Early Printing & Manuscripts

VORAGINE, Jacobus de. Legenda sanctorum al[ia]s Lombardica historia. [= Legenda aurea sanctorum].
[Colophon:] Basel, Nikolaus Kessler, 25 June 1486 Small (Chancery) folio (28.5 x 22 cm). With Kesslers 1485 woodcut armorial device below the colophon (double shield hanging from a branch, the dexter shield with 3 kettle hooks and the sinister shield with a K and cross). Blind-tooled tanned sheepskin (ca. 1870/1900), with a hollow back, sewn on 4 recessed cords but with 5 false bands on the spine, gold-tooled black morocco spine-label in the 2nd compartment and "BASEL 1486" in gold at the foot. [255] ll. Full description

VREDEMAN DE VRIES, Jan (Hans), Antonio LABACCO, Giacomo Barozzio da VIGNOLA and others. [Collection of architectural and decoration prints including fortification plans, garden plans and architectural decoration].
Antwerp, Venice, Rome, various publishers, [engraved] 1561-1585, [printed 1580-ca. 1600]. Large folio & small 1mo (38.5 x 27 cm). Collection of 4 separately published prints (3 large full-sheet & 1 small full-sheet), plus 67 prints from 9 series (including 3 double-page prints and a 1½-sheet plan of classical Roman ports printed from 2 copperplates). Contemporary or near contemporary limp sheepskin parchment (ca. 1600?). [77] engraved ll. containing [71] prints. Full description

[WEYNSEN, Matthias (editor)]. Fascicul[us] mirre. Hier beghint een seer sonderlinghe ende devote materie van die passie ons Heren Jesu Cristi gheheten (dat busselkijn of dat bondekijn van mirre) vergadert ende gecompileert van eenen gheestelijcken ende seer verlichten broeder vander minrebroeders oerden van die familie der observanten in die provincie van Colen ...
(Colophon:) Antwerp, Henrick Eckert van Homberch, 18 January 1518. 4to. With the first word of the title printed in red, 35 woodcut illustrations in the text (of which 8 repeats), with Christ's wounds coloured in red, and 53 decorated woodcut initials. The work is rubricated throughout. 17th-century gold tooled mottled brown calf. [196] ll. Full description

WILDENBERG, Hieronymus (Hieronymus CINGULARIUS). Tersissima latini eloquij Synonymorum collectanea, non modo epistolas, verum etiam carmina cudere volentibus oppido idonea, ex multiiugis & quidem luculentissimis Oratorum tum Poetarum scriptis studiosa recognitione, veluti quaedam progymnasmata eruta, vernaculoque suo ut inventu sint faciliora accommodata, ac denuo secundum Alphabeti seriem deprompta atque concinnata. Annexus est Tractatulus utilissimus de vocum proprietatibus, seu terminorum differentijs.
Magdeburg, Michael Lotter, (ca. 1535). Sm.8vo. Old boards. [75] ll. Full description

WIMPFELING, Jakob (Jacobus WIMPHELINGIUS). Ad Julium. II. Po[n]tifice[m] Max[imum]. Querulosa excusatio Jacobi Wimphelingii ad instantiam fratru[m] Augustine[n]sium ad curiam romana[m] citati: ut propria in persona ibide[m] compareat: proptereaq[ue] scripsit divum Augustinum non fuisse monachum vel fratrem mendicante[m].
[Strasbourg, Jean Prüss the elder, ca. 1507]. 4to (21 x 15 cm). With a large woodcut decorated initial. Set in 2 sizes of roman type with a few words in a large textura gothic type. With the initial coloured brown by an early hand. Boards covered with grey laid paper (1940s?). [7], [1 blank] pp. Full description

[ZACUTO, Abraham Ben Samuel]. Ephemerides sive Almanach perpetuu[m].
(Colophon:) Venice, Petrus Liechtenstein, for Johannes Lucilius Santritter, October 1498. 4to. With a woodcut title page and numerous tables. 20th-century limp vellum, sewn on 2 thin vellum straps laced through the joints, with the manuscript name of the (wrong) author and year of publication on the spine. [122] ll. Full description

ZEHENDTNER VOM ZEHENDTGRÜB, Paul. Ordenliche Beschreibung mit was stattlichen Ceremonien und Zierlichheiten, die Röm. Kay. May. unser aller gnedigster Herr, samt etlich andern Ertzhertzogen, Fürsten und Herrn, den Orden dess Guldin Flüss, in disem [15]85. Jahr zu Prag und Landshüt, empfangen und angenommen.
Dillingen, Johann Mayer, 1587. 4to (20 x 15.5 cm). With title printed in red and black, 7 full-page engraved illustrations (showing the collar (chain) of the Order, the Emperor Rudolf II in his robes and 5 coat-of-arms), and 13 large folding engraved plates showing the splendid ceremonies held at Prague and Landshut, probably all drawn by Anthony Boys. Contemporary gold-tooled tanned sheepskin; rebacked with most of the original backstrip laid down. [1], [1 blank], 155, [1], [2 blank] pp. Full description