Early Printing & Manuscripts / Natural History & Science

TRITHEMIUS, Johannes and Gabriel de COLLANGE (translator). Polygraphie et universelle escriture cabalistique.
Including:
(2) TRITHEMIUS, Johannes and Gabriel de COLLANGE (translator). Clavicule, et interpretation sur le contenués cinq livres de Polygraphie, & universelle escriture Cabalistique.
(3) COLLANGE, Gabriel de. Tables et figures planispheriques, extensives & dilatatives des recte & averse, servants à l'universelle intelligence de toutes escritures tant methathesiques, transpositives, mythologiques, numerales, anomales, que orchemales.
Paris, Benoît Prévost for Jacques Kerver, 1561. 3 parts in 1 volume. 4to. Printed in red and black, the main title and the titles of parts 2 and 3 set within a woodcut decorated border, 3 woodcut portraits of the translator, 13 large volvelles in part 3, numerous woodcut headpieces, and numerous woodcut decorated initials. 18th-century gold-tooled reddish-brown morocco, with the title and author lettered in gold on the spine, marbled endpapers, gold-tooled board edges, red edges. [18], 300 ll. Full description

VENETUS, Paolo Nicoletti [and Restoro d'AREZZO]. Summa philosophie naturalis ... una cu[m] libro de co[m]positione mundi qui astronomie ianua nuncupari potest ... [at the head of the page:] Primus liber incipit De co[m]positione mu[n]di.
Paris, Jean Lambert (colophon: printed by Thomas Kees, 14 November 1513). Small 4to (28 x 20.5 cm). With 55 woodcut illustrations in the text, including 12 northern and 12 southern pictorial constellations with stars. Flexible wrap-around paperboards (ca. 1750?), sewn on 3 tanned leather supports. [35], [1 blank] pp. Full description

VIGNOLA, Giacomo Barozzi da. Le due regole della prospettiva pratica. Con i commentarij del Egnatio Danti.
Rome, Francesco Zannetti, 1583. Folio. With a richly engraved architectural title-page by Cherubinus Albertus, 120 woodcut mathematical illustrations and figures in the text explaining perspective, including woodcuts of anamorphoses and 1 full-page woodcut, designed and cut by Danti, 29 engraved plates showing perspective designs, including 8 full-page, by Vignola. Further with a large woodcut printer's device on verso of the last leaf, and some woodcut decorated initials and head pieces. Later gold-tooled half calf and green decorated paper over boards, red and blue sprinkled edges. [1], [1 blank], [10], 145, [5] pp. Full description