Art, Architecture & Photography / Drawings, Prints & Watercolours

[MAGIC LANTERN SLIDES]. [Large collection of more than 400 glass positive magic lantern slides].
[Kopenhagen?], [early 20th century]. More than 400 glass slides depicting various motifs related to coal mining, chemical processes and astronomy, as well as topographical motifs from Asia, Africa, China, Europe and America. Housed in the original publisher's wooden boxes. Includes 2 original projectors and 1 camera. Full description

[MAP - ARABIAN PENINSULA]. BRUCE, James. Carte de la mer Rouge, relevée sur celle de James Bruce.
[Egypt, probably Cairo], 1827. Folio leaf (46 x 31.5 cm). Manuscript map in pen and ink with watercolour, with a French text on Middle Eastern hand-made paper. Full description

[MARCEL, Jean-Joseph?]. [Islamic coins and medals].
[Paris?], [ca. 1791-ca. 1817?]. Mostly folio (31.5 x 21 cm). A manuscript compilation of loose leaves and bifolia, with about 104 drawings (some in ink; some in coloured gouaches, many including gold, silver and other metallic colours) and about 53 engravings (some black on white; some white on black) each drawing and engraving showing the obverse and reverse of an Islamic coin or medal (except for about 3 that show only one side). Most of the drawings and engravings are on slips attached to leaves with notes in Arabic and French.Loose leaves and bifolia. [ca. 150] ll. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title-page including a vignette by H.L. Meyling, a letterpress title-page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title-page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates, plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The six French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine. [16], 76, [2] pp. Full description

MARTENA, Giovanni Batista. Flagello militare diviso in quattro parti. La prima tratta de' trabucchi. La seconda de' petardi. La terza de' burlotti, e fuochi artificiali di mare, e di terra. La quarta di mine, contramine, e d'altre cose importanti all'arte militare.
Naples, Novello de Bonis, 1676. 4to. With an engraved frontispiece, engraved author's portrait and 73 illustrations on 18 engraved plates. Contemporary vellum. [12], 211, [1] pp. Full description

MARTÍNEZ, Crisóstomo (Chrysostomus). [Nouvelles figures de proportions et d'anatomie du corps humain].
[Paris, engraved ca. 1687/88]. 71 x 53.5 cm. An extremely large engraved anatomical print (plate size 69 x 52.5 cm; engraved image 68.5 x 51.5 cm). In a passe-partout, under glass in a wooden frame painted black with the inside edge gilt (92 x 73 cm). Full description

MATHAM, Jacob (engraver), Hendrick GOLTZIUS (artist) and Cornelius SCHONAEUS (author). Andromeda.
[Haarlem, Hendrick Goltzius,] 1597. 26.7 x 37 cm. Copper engraving. Full description

MAUGENDRE, Adolphe. Société anonyme des mines et fonderies de zinc de la Vieille Montagne[.] Album de 30 vues.
Paris, (printed by Auguste Bry), 1850-1851. Oblong 1mo (55.5 x 38.5 cm). Tinted lithographed title-page and 30 tinted lithographed plates (55.5 x 38.5 cm, one slightly smaller: 35 x 50.5 cm), all in fine contemporary hand-colouring. Loose in modern clamshell box. Full description

[MAURITS, Prince of Orange]. Clare af-beeldinghe, ofte effigien, der voornaemste conspirateurs, staende op het lichaem vande hoofdeloose Arminiaensche slange. Waer in vertoont word hoe den orangien boom, mitsgaders religie ende justitie (in spijt van 't bedrogh, en den vervallen boom) door de strael Gods, beschermt word.
Utrecht, Jan Amelisz. (printed by Jan Adrieansz. in Amsterdam), 1623. 1mo. Broadsheet (41 x 31 cm), with engraved illustration (16 x 22.5 cm), letterpress title at the head and a letterpress poem in 3 columns below. Full description

[MAURITS, Prince of Orange]. Clare verthooninghe, ofte af-beeldinghe des gantschen handels deser schrickelijcke ende moordadighe conspirateurs, (jeghens den heere Prince van Orangien, mitsgaders den staet ende wel-varen van 't land) vervaetende het begin , totten eynde haerder justitien toe.
Utrecht, Jan Amelissz., 1623. 1mo. Broadsheet (40 x 31.5 cm), with engraved illustration (15 x 25.5 cm) below the title, and a letterpress dialogue in verse in three columns plus and explanation of the plate, below. Full description