Early Printing & Manuscripts

CARTARI, Vincenzo [& Antoine du VERDIER]. Imagines deorum, qui ab antiquis colebantur: in quibus simulacra, ritus, caerimoniae, magnaque, ex parte veterum religio explicatur: olim a Vincentio Chartario Rhegiensi ex variis auctoribus in unum collectae, atque in Italica lingua expositae: nunc vero ad communem omnium utilitatem Latino sermone ab Ant. Verderio domino Vallisprivatae, &c. expressae, atque in meliorem ordinem digestae. Quibus acc. duo indices: prior, imaginum: posterior, rerum atque verborum, quae toto libro continentur.
Lyons, Etienne Michel (colophon: printed by Guichard Julliéron), 1581 (colophon: August). 4to. With Michel's woodcut publishers device on the title-page (an Ottoman man and a fruit tree with motto "virtutes sibi invicem adhaerent"), a full-page woodcut portrait of Antoine du Verdier, a small woodcut illustration and 89 beautiful large woodcuts (13 x 9.5 cm) of classical mythological gods and heroes in the text. Modern sheepskin parchmen. [8], 359, [57] pp. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CENTENO, Amaro. Historia de cosas del oriente primera y segunda parte...
Cordoba, Diego Galván, 1595. 2 parts in 1 volume. 4to. With a woodcut coat of arms on the title-page and the divisional title-page for part 2, an elaborate Jesuit woodcut IHS vignette on the verso of the last leaf above the colophon and woodcut initials throughout, with a few typographical or woodcut tail-pieces, al text is set within a simple woodcut frame. Later tree marbled sheepskin. [8], 138, [4] ll. Full description

CHAMPIER, Symphorien. Castigationes seu emendationes pharmacopolarum, sive apothecariorum, ac Arabum medicorum Mesue, Serapionis, Rafis, Alpharabii, & aliorum iuniorum medicorum...
(Colophon: Lyon, Johannes Crespin, 1532). 2 parts in 1 volume (bound in reverse order). 8vo. With armorial woodcut on title-page to the second part (bound as opening title-page), repeated several times in text, and numerous woodcut initials. Contemporary vellum, richly blind-tooled in a panel design. LVI, CXII ll. Full description

CHRYSOSTOM, John. In sanctum Jesu Christi evangelium secundum Matthaeum commentarii, diligenter ab Arrianorum faecibus purgati, & in lucem in sacrae paginae tyronum gratiam modo recens sub minoriforma aediti.
Antwerp, Joannes Steelsius, 1542.
With: CHRYSOSTOM, John. Passio Domini Nostri Iesu Christi secundum Matthaeum in decem Homilias divisa.
Antwerp, Joannes Steelsius, 1542.
2 works in 1 volume. 8vo. Ad 1: with two woodcut initials at the beginning of the introduction and the prologue, of 2 different series, and a large woodcut printer's device on the last page, showing a staff, surrounded by doves and the text 'steelsius', stuck in a plaquette that says 'concordia, res parue crescunt'. Ad 2: with a woodcut initial on the first leaf. Contemporary Flemish blind-tooled, panel-stamped calf, with a tripartite panel on both sides and remnants of ties. [8],"313" [=314], [1]; 47, [1] ll. Full description

CHRYSOSTOMUS, Johannes (Antonius VAN HEMERT, translator). Van die beweechnisse des herten, tot berouwe der sonde[n]. ...
(Colophon:) Antwerp, Symon Cock, 18 August 1546. 8vo. With the title-page in red and black in a framework of thin rules, 6 woodcut decorated initials and 2 vine-leaf ornaments. Set in 3 sizes of textura gothic types. A very interesting Antwerp binding of contemporary panel-stamped calf, each board with the same panel, showing 2 medallion portraits in, the whole surrounded by a floral decorative border, interesting fastenings with cord loops that fasten to bone buttons on leather straps. [131], [1 blank] ll. Full description

CIGNANO, Ludovico. Quieta solitudine di varii ragionamenti, discorsi, et concetti, ove si narra quattro navigationi ...
Bologna, Alessandro Benacci, 1587. Small 4to. With the woodcut coat of arms of the dedicatee Giovanni Luigi Scappi, elaborately helmed, crested and mantled, on the title-page, a woodcut tailpiece (plus 1 repeat), woodcut decorated initials (at least 4 series), decorations built up from cast typographic ornaments.
Goatskin morocco (ca. 1870/80?), richly gold-tooled spine and turn-ins, signed in foot of front turn-in by the Paris bookbinders "DARLAUD FRÈRES", gold fillets on sides and board edges, combed curl-marbled endpapers, edges gilt over marbling, headbands worked in white and beige, and a yellow, red and green ribbon marker. 166 pp. Full description

CLENARDUS, Nicolaus. Nic. Clenardi Epistolarum libri duo. Quorum posterior iam primum in lucem prodit.
Antwerp, Christopher Plantin, 1566. 2 parts in 1 volume. 8to. Both title-pages with Plantin's woodcut printer's mark, Arabic type interspersed. Contemporary vellum with 4 raised bands and a manuscript title on the spine. 112, 258 [= 241], [4] pp. Full description