Highlights

ARANEA, Vincenzo. In praecepta decalogi secundae tabulae dicta tractatus.
Including: [ARANEA, Vincenzo]. Disputationes de sacramentis novae legis.
[L'Aquila, ca. 1640]. 2 volumes. 4to. Written in a neat Italian cursive hand, some parts in other hands. Uniformly bound in contemporary vellum. [8], 270, [4] ll.; [4], 655, [10] pp. Full description

[ASSAROTTI, Ottavio Giovanno Battista]. Dottrina Christiana. [Manuscript in Italian].
[Genoa, ca. 1815/20]. 8vo. With 117 (of 118) full-page hand-coloured drawings, each in a frame of double rules (20.5 x 14 cm), with lively illustrations of the Christian doctrine, and text in Italian. Contemporary half calf, gold-tooled spine. 117 (of 118), [3 blank] ll., including the last 3 blanks. Full description

AUGUSTINE of Hippo (Saint AUGUSTINE). Explanatio Psalmorum. [Incipit:] Annotatio principaliu[m] sententiariu[m]/ principaliu[m] sente[n]tiariu[m] in expla-natione psamo[rum]...
(Colophon:) Basel, Johann Amerbach, 1489. 3 parts in 1 volume. Folio (ca. 31 x 21.5 cm).
Contemporary blind-tooled pigskin over wooden boards, with 1 brass clasp and remnants of a 2nd. [1 blank], [14], [1 blank]; [146]; [192]; [192], [5 blank] ll. Full description

BONAVENTURA (pseudo) [= Conradus de SAXONIA]. Speculum beate Marie virginis: compilatum ab humili fratre Bonauentura.
Augsburg, Anton Sorg, 1476. Folio (26.5 x 21.2 cm). Set in a Gothic letter in 40 lines to the page, printed in 1 column. Rubricated throughout. With a large Maiblumen woodcut-initial and 16 smaller initials (of which 11 hand-coloured in red). Modern vellum, with a manuscript title on the spine. [48] ll. Full description

BRETON, Raymond. Petit catechisme ou sommaire des trois premieres parties de la doctrine chrestienne. Traduit du françois, en la langue des Caraibes Insulaires.
Auxerre, Gilles Bouquet, 1664. 8vo. With a small woodcut on the title page showing the Virgin and a woodcut of the Crucifixion on p. 16. Modern half maroon morocco, gold-tooled spine. 70 pp. Full description

[CIVIL AND CANON LAW]. [Methodus utriusque juris].
[Cologne], (colophon:) Johann Koelhoff the Elder, 24 December 1481. Folio. With an anonymous engraved portrait in a sprinkled frame on the verso of the second flyleaf, the whole rubricated in red. 18th-century gold-tooled beige calf. 34 ll. Full description

[DOM SEBASTIÃO, King of Portugal and Giovanni STROZZI (attributed)]. Oratio habita serenissimi Portugaliae Algarbiorumque Regis Sebastiani Nomine, in Concilio Tridentino. Die IX. februarij. M.D.LXII. Unva cum responsione Sanctae Synodi.
Ripae [= Riva del Garda], Italy, Pietro Antonio Alciatis, 1562. 4to (18.2 x 13.4 cm). With the woodcut coat-of-arms of the Medici popes and a woodcut head-piece on the title-page, 2 large woodcut decorated initials in the text, a woodcut head-piece at the start of the text and two ornaments at the start and end of the text. Mid 19th-century marbled paper wrappers. [1], [1 blank], [6] pp. Full description

[HEROLT, Johannes], edited by Guillermus PARISIENSIS. Postilla super Epistolas et Evangelia.
[Cologne, Ulrich Zell, 1483/87]. Small folio. Printed in 2 columns, each with 49 lines to the page. Set in a late example of a hybrid form type, with lombardic initials in red gouache. Rubricated on c4v-d2r. Mid- or late-18th-century gold-tooled French(?) red goatskin morocco, the spine with a dark green gold-tooled morocco label in the 2nd of 6 compartments, gold fillets on the board edges, gold-tooled turn-ins, gilt edges, French marbled endpapers. With the first page (the only preliminary page) in facsimile, but further complete. [130] ll. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw ...
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19th-century light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title page. Full description

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles' feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesn't look like a shepherd or the Virgin Mary). Full description