Literature & Linguistics

MARCHESE, Duca Annibale. Tragedie Cristiane.
Naples, Felice Mosca, 1729. 2 volumes in 1. Large 8vo. With two title-pages in red and black, an engraved frontispiece by Jeremias Jakob Sedelmayr after Francesco Solimena, an engraved author's portrait by Antonio Baldi and 11 engraved plates by Sedelmayr and Baldi after Solimena, accompanying the 10 tragedies and the dedication. Also with some engraved initials, woodcut tailpieces and 40 pages of engraved polyphonic music for the choruses. Contemporary gold-tooled brown goatskin morocco, gilt and gauffered edges with an intricate fore-edge painting, incorporating both a closed and fanned design for the fore-edge. The head and foot edges are painted with floral and botanical designs. [4], [16], 502; [4], 504, [2]; pp. plus 40 pp. of engraved music. Full description

[MARITIME HISTORY - PIRACY - CLAES COMPAEN]. 't Begin, midden en eynde der zee-rooveryen, van den alder-fameusten zee-roover, Claes G. Compaen, van Oostzanen in Kennemer-landt. Vervattende sijn wonderlijcke vreemde en lands schadelijcke drijf-tochten. Waer in vertoont wordt, hoe hy met weyningh schepen de zee onveyligh gemaeckt, een ongelooflijcke buyt, en groot getal van schepen van alle landen gerooft ende afgeloopen heeft
Amsterdam, widow of Gijsbert de Groot, 1697. 8vo. With a large woodcut illustration of a Dutch merchant ship on the title-page, three woodcut illustrations in the text (including 1 repeat of the title-page illustration), and one large decorated woodcut initial. Later greyish-brown wrappers. [1], [1 blank], [4], 42 pp. Full description

MARMONTEL, Jean François and Pieter PIJPERS. Zemire en Azor, zangspel. Met konstwerken en balletten. Gevolgd naar het Fransche.
Amsterdam, Jan Helders, Abraham Mars, 1783. 8vo. With an engraved title-page including a vignette by H.L. Meyling, a letterpress title-page with an emblematic engraved vignette by Reinier Vinkeles. Extra added in this copy are an additional letterpress title-page, also dated "1783", but with a portrait of Pieter Pijpers engraved by Theodorus Koning dated 1789, accompanied by the letterpress explanatory leaf with a poem "Op myne afbeelding door Theodorus Koning", dated 1789, signed by Pijpers in brown ink. Further with 3 extra added engraved plates, plus 1 repeated in an earlier state with no lettering, depicting scenes from the play by various Dutch artists (A. Fokke, H.L. Myling, W. Immink, A. Hulk Jacobsz), 1 dated 1784. And finally with 6 engraved plates by various French artists, made for the original French edition. The engraved title is richly coloured and highlighted with gold (incl. the lettering) by a contemporary hand. The six French plates are splendidly coloured and highlighted with gold and gum arabic by a contemporary hand. Contemporary half calf, gold-tooled spine. [16], 76, [2] pp. Full description

MARO, Publius Virgilius. Opera. Interpretatione et notis illustravit Carolus Ruaeus, Soc. Jesu, ad usum Serenissimi Delphini. Editio nova, auctior et emendatior ... Iuxta editionem noovissimam Parisiensem A. 1722.
The Hague, brothers Vaillant & N. Prevost, 1723. 8vo. With a woodcut printer's device on the title, woodcut initials, an engraved folding map of the eastern part of the Mediterranean showing the route of Aeneas on his way home and 8 full-page engravings. XXIV, 637, 223 pp. Full description

MARRE, Jan de. Batavia, begrepen in zes boeken.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1740.
With:
(2) MARRE, Jan de. Bespiegelingen over gods wysheid in't bestier der schepselen, en eerkroon voor de Caab de Goede Hoop.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
(3) MARRE, Jan de. Hof- en mengeldichten.
Amsterdam, Adriaan Wor & heirs of G. onder de Linden, 1746.
3 works in 1 volume, the first in 6 parts. 4to. With an engraved frontispiece and an elaborate title-vignette (identical on all three title-pages. And ad. 1 with a folding engraved plate of Jakarta "as it was in 1731" by Jan van der Laan. Contemporary vellum, red spine label. [36], 320, [6]; [42], 178, [22], [20], 214, [4] pp. Full description

MARSDEN, William. A dictionary of the Malayan language, in two parts, Malayan and English and English and Malayan.
London, printed for the author by Cox and Baylis, 1812. 4to. Set in roman and Arabic types with incidental Devanagari and italic. Modern blue cloth with a morocco spine label, retaining the nonpareil-marbled edges from the previous contemporary binding. [1], [1 blank], XV, [1], 589, [1], [2 blank] pp. Full description

MARSHMAN, Joshua. Elements of Chinese grammar, with a preliminary dissertation on the characters, and the colloquial medium of the Chinese, and an appendix containing the Ta-Hyoh of Confucius with a translation.
Serampore, printed at the mission press, 1814. Large 4to. With one woodcut illustration of a suanpan (abacus of Chinese origin) on p. 318. Text is set in roman type (Latin alphabet) and Chinese characters and occasionally in Bengali characters. Contemporary half red calf and black cloth sides with the title in gold on the spine. [1], [1 blank], [1], [1 blank], XVI, VII, [1 blank], 2, 566, 56 pp. Full description

[MARTIAL d'Auvergne]. LIII. arrests d'amours. Arresta amorum. Accuratissimis Benedicti Curtii Symphoriani commentariis ad utrusque iuris rationem, forensiumque actionum usum quàm acutissimè accommodata. Le tout diligemment reveu & corrigé en une infinité d'endroits outre les precedentes impressions.
Rouen, Thomas Mallard, 1587. 16mo. With title within an ornamental woodcut border. 19th-century gold-tooled red sheepskin. 899 [=897], [58], [1 blank] pp. Full description

MARTIALIS, Marcus Valerius. [Epigrammata].
(Colophon: Venice, Aldus Manutius, December 1501). 8vo (16 x 10 cm). With 15 (mostly 6-line) spaces with printed guide letters left for manuscript initials. Except for an occasional word in Greek, the book is set entirely in the world's first italic printing type (with small upright capitals, which are also used, usually letterspaced, for running heads, headings, the opening line of each liber, etc.). Francesco Griffo cut it for Aldus, who uses it here 8 months after he introduced it in his Virgil. Tanned sheepskin (ca. 1700?), gold-tooled spine and board edges. [381], [3 blank] pp. Full description

MARTINET, Jean. Emblesmes royales a Louis le Grand.
Paris, Claude Barbin, 1673. 8vo. With 60 numbered half-page engraved emblems and one unnumbered emblem on extra inserted leaf. Modern marbled boards. [10 (of 12)], 219, [3] pp. Full description