Art, Architecture & Photography / Drawings, Prints & Watercolours

[CALLOT, Jacques, Carel ALLARD & others]. [Collection of 120 engravings by French, Dutch, Italian and German artists].
Venice, Paris, [Amsterdam], etc., 1601-1725 (album ca. 1745?), with additions [1788] & [ca. 1790]. 8vo, 4to, etc. (19 x 13 cm). 120 engraved prints, namely 44 from 4 complete print series (1 with a title-print), 57 (including 3 title-prints) from 10 or 11 other series and 19 prints apparently not from any series, by Jacques Callot (1 complete series), Odoardo Fialetti, Herman Weyen, Balthasar Moncornet, Henri Bonnart, Carel Allard (3 complete series), P. Landry and others (see contents, below). Mottled sheepskin (ca. 1745?). 95 ll. Full description

CALLOT, Jacques. Capitayn van de bende.
[Amsterdam], Claes Jansz. Visscher, [ca. 1645]. A series of 24 numbered engraved plates by Claes Jansz. Visscher after Jacques Callot (some copied in mirror image), the first with the title on a banner carried by the beggar in plate 1.
With: (2) QUAST, Pieter Jansz. T is al verwart-gaeren.
[Amsterdam], Claes Jansz. Visscher, 1652. With 24 (of 26) numbered engraved plates, the first with the title at the foot. 2 works in 1 volume. Small folio (26.5 x 19.5 cm). 18th-century paste paper over boards. 24; 1-2, 5-26 (of 26) engr. ll. Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Architecture peinture et sculpture de la maison de ville d'Amsterdam, representée en CIX. Figures en taille-douce.
Amsterdam, David Mortier, 1719. Royal folio. With a title-page in red and black with an engraved device (a portrait of Erasmus in an elaborate cartouche with allegorical figures), and 124 engraved architectural and sculptural illustrations on 109 numbered plates (6 double-page, 103 full-page).
Contemporary quarter brown sheepskin. 22 pp. + 109 plates Full description

[AUTOGRAPH]. CAMPER, Petrus. [Autograph letter, signed, to Reinier Arrenberg].
Groningen, 2 February 1773. 4to. Brown ink on laid paper, addressed on the outside and with an armorial red wax seal.
With: (2) [PORTRAIT]. [PUJOS, André]. P. Camper, ...
[Paris, André Pujos, 1786]. 4to. Mezzotint portrait on laid paper. [1], [1 blank, except for the address]; [1] ll. Full description

[CANALETTO]. VISENTINI, Antonio. Urbis Venetiarum prospectus celebriores, ex Antonii Canal tabulis XXXVIII.
Venice, Joannem Baptistam Pasquali, 1742. 3 parts in 1 volume. Oblong folio (ca. 36.5 x 52.5 cm). With 3 letterpress title-pages printed in red and black with engraved vignettes by Visentini, the original engraved title-page for the first series (Prospectus Magni Canali), a double portrait of Canaletto and Visentini by Visentini after Giovanni Battista Piazetta and and XIV, XII and XII numbered engraved prints with familiar views based upon 38 paintings by Canaletto, engraved by Visentini, showing the Grand Canal, public buildings, renowned places in Venice and regatta scenes. Contemporary half morocco, brown paper sides, manuscript title (?) and two old shelfmarks on the spine. [8]; [1]; [1] ll. plus the part-title, double portrait and XIV, XII, XII prints. Full description

[CARRIAGE HORSE TACK]. FÖLSCH, Michael. [Sample book of harness designs and other elaborate and decorative carriage horse tack].
[Vienna, ca. 1790?]. 2 volumes. Oblong small folio (23.5 x 37 cm and 25.5 x 39.5 cm). With 67 pen-and-ink, watercolour and gouache drawings of horses, most highlighted with silver and gold , all signed, most trimmed and mounted on blank leaves ca. 1805. With 2 etchings added at the end of volume 1, executed by Friedrich Leopold Bürde and dated 1812. Volume 1 stab-sewn, volume 2 with the leaves mounted on stubs and sewn through the folds, each with marbled paper wrapped around the spine. In an early 19th-century half tanned sheepskin box in the form of a book, metal hook-clasps. Full description

CARRIÉRE, Jan Ph. Herbarium van bloemen en planten. 1ste deel.
[Watergraafsmeer, ca. 1884]. 1 volume. Small folio (22.5×20.5 cm). With 30 drawings of flowers in watercolour and ink, each with a description in Dutch on a separate leaf. The whole preceded by a title-page, a table of contents (1 page), and an introduction (2 pages). Contemporary black cloth, rebacked, modern endpapers.
With: (2) CARRIÉRE, Jan Ph. Herbarium van naar de natuurgeteekende bladeren, "afdeeling boomgewassen". [Title volume 2:] Herbarium van boombladeren.
Watergraafsmeer, 1884. 3 volumes. Small folio (22.5×20.5 cm). With 90 drawings of tree leaves in watercolour and ink, with a description in Dutch on a separate leaf. The first two volumes each with a title-page, a table of contents (1 page) and an introduction (1 page), and the third volume without preliminaries. Contemporary blue (vols. 1-2) and black (vol. 3) half cloth. The third volume rebacked with original backstrip laid down. Full description

CAUS (CAULS), Salomon de. La perspective avec la raison, des ombres et miroirs.
London, John Norton [printed partly by Jan Mommaert the elder in Brussels and partly by Richard Field in London], 1612. Royal folio (52 x 28.5 cm). With an engraved title page and 80 etched and engraved illustrations: 64 on otherwise blank pages, mostly on integral leaves (2 across double-pages, further mostly full-page), and 16 on the text pages (from small to half-page). Contemporary dark brown calf. Rebacked, restored and with new endpapers. engraved title + [5], 49, [16] ll. including engravings. Full description

CERF, J. de. [Oval miniature portrait painting of Voltaire].
[France?], "1687" [= ca. 1735?]. Oval portrait painting (11 x 9 cm) in grisaille on copper, with a note on the back "J. de Cerf A[nn]o 1687". Mounted in a gilt rectangular wooden frame (34.5 x 28 cm). Full description

CERVANTES SAAVEDRA, Miguel de (Jacob Campo WEYERMAN translator; Antoine COYPEL illustrator). De voornaamste gevallen van den wonderlyken Don Quichot, door den beroemden Picart den Romein ... in XXXI kunstplaaten, na de uitmuntende schilderyen van Coypel in't koper gebragt ...
The Hague, Pieter de Hondt, 1746. Large folio (42 x 27 cm). Title in red and black with an engraved vignette (Quixote and the windmill), and 31 engraved illustration plates, all coloured by a contemporary hand, heightened with gold and set in in a gilt frame. Further with large woodcut initials and tailpieces, and each text page in an ornamental frame built up from typographic ornaments (the frames not in the 4to issue). Contemporary, richly gold-tooled dark red morocco by the so-called Van Damme bindery in Amsterdam, sewn on 7 supports, each board with Van Dammes typical hourglass- or vase- or flask-shaped central cartouche with a starry sky on a black ground, here showing a short-stemmed chalice or goblet with fire or flame-like leaves (like a snake plant, Dracaena trifasciata) in the cartouche and a basket of flowers topping the cartouche, the whole in an elaborate frame built up from hundreds of impressions of numerous small tools, the spine-title in gold on a black ground in the 2nd of 8 compartments, each of the other 7 with flowers, other decorations and a small flower in a pot, gilt edges. With a tissue guard-leaf before each plate. [2], XXVI, 420 pp. Full description