Early Printing & Manuscripts / 15th Century

[MANUSCRIPT - CALENDAR]. [Calendar for calculating the date of Easter].
[Auxerre, France?], [ca. 1400?]. Small 4to. Latin manuscript in red, brown and black ink on paper, written in an upright French gothic semi-cursive hand with short texts in a textura hand, with 6 round diagrams for calendrical calculations containing text and 2 more with no text filled in. Leaves A4-A6 (6 pages) written in two columns contain 12 tables for the 12 months (January to December) providing data for each day of the month, and the manuscript includes further data for calendrical calculations in several more rectangular tables. The final blank leaf has holes pricked to form a circle, but no diagram has been drawn using them. Sewn through 3 holes in a (ca. 1550?) paper wrapper, the whole in paperboards lined with printed waste paper from a (17th-century?) Latin Breviary. [18], [2 blank] pp. (pp. 2 & 5 also blank). Full description

[MANUSCRIPT - PRAYER AND HYMN BOOK - LATIN]. [Devotionarium].[Incipit leaf 2r:] Or[ati]o deuota q[ue] debet dici[t] i[n] ficem diei ante dormitione[m].
[Northern Germany(?), 15th century]. 8vo. Written in Latin on relatively thin parchment (leaf 11.5 x 8.5 cm, text block 7.8 x 5.2 cm), in a gothic hand in one column of 17 lines per page using black/dark brown ink. The manuscript is rubricated throughout, with a 3-line red and blue initial at the start of each part, and 2- or 1-line lombards, alternating in red and blue, at the start of each smaller section, ruled in pencil. Early 19th-century(?) gold-tooled vellum showing a gold-tooled floral frame on both boards, with a leather closing tie on the front, gold-tooled board eges, gilt edges. [131] ll. Full description

OTTO VAN PASSAU. Boeck des gulden throene of der xxiiij ouden.
Utrecht, [printer with monogram "tC"], [30 March] 1480. Folio. With 24 illustrations in text (ca. 9 x 6.2 cm), printed from 1 complete woodcut (plus 4 repeats) and 15 components assembled in different combinations, all rubricated and with architectural frames. The book has no printed initials, but spaces for manuscript initials, which have been filled with letters in the uncial style. Each of the 24 chapters begins with a large manuscript initial (the first 5-line with a penwork face in profile and further 4-line), 11 with two or more colours (mostly with penwork decoration extending into the margin), and others with interior white decoration. A smaller (2-line) initial with penwork extending into the margin opens the book's first page and there are numerous further 1-line and 2-line initials. Set in a textura type with capitals rubricated throughout. Woodcut printer's device at the end: a date palm tree with monogram "tC" (6.5 x 5.5 cm), the "t" perhaps also (or instead) representing a cross. Contemporary (Utrecht?) blind-tooled calf over wooden boards, each board in a panel design with the central part ruled in a lozenge pattern with about 200 impressions of 4 small separate stamps; re-backed, with modern morocco title label. [4], 197 ll. Full description

OTTO VON PASSAU. Boec des gulden throe[n]s of der xxiiij. ouden en[de] hoemen elke[n] vinden mach en[de] va[n] hoerre leringhen die si leren om te comen totten ewighen leven.
(colophon: Haarlem, [Jacob Bellaert], 25 October 1484). Folio (29 x 21.5 cm). With large woodcut printer's device (142 x 82 mm) on verso of last leaf (with the arms of the city of Haarlem above an eagle holding a larger blank shield, here filled in by a contemporary owner); 4 woodcut illustrations and 20 repeats, representing the 24 elders, each showing one of the male elders, standing, teaching a female novice kneeling before him. Further with spaces left for initials, all filled in with uncials by hand, about 25 with penwork decoration in 1 or 2 additional colours: 1 blue 6-line initial with decorations in red and violate extending far into the margin, about 24 red 3 to 9-line (mostly 7-line) initials with lavendar penwork (1 with 2 green dots), some extending into the margin, and more than 70 2-line red initials without penwork decoration; a few spaces left for ¶-marks, also filled in in red; capitals rubricated throughout. Set entirely in Baellart's textura (99 or 100 mm/20 lines or about 14.5 point). Lacking leaf 137 (the second to last text leaf) and the final blank. Modern sheepskin. [1 blank, 3], "136" [= 135 (of 136)], [1] ll. Full description

[POST-INCUNABLE - ROOKLOOSTER - WINDESHEIM]. Ordinarius divini officii pro ordine Canonicorum Regularium, Capittuli sive Congregationis Wyndesemensis. Anno Domini. M.CCCCC.XXI.
Deventer, Albert Pafraet, April 1521.
With: (2) [POST-INCUNABLE]. Statuta capituli Windeshemensis. - Incipiunt statuta capituli de windesim. impressa amstelredammis Et primo de elecione intronisatione & confirmatione novi prioris.
Den Hem (near Schoonhoven), Regular canon Frater N., 1508.
(3) [MANUSCRIPT - LATIN]. Forma inclusionis.
[Rooklooster, after 1480 (ca. 1490)].
4to. Ad 1: With the title set within a magnificent woodcut frame consisting of four pieces. Further with two smaller woodcuts in the text, woodcut initials and a full-page woodcut illustration at the end. All illustrations are beautifully coloured by a contemporary hand. The text is set in roman type (with some occasional Gothic type), rubricated throughout. Ad 2: With a large handcoloured woodcut beneath the two lines of the title, the text is set in Gothic type, rubricated throughout. Ad 3: Latin manuscript written in a neat littera hybrida with the titles written in a littera textualis, rubricated throughout. In a beautifully and richly paneled original and signed binding of the famous Rooklooster (the "Red monastery"), the Augustinian Abbey of St. Paul in Oudergem (Auderghem) in the "Soniënbos" (Forest of Zonia) near Brussels: contemporary polished calf over wooden boards with (on both sides) two borders of three lines with rolls in between and a stamp of the Holy Lamb in the four corners and lozenge-shaped floral ornaments in the centre divided by three lines with a little floral double-rose stamp on the crossings; below the central panel on the front side a stamp "Roedencloester" flanked by eight little stamps of a star within a circle; one brass clasp and catch at the fore edge, brass strips at the edges of the corners; vellum pastedowns. [16], LXXIV; 63; 17 ll. Full description

SÁNCHEZ DE ARÉVALO, Rodrigo (Rodericus SANCIUS or ZAMORENSIS). Speculum vit[a]e human[a]e.
Rome, Joannes Philippus de Lignamine, 31 July 1473. Small folio (26.5 x 20 cm). With spaces left for 2 large (6-line) and about 80 small (3-line) initials. Text block 19.5 x 11.5 mm with 31 lines per page. Set in a single roman type throughout (Lignamine 125R). Limp sheepskin parchment (ca. 1740/50). [163] ll. Full description

[SINDBAD – SEVEN SAGES]. Historia septem sapientum Rome.
Cologne, Johann Koelhoff the Elder, of Lübeck, (before 6 November) 1490. 4to (200 x 128 mm), 34-37 lines, gothic type, rubricated in red. Illustrated with a large armorial woodcut printers device at the end and 23 full-page woodcuts, with two of the woodcuts repeated several times. Bound in contemporary blind-tooled full calf over wooden boards. Remains of clasps. Endpapers from a rubricated incunabular edition of the Biblia cum glossa ordinaria. [50] ff. [a–g6, H8]. Full description

THEOCRITUS, HESIOD, and others. [Indication of contents in Greek followed by Latin:] Haec insunt in hoc libro. Theocriti Eclogae triginta. Genus Theocriti & De inventione bucolicorum. Catonis Romani sententiae paraeneticae Distichi. Sententiae septem sapientum. De invidia. Theognidis megarensis siculi sententiae Elegiacae. Sententiae monostichi per capita ex variis poetis. Aurea carmina Pythagorae. Phocylidae Poema admonitorium. Carmina Sibyllae erythraeae De Christo Jesu domino n[ost]ro. Differentia vocis. Hesiodi Theogonia. Eiusdem Scutum Herculis. Eiusdem Georgicon libri duo.
Venice, Aldus Manutius, February "1495" [=1496]. Folio. With 8 fine woodcut headpieces (2 by the famous Poliphilus master) plus 29 repeats, and 23 woodcut outline interlaced initials (3 series: 3-line, 5-line and 7-line) plus 16 repeats. Modern red morocco, gold- and blind-blocked. [140] ll. Full description

TORQUEMADA, Juan de (Johannes de TURRECREMATA). [Expositio super toto psalterio, incipit:] Ad sanctissimum ac beatissimum dominum dominum Pium Secundum Pontificem Maximum editio in librum psalmorum quem alii soliloquium dicunt incipit feliciter ... [colophon:] Explanatio in psalterium ...
(Colophon:) Augsburg, printed by Johann Schüssler, [1470/71]. Folio (30 x 22 cm). Set in a single type, largely a rotunda gothic but with some roman influences with 35 lines per page, with about 150 manuscript "Lombardic" initials in red ink, the lines introducing the commentary for each psalm underscored and with manuscript paragraph marks, both in red ink. Late 19th-century(?) half vellum, boards covered with 2 leaves from a Latin Vulgate Bible printed on vellum. [266], [2 blank] pp. ([133], [1 blank] ll.) Full description

TRITHEMIUS, Johannes. De statu et ruina monastici ordinis.
[Mainz, Peter von Friedberg, after April 1493]. 4to. 20th-century quarter vellum, decorated paper sides. With the author, title, and place and date of publication in manuscript on the spine. [29], [1 blank] ll. Full description