Autographs, Documents & Manuscripts

GYSELAAR (GIJSELAAR), Johanna Maria Nicoletta de. Album amicorum.
Gorkum, Leiden, Warmond, Delft, Amsterdam, The Hague, Laarwoude, Zuidlaren and Assen, 1800-1805. 8vo (14.5 x 10 cm). Manuscript album amicorum on paper, with entries in Dutch, French and German. With 3 watercolours of flowers, a small watercolour of roses, and a fine washed pen drawing of a view on a lake with fishermen at work by the owner's niece, J.M. de Gyselaar. Contemporary calf, richly gold-tooled spine and turn-ins, yellow silk endpapers. 192 pp. Full description

[AUTOGRAPH]. HALL, Basil. [Autograph letter, signed, to Aaron Louis Frédéric Regnault, Baron de la Susse].
Smyrna (Izmir, Turkey), 27 June 1842. 8vo (18 x 11 cm). Manuscript letter in English, in brown ink on one side of an 8vo double leaf. Signed at the foot by Basil Hall. [1], [3 blank] pp. Full description

[AUTOGRAPH]. HARLOFF, Anton Johan Wouter. [Autograph letter, signed ("A. Harloff"), to Horace Hugo Alexander van Gybland Oosterhoff].
The Hague, 6 May, 1933. Folded double leaf (21.6 x 14). In Dutch. 3 pp text. Full description

[HERALDRY - FLANDERS - NETHERLANDS - FRANCE]. [Album containing coats of arms of Flemish, Dutch and French noble families].
[France, Flanders and the Netherlands, 17th and 18th century]. Folio. With 390 coats of arms (plus another 49 blank shields) of which 13 on vellum, all but 25 contemporary hand-coloured of which 17 painted with gold and 1 with silver and all but 3 drawn by hand. Mostly all coat of arms are captioned in brown ink in contemporary 17th- or 18th-century cursive hands, in which also the sometimes added manuscript text (on the same or another leaf) is written. Coats of arms on paper and vellum in various sizes, mounted on later folio-sized paper leaves. 18th-century half red roan (sheepskin), brown sprinkled paper sides over boards, manuscript title label on the front board. All loose leaves and quires mounted/stored on [29] ll, the quires loosely stored in a paper slip mounted on a leaf. Full description

HOGENDORP, Dirk van. [Autograph letter by Dirk van Hogendorp to the Amsterdam solicitor J. de Vries jr.].
[Amsterdam], 12 July 1833. 8vo (ca. 19,5 x 22,7 cm). Text within a black border, which does not continue along the lower edge of the sheet. [4] pp. Full description

[FORTIFICATION]. HOOFF, Cornelis Christiaan van. Grondbeginselen der vestingbouw, volgens de verschillende manieren van versterken van Pagan, Vauban en Coehoorn. Geconstrueerd getekend en beschreven door C C van Hooff.
[The Hague], 1796. Folio. With a calligraphic title-page and 19 folding drawings (mostly about 32.5 x 51 cm, 6 longer: 78 to 138 cm, the longest assembled from 2 pieces before drawing) with 45 numbered figures, showing fortification plans and sections in black and red ink with coloured washes. With an 1857(?) photograph of a (ca. 1795?) miniature oval portrait of the author and 4 documents concerning the manuscript and the author's family (1933-1965), all loosely inserted. Contemporary half, tanned sheepskin, gold-tooled spine. [1], [1 blank], 81, [1 blank], [1], [3 blank] pp. plus 19 integral blank ll. with drawings tipped onto them. Full description

[HORSES - MILITARY]. Anecdoten van paarde kenners, paarde liefhebbers, ruijters en ross-kammers. Naar waarheid en eijge ondervinding opgesteld. Door een gepensioneerd cavallerie officier.
[The Netherlands, ca. 1815]. Folio (38 x 24 cm). Manuscript on paper written in brown ink in a readable Latin hand, with the title on p. 72, illustrated with 30 small watercolour drawings of horses mounted on the leaves (mostly about 8.5 x 11 cm), and a washed pen drawing with 5 caricature figures before a monument (9.5 x 16 cm), mounted above the dedication. Half vellum (1930s?), gold-tooled spine. [4 blank], 248, 251-254, 257-267, [9 blank] pp. Full description

[AUTOGRAPH]. HUMBOLDT, Alexander von. [Autograph letter to Le Chevalier de Rossel, director of the Dépôt des Cartes of the Paris Académie des Sciences].
[Paris, 1818?]. 4to (23 x 18.5 cm) Letter in black ink on laid paper, in Humboldt's somewhat cramped but still legible hand. Formerly folded for posting, with the address written on the otherwise blank final page and with traces of a paper seal. [1], [3 blank] pp. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description

[ILLUMINATED MANUSCRIPT - BOOK OF HOURS (DIOCESE OF UTRECHT)]. [Incipit, A2r:] Alst my gaet niet nae mij[n] syn / Soe wil ic my liden en[de] swyghe stil ...
[Diocese of Utrecht, the County of Holland], 1488. Large 8vo (19 x 13.5 x 4 cm). Written in Dutch on vellum by 2 gothic textura hands in 1 column (20 lines/page for the first hand for the main text and calendar; 22 lines/page for the additions written by the second hand). All leaves are numbered in pencil in the upper margin of the rectos by a 19th- or 20th-century hand. Richly iluminated by the Master of the Brussels Hours of the Bezborodko Group, being one of the stylistic groups of the Masters of the Dark Eyes, with 6 full-page miniatures, 2 historiated initials and 4 larger decorated initials, several smaller decorated initials, and many 1-line lombardic initials in blue and red. Also with a 6-line blue penwork initial on a red penwork ground, being a contemporary addition. Also with three- and four-marginal border decoration (an uncoloured background filled in with small dots or short tendrils in black, show acanthus leaves in different colours, various flowers and several brightly coloured birds and fabulous beings, with gold and black/white dots among them). Contemporary blind-tooled calf over rounded ("cushioned") wooden boards. With the original brass catch- and anchor-plates, the latter with remnants of the leather fastenings, and the later silk red ribbon markers loosely preserved. 144 ll. including 6 inserted leaves with miniatures and 2 blank endpapers used as paste-downs. Full description