Book History, Education, Learning & Printing / Bindings

[PRAYER BOOK]. Piae precationes ad missas devote celebrandas, et sacrosanctam eucharistiam sumendam. Cum variis orationibus ex bonis & probatis authoribus collectis.
Rome, Aloysius Zannettus, 1604. 8vo. With woodcut title-page and some ornamented woodcut initials in the text. Contemporary richly gold-tooled brown morocco, with gauffered edges; both sided with 2 pairs of fillets along the edges with little flowers at the corners and a floral border in between; a pattern of loose gilt stamps of flowers in a spiral line, vases with flowers, lions, stars and so-called "foglia accartocciata" ("feuilles mortes") and a crucifixion in an oval border in the centre of the front cover and the Virgin with child in an oval border in the centre of the back board. 272 pp. Full description

[PRAYER BOOK - BINDING]. Le tableau de la croix representé dans les ceremonies de la Ste. Messe ensemble la tresor de la devotion aux soufrances de N[ot]re. S[eigneur]. I[esus]. C[hrist]. le tout enrichi de belles figures.
Paris, Francois Mazot, "1651" (privilege dated 20 September 1652). 8vo & small 4to (16.5 x 11.5 cm). With engraved title-page and 48 engraved leaves by Guillaume de Gheyn, J. Collin, and J. Durant. Later 17th-century French red morocco, elaborately gold-tooled with pointillé tools in a panel design with 2 roll borders and hundreds of impression of numerous tools, the 6 spine compartments gold-tooled, gilt edges. [2 blank], [6], "39" [= 75], [16], [1 blank] pp. Full description

[MANUSCRIPT]. REMY, Claude. Traité des elemens présenté à M. Raoul de Choiseul-Gouffier.
Paris, 1786. Small 8vo. Calligraphic manuscript written in French in dark brown ink on paper, in a formal Latin script hand (a French-style "batard"), with an ornamental, calligraphic title-page in reddish brown, green, dark brown and black ink, each page in a thick-thin-thin border with circular decorations in each corner and centred at the head, running heads in the border, the heading of the "Avertissement" in a decorative script, and calligraphic chapter headings in circular or rectangular decorations and sub-headings in decorated horizontal bands. Contemporary red, gold-tooled morocco, the smooth spine divided into 6 panels (separated by lines flanked by dotted lines), the 2nd with a dark green title-label, each of the others with an 8-petalled flower, 10 dots, a decoration in each corner and another at each side, and a decorated band at the foot; each board with a border of thin-thick-thin fillets with a decoration stamped on each corner and a 6-petalled flower inside each corner; gold-tooled turn-ins, gold fillets on the board edges (altogether about 130 impressions of 13 tools), gilt edges. [2], 186, [4] pp. Full description

RINUCCINI, Giovanni Battista. Historia do Capuchinho Escoces.
Lisboa, Bernardo da Costa Carvalmo for Joseph da Cruz Cardozo, 1708. 2 parts in 1 volume. 8vo. With a general title-page with a woodcut portrait of a monk (in the centre of a large rosette) and a divisional title-page for the second part of the tex. Contemporary richly gold-tooled calf, gold-tooled board edges, gilt and gauffered edges. [14], 54, [1], [1 blank], 55-237, [3 blank] pp. Full description

ROQUES, Pierre. Le vray pietisme ou traité, dans lequel on explique la nature & les éffets de la piété; la juste étendue du renoncement au monde; où l'on remonte à la source générale du peu de vertu qu'il y a entre les Chrétiens, où l'on indique les moyens d'acquérir une piété solide; & où l'on fait connoître comment la piété nous dispose à l'égard de ceux qui ne pensent pas comme nous en matière de religion.
Basel, Jean Brandmuller, 1731. 4to. With an engraved frontispiece portrait of the author by F.A. Störcklein. Contemporary vellum, with large embroidered coat of arms on front board (17.5 x 15.5 x 1 cm), with silver and gold thread. 7, [1 blank], [12], 596, 70, [1], [1 blank] pp. Full description

[ROSSI, Giovanni Gherardo de]. Scherzi poetici e pittorici.
(Colophon: Parma, Giambattista Bodoni, 1795). 8vo (22 x 14 cm). With engraved title-page and 40 engraved plates (plate size: ca. 7 x 11 cm). Richly gold-tooled red morocco by Rémy Petit (active 1855-1900), spine with 5 raised bands resulting in 6 compartments, one with black title-label and the other five gold-tooled with black oval inlays; the sides with gilt triple fillet borders, corner ornaments with same oval inlays and a central oval ornament (gold on green); further with gilt fillets on board edges and richly gold-tooled turn-ins with a floral motive, gilt edges. [52] ll. Full description

ROTH, Johann Michaël. Augsburgische Sammlung derer wegen des höchstbetrübten Untergangs der Stadt Lissabon, ... anbey hat man die Stadt Augsburg in Grundriß mit 48. Prospecten der schönsten Gebäude denselben mit beygefüget ...
Augsburg, Johann Michael Roth, [ca. 1756].
Including:
(2) [MAP - GERMANY - AUGSBURG]. KRAUS, Johann Thomas. Accurata recens delineate ichnographia ... metropolis Augustae Vindelicorum ... = Neu verfertigt accurater Grund Riß der ... Statt Augspurg, ...
Augsburg, Matthäus Seutter, [ca. 1750]. Large engraved map on a folding sheet (50 x 61 cm) at a scale of about 1:4000.
(3) WEYERMANN, Jakob Christoph. Prospectus praecipuorum aedificorum et locorum intra et extra urbem Augustam Vindelicorum ...
Augsburg, Matthäus Seutter, 1742. 4 large uncut folding sheets (each 40 x 70 cm) containing the engraved title-page in an elaborately decorated cartouche and 47 engraved views of buildings in and around Augsburg (each 16 x 13.5 cm), numbered [I], II-XLIII.
1mo (50 x 38.5 cm). With an engraved title-page, the title in the arched doorway of an architectural ruin with a female figure with the Portuguese coat of arms in mourning on the steps, flanked by 2 putti; an engraved report on the earthquake and resulting tsunami on 1 November 1755; and in the first part 60 engraved views, maps and plans printed from 25 copperplates on 13 leaves (4 large folding, including 1 constructed from 2 sheets, the rest on both sides of 9 leaves, except the last, which is blank on the reverse). Gold on black gold brocade paper wrapper, probably from the publisher, sewn without supports at 3 stations, each wrapper made from a whole sheet of the decorated paper, with as centrepiece a statue in a domed gazebo, the dome carried by 4 visible (probably of 6) caryatids. The sheet is further filled with scrollwork decoration with oval portraits in the upper corners, winged angels in the lower corners, 4 more angels plus 2 faces in the scrollwork. Pasted in the centre of the front wrapper is an engraving of the Augsburg pine cone flanked by Neptune with his trident and a river God with an oar, above a city view with cornucopias (10 x 6.5 cm), with a manuscript label below it, "1755 et 1756." The whole is kept is a finely produced modern tanned sheepskin box with the form of a book, the spine with 7 raised bands and a red morocco label, a single brass fastening, and the interior and what would be the edges of the paper lined with marbled paper combining Stormont, zebra and Spanish patterns. [20] engraved ll., some printed on both sides. Full description

RUDOLF, Archduke of Austria and Hungary. Voyage en Orient. Traduit de lAllemand. Illustrations daprès les dessins originaux de Franz von Pausinger.
Vienna, Imprimerie Imperiale et Royale de la Cour et de lÉtat, 1885. Folio. With 37 etched plates.Contemporary calf, richly gold-tooled front board, spine label, gilt edges. [8], 168, [2] pp. Full description

RUTILIUS LUPUS, Publius and 15 others (François PITHOU, ed.). [Antiqui rhetores Latini.] ... Omnia ex codd. manusc. emendatiora vel auctiora.
Paris, Adrien Périer (ex officina Plantiniana), 1599. Large 4to. Set in roman types with incidental italic, Greek and Hebrew. Contemporary gold-tooled calf with 18th-century restorations, with the arms of Aire-sur-la-Lys (an eagle) flanked by "S.P.Q. ... Arien[sis]". Rebacked with the original backstrip laid down. [4], 382, [15], [1 blank] pp. Full description

[SAINCTOT, Nicolas II de]. [Memoires de Mr. de Sainctot].
[Paris?, ca. 1710]. 2 works, with the first in 2 parts, in 2 volumes. Folio (44 x 30 cm). With 3 drawings of layouts and seating plans of the king's audience room, and 24 copper-engravings of ambassadors and court scenes. With: (2) [AVICE, Henry]. La pompeuse et magnifique ceremonie du sacre du roy Louis XIV.
Paris, Imprimerie d'Edme Martin, 1655.
Contemporary gold-tooled red morocco, with the French royal coat-of-arms on the front and back, fleurs-de-lis in the corners and on the spine, the title lettered in gold on the spine, gold-tooled board edges and turn-ins, gilt and marbled edges, marbled endpapers. 450, [1 blank]; [6], "344" [= 407], [5 blank]; [1], [1 blank], [8], [7], [5 blank] pp. Full description