bubbel en windnegotie, in Vrankrijk, Engeland en de Nederlanden, gepleegt in den Jaare MDCCXX.
[Amsterdam], 1720. Folio (ca. 39 x 25.5 cm). With the title-page printed in red and black and 76 engraved plates, mostly double-page and several are larger folding sheets, including several maps, the plate with the complete set of 52 playing cards, and an extra copy of plate 18 (Muller) loosely inserted at the front of the work. Contemporary elaboratly gold-tooled mottled calf, sewn on 6 supports with corresponding raised bands on the spine and with the title lettered in gold on the spine, gold-tooled board edges, marbled edges, bound by the so-called Double Drawer Handle Bindery in Amsterdam (between 1720 and 1742? - Storm van Leeuwen) [1], [1 blank], 25, [1], 52, "31" [= 29), [1 blank], 8, 10 pp. and engraved ll. Full description

[TAFEREEL DER DWAASHEID]. De vervallen actionisten hersteld, door den triompheerden Arlequin. [The ruined share-holders restored by the triumphant Harlequin].
[Amsterdam, ca. 1720]. Bifolium (31.5 x 40 cm). Engraved print, with title on top and engraved verse in Dutch below, in 4 columns. The illustration coloured by hand. In passepartout (40 x 50 cm). Full description

TARENGHI, Enrico. [Carpet sellers and a dromedary beside the Nile].
[Rome?, late 19th century?]. Watercolour on a large sheet of paper (image size: 74.5 x 52 cm), signed at the foot right: "E. Tarenghi". Contemporary (?) gilt wooden frame (89.5 x 66 cm), behind plastic. Full description

TASSO, Torquato. Il Re Torrismondo tragedia.
Venice, Fabio & Agostino Zoppini, 1588. 12mo or long 24mo in 12s (13.5×7 cm). With the Zoppinis' woodcut device on the title-page, a woodcut headpiece, several woodcut tailpieces, several woodcut decorated initials (3 series), and cast fleurons. Gold- and blind-tooled overlapping sheepskin (ca. 1900?). 58, [1], [1 blank] ll. Full description

TAURELLUS, Nicolaeus. Emblemata physico-ethica, hoc est naturae morum moderatricis picta pracepta.
Nürnberg, Simon Halbmayer, 1617.
With: (2) TAURELLUS, Nicolaeus. Carmina funebria, quae magnorum aliquot, clarorum que virorum felici memoriae dicavit.
Nürnberg, Christophor Lochner the elder, 1602. 2 works in 1 volume. 8vo. Ad 1: with Halbmayer's woodcut globe, bird and book device on the title page, 116 emblematic woodcuts, in most cases incorporating a coat of arms, woodcut decorated initials, woodcut decorations and decorations built up from arabesque typographic ornaments. Set mostly in italic type with most of the preliminaries in roman. Ad 2: with the title in a frame built up from arabesque typographic ornaments, woodcut decorated initials and woodcut and built-up decorative bands. Set in italic types with extensive passages in roman. Contemporary vellum, title in ink on spine, traces of ties. [23], [120] ll; 38, [2 blank] pp. Full description

[INDIA]. TAYLER, William. Sketches illustrating the manners and customs of the Indians and Anglo Indians.
London, Thomas McLean, 1842. Large folio (54,5 x 37,5 cm.). With 6 hand coloured lithograph plates and a lithographed title. Contemporary half calf with cloth sides, gold tooled title on front cover. [16] pp; [6] plates. Full description

TEMPESTA, Antonio (designer) and Claes Jansz. VISSCHER (engraver). [Set of engravings designed by A. Tempesta and engraved by C.J. Visscher].
[Amsterdam, Claes Jansz. Visscher, 1624]. Oblong (19.5 x 29.5 cm). 19th-century half light blue cloth and marbled paper sides. [16] ll. Full description

[TENGNAGEL, Mattheus Ganzneb]. Het leven van Konstance: waer af volgt het tooneelspel, de Spaensche heidin.
Amsterdam, Nicolaes van Ravesteyn, voor Johannes Jacott, 1643. Small 4to. With 6 full-page etchings by Pieter Nolpe after Simon de Vlieger, Pieter Quast, and Izak Izaksoon, musical scores by Gerret Bolhamer, a woodcut device on the title-page, 15 decorated woodcut initials of different sizes, and several woodcut head- and tailpieces. Contemporary vellum, 171, [1 blank] pp. Full description