Highlights

[BERSE, Gaspar, Francis XAVIER etc.]. Epistolae Indicae et Iapanicae de multarum gentium ad Christi fidem, per Societatem Iesu conversione.
Louvain, Rutger Velpius, 1570.
With: (2) GARETIUS, Johannes. De sanctorum invocatione liber...
Ghent, Gislenus Manilius, 1570.
2 works in 1 volume. 8vo. Ad 1 with the title-page in a frame built up from fleurons, and a woodcut publisher's device on last blank, ad 2 with the title-page in a frame built up from fleurons, the woodcut coat-of-arms of Cunerus Petri (bishop of Leeuwarden) on the back of the title-page and on the last leaf a woodcut printer's device within a frame built up from fleurons.
Contemporary limp vellum sewn on 3 leather supports laced through the joints, with the manuscript title on the spine, leather ties, red edges. [24], “361”[=316], [20] pp.; [16], 103, [9] ll. Full description

BERTHOUD, Ferdinand. l'Art de conduire et de régler les pendules et les montres: a l'usage de ceux qui n'ont aucune connoissance d'horlogerie.
Paris, for the author and Michael Lambert (colophon: printed by H.L. Guerin and L.F. Delatour), 1759. 12mo. With illustrations on 4 folding engraved plates. Contemporary mottled calf, gold-tooled spine. XVI, 78, [2] pp. Full description

[BIBLE - DUTCH]. Biblia, dat is de gantsche Heylige Schrifture, vervattende alle de canonijcke boecken des Ouden en des Nieuwen Testaments.
Including: De boecken genaemt apocryphe ...
Leiden, widow and heirs of Johannes Elzevier, 1663. 3 parts in 1 volume. Large folio (44.5 x 28 cm). With 3 letterpress title-pages (the first in red and black, and each with the same Elzevier woodcut tree device with "non solus"), a complete series of 6 double-page engraved maps (the Nicolaes Visscher maps, 5 published ca. 1657 and including the world map added ca. 1663), without the engraved title-page (as usual). Further with numerous woodcut initials and tailpieces. Contemporary elaborately gold-tooled red morocco over bevelled wooden boards, sewn on 8 supports with corresponding raised bands on the spine, with grand silver fittings (with the hallmarks of an unknown silversmith) dated on the inside of one of the clasps "1665", gold-tooled board edges and turn-ins. Further with gilt, painted, and elaborately gauffered and decorated edges; the fore edge shows the coat-of-arms of Jeremias de Bont with some floral decorations, these floral decorations can also be found on the top and bottom edges. The boards show a very intricate gold-tooled symmetric design of ribbons with small geometric stamps and with ornamental curling stamps - better known as "petit fers" - within the different parts of the bigger pattern. The binding contains 4 ornamental corner pieces on each board and two catch plates (front board) and two hinge plates (back board) connected by two decorated massive silver clasps, engraved on the inside "Ieremias de Bont (top) and "1665" (bottom). [22], "368" [= 370]; [13], "167" [= 168]; [2], 77 ll. Full description

[BINDING - EMBROIDERED]. Esercizio da premettersi dalle donne in stato di gravidanza per conseguire da dio per l'intercessione del glorioso San Torello protettore insigne l'essenzione da tutti i pericoli e felicità nel prossimo parto.
Florence, Stamperià Arcivescovile alla Croce Rossa, 1822. 8vo. Beautifully embroidered contemporary pink silk over paperboards, with flowers and a border along the edges of both sides, and the initials "CM" in centre of front cover, preserved in a modern marbled slipcase. 39 pp. Full description

[BINDING - GHELARDI SCOLOPI, Orazio Antonio]. La pace tra la virtu', la gloria, ed amore. Componimento drammatico da cantarsi in occasione delle faustissime nozze del nobil uomo signor Silvestro Michele Arnolfini con la nobil donzella signora Beatrice Luisa Bernardini dedicato alla medesima.
Lucca, Giuseppe Rocchi, 1767. Small 4to (17 x 14 cm). Contemporary red velvet, embroidered with silver and gold thread and white and yellow silk (each board with an emblematic image: a crowned mirror[?] showing a hand planting a flag, perhaps intended as the groom's hand on the front and the bride's hand on the back), sewn without supports through 3 holes, brocade paper endpapers (grape vines and large flowers, white on a copper background), green silk ribbon marker. 24 pp. Full description

[BINDING VOC - MANUSCRIPT - FRENCH - VERNET, Jacob]. [Instruction chrétienne, ou catechisme familier; avec quelques prières a l'usage des petits enfans].
[The Netherlands?, ca. 1780?]. 4to (ca. 19 x 15 cm). Manuscript in French, written in black ink on paper, in a neat cursive script by one hand. With chapter divisions (numbered 39-75) and headings. The text is written upside down in relation to the binding. Most leaves show an identical watermark, depicting a lion rampant on a pedestal with "Vryheyt" in a crowned ring with "Pro Patria Eiusque Libertate" and the letters "CR" below, which is very close to Heawood 3149 (date: 1753). Late 18th-century gold-tooled brown mottled calf, sewn on 5 supports, bound by the so-called Acorn-and-Foliage Tool Bindery in Amsterdam (Storm van Leeuwen). Both boards show the large gold-tooled monogram of the Amsterdam chamber of the VOC as a centre piece sandwiched between the gold-tooled date "Anno 1780", all within a gold-tooled floral frame with floral corner pieces in the inside corners, spine gold-tooled in six compartments, red sprinkled edges. [28] ll. Full description

BLAEU, Joan. Vyfde stuck der aerdrycksbeschryving, welck vervat Schotlandt en Yrlandt.
Amsterdam, Joan Blaeu, 1654. Atlas folio (57.5 x 39.5 cm). With an engraved architectural title page with the arms of Scotland filling the top half, elaborately crested, supported by unicorns with flags and still with the old Stuart royalist mottos, and 55 engraved maps (54 double-page and 1 of the Irish County Caterlogh, full-page), often richly adorned with additional cartouches with regional scenes, but most often with coats of arms from the region. Numerous woodcut tailpieces and decorated initial letters. The title page and all maps, including the cartouches, scenes and coats of arms, beautifully coloured by hand and highlighted with gold. All maps in their first states, without added ships or compass roses. 17th-century Dutch gold-tooled vellum. [8], 189, [1 blank], 70, [1, 1 blank] pp. Full description

BLAEU, Joan. Grooten atlas, oft werelt-beschryving, in welcke 't aerdryck, de zee, en hemel, wort vertoont en beschreven.
Amsterdam, Joan Blaeu, 1664-1665. 9 volumes. Imperial folio (55.5 × 36.5 cm). With 9 engraved title pages, an engraved frontispiece and 610 engraved maps, views, plans, etc., mostly double-page (53.5 × 64 cm, plate size ca. 42 × 53 cm), 7 larger folding, a few single-page and a few smaller, many including additional inset maps, plans and views, and decorated with coats of arms, human & mythological figures, animals, produce, etc. With the engraved title-pages, frontispiece, other engravings (except for the compass rose and 2 inscriptions), woodcut devices on 4 title-pages and 1 woodcut initial coloured by a contemporary hand (the maps mostly in outline but with their decorations fully coloured) and some (mostly the engraved title-pages) with extensive use of gold. Contemporary gold-tooled vellum. Full description

BLAEU, Willem Jansz. Zeespiegel, inhoudende een korte onderwijsinghe inde konst der zeevaert, en beschryvinghe der seen en kusten van de Oostersche, Noordsche, en Westersche schipvaert. ...
Amsterdam, Willem Jansz. Blaeu, 1627. 3 parts in 1 volume, parts 2 and 3 consist of 6 books each. Folio. With 108 numbered engraved charts, 2 half-page engraved charts, 2 volvelles, a woodcut vignette on the divisional title page of each part, and numerous woodcut illustrations in the text. Contemporary overlapping vellum. The work is preserved in a gold-tooled half red morocco clamshell box, with two green morocco title labels, lettered in gold, red buckram sides, and a green felt lining. [16], 64; 39, [1], 43, [1], 48, 32, 28, 24; 32, 52, 46, 43, [1], 40, 23, [1 blank] pp. Full description

BONHOMO, Gabriele. Automatum inaequale sive horologium antiquum automatis animatum. Opusculum sanè perutile, ac pro rei novitate jucundum, in quo multiplex datur. Hoc nondùm excogitatum automatum condendi methodus. ..
Palermo, Francisco Valenze, 1747. 4to. With numerous woodcut head- and tailpieces and decorated initials, some tables in the text and 15 numbered, folding engraved plates showing timepieces and clockwork mechanisms. Contemporary mottled calf, gold-tooled spine. [8], 122 pp. Full description