Literature & Linguistics

VALERIUS MAXIMUS and Conradus MIRKINIUS (translator). Negen boecken, van ghedenck-weerdighe, loflicke woorden, daden ende gheschiedenissen der Romeynen en de uytlandsche volcken. Overgheset uyt de Latijnsche in onse Nederduytsche tale, door Conradus Mirkinius.
Rotterdam, Jan Leendertsz. Berewout, 1614. 8vo. With woodcut publisher's device on title page, and some woodcut decorated initials. Contemporary limp vellum with the manuscript author on the spine, red sprinkled edges. [8], 610, [26] pp. Full description

VEEN, Jan van der. Zinne-beelden, oft Adams appel. ... Mitsgaders syne oude ende nieuwe ongemeene bruydt-lofs ende zege-zangen.
Amsterdam, Everhard Cloppenburgh, 1642. 4to. With large emblematic engraving on the title page and 50 engraved emblems in text (10 x 13.5 cm), all by Salomon Savry, woodcut head- and tailpieces, numerous woodcut decorated initials (several series) and decorations built up from typographic ornaments. Set in roman and italic types. Gold- and blind-tooled red, grained sheepskin (1817/18) for George Spencer-Churchill, 5th Duke of Marlborough, gold-tooled turn-ins and board edges, gilt and gauffered edges, grey-brown endpapers, red satin ribbon marker. [23], [1 blank], 523, [1 blank] pp. Full description

VEEN, Otto van and Antoni Jansen van ter GOES. Zinnebeelden getrokken uit Horatius Flaccus, naer geestrijke vinding van den geleerden.
Amsterdam, Justus Dankerts, 1683. 4to. With a copper-engraved vignette on the title page and 103 copper-engraved emblems. (Near-) contemporary gold-tooled red morocco. [8], 205, [3] pp. Full description

VERNAY, Charles. Poésies nationales et religieuses Françaises, Italiennes, Turques et Persanes, 195 pièces orientales, leur traductions, et le texte Turc et Persan de 57 pièces ...
Paris, Albert Franck (on back of half-title: printed by Firmin Didot frères), 1860[-1861]. With a lithographed portrait of the author, 5 lithographed facsimiles of the author's autograph manuscripts and 4 of the letterpress pages printed in gold. Extra-illustrated with 3 lithographed and 4 engraved Royal folio illustration plates (including 2 portraits of the Ottoman Sultan Abdulmejid I).
With:
(2) VERNAY, Charles. Poésies Turques et Persanes (cent quarante et une pièces) ...
Paris, Albert Franck (below frame: lithographed by [Mathieu] Masson), "1858-1859" [= AH 1275]. With a letterpress wrapper-title in French, printed in gold, a lithographed Turkish and Persian wrapper-title (dated "1275" and "1858") and text in Turkish and Persian, lithographed from the autograph manuscript in Arabic script, all printed in gold, and a lithographed portrait of the author (the same as in ad 1).
(3) VERNAY, Charles. Nouvelles poésies Persanes et Turques ...
Paris, Albert Frank, July 1860 (colophon: lithographed by [Mathieu] Masson, r. de Valois 48, Paris). A large 4to bifolium, with a lithographic facsimile of a 4-page autograph manuscript in Arabic script, printed on blue paper.
(4-18) VERNAY, Charles. [Miscellaneous publications in various formats, some letterpress, others lithographed facsimiles of the author's autograph manuscripts in French, Turkish and Persian, and including a 1-leaf autograph manuscript in Persian].
Paris, Firmin Didot frères and others, 1851-1858.
18 publications in 1 volume. Royal folio (49.5 x 34.5 cm) with a few items in smaller formats. Contemporary diced, richly gold-tooled calf, each board with a double frame of rolls and stamps, a crescent moon and star inside each corner of the inner frame, blind-tooled turn-ins, green silk brocade endleaves. [2], 4, [1], [1 blank], 142, 4, 143-262, 263-266[bis], 263-266[ter], 263-476, [2], [1 blank], [1]; 112; [4] pp. plus the wrappers and numerous inserted items. Full description

VESDIN (VEZDIN), Filip (PAULINUS A SANCTO BARTHOLOMAEO). Viaggio alle Indie Orientali umiliato alla Santita di N. S. Papa Pio Sesto pontefice massimo ...
Rome, Antonio Fulgoni, 1796. 4to. With 12 engraved illustration plates (6 with 2 illustrations each to make 18 in total), engraved roundel portraits of Pope Pius VI (on the title-page) and the author (above the opening of the main text) and some small woodcut illustrations of "Indian hieroglyphs". Set in roman and italic types with occasional words in Greek, Arabic, East Syriac, Devanagari and more extensive texts in Malayalam, plus a Malabar song with a double staff made with built-up round-head music notes. 19th-century maroon half sheepskin. XX, 404 pp. Full description

[VILLEDIEU, Marie-Catherine]. Novelle egiziane ed africane. Tradotte dal francese nellidioma italiano.
Venice, Giovanni Francesco Garbo, 1795. 12mo. With a small woodcut vignette on the general title page and on the extra/divisional title page for part 1, a woodcut headpiece, and a woodcut tailpiece. Contemporary blueish-grey paper wrappers. 143, [1] pp. Full description

VIRGIL and Cornelis van GHISTELE (translator). De twaelf boecken Aeneas, ghenaemt int Latijn Aeneidos.
Rotterdam, Jan van Waesberghe, 1609. Small 8vo. With a woodcut portrait of Virgil on the title page, and 12 woodcut illustrations in the text. Contemporary overlapping vellum. 264, [3], [1 blank] ll. Full description

VIRGILIUS MARO, Publius. Codex antiquissimus a Rufio Turcio Aproniano V.C. distinctus et emendatus qui nunc Florentiae in Bibliotheca Mediceo-Laurentiana adservatur bono publico typis descriptus anno MDCCXLI.
Florence, Typis Mannianis (the printer Joseph and his son Domenico Maria Manni), [1741]. 4to (25.5 x 18 cm). With an engraved dedication by the editor Pietro Francesco Fogginio to the members of the prestigious Académie Royale des inscriptions et beaux-arts as a frontispiece, an engraved vignette on the title page (a portrait of Virgil holding a mask) engraved by "Sarder ex Mus. Medic.". An engraved illustration of Virgil as a headpiece at the start of the text, engraved after the portrait in one of the two other late antique Virgil manuscripts: the Virgilius Romanus in the Vatican library (Cod. Vat. 3867). Further with a beautiful engraved historiated initial on the same page; engraved specimen of three lines of the manuscript (13 x 3 cm) on p. XV; and two tailpieces (on pp. XVI and 459). The text is printed in red and black (the title page, the first lines and corrections in the text). Contemporary gold-tooled red morocco. [4], XXXVI, 459 pp. Full description

VIRGILIUS MARO, Publius. Opera. Vol. I.
London, John Pine, 1755 [= actually some years later]. 8vo. With 2 different vignettes on the otherwise identical engraved title pages, an engraved frontispiece with a figure of the muse Euterpe, 2 engraved dedication leaves with vignettes, 1 folding and 49 full-page engraved plates on 39 leaves (11 of the leaves with a plate on each side), 31 engraved half-page plates and historiated head- and tailpieces, engraved historiated and decorated initials. Some of the images are derived from the illustrations in the Codex Vaticanus, a 5th-century codex containing the works of Virgil. Late-19th-century gold-tooled crushed red morocco, bound by the famous partnership of René Chambolle (1834-1898) and Hippolyte Duru (1803-1898) (with their names gold-stamped in the bottom front turn-in). The boards show a double fillet frame with detailed, ornate flowers and vines along the inside of the frame, with the author, title, and imprint lettered in gold on the gold-tooled spine, gold-tooled board edges and turn-ins, gilt top edge, marbled endpapers. The binding can be dated between 1861 and ca. 1870, the heyday of the Chambolle-Duru partnership representing the high level of the Golden Age of French bibliophile binding. [8], XV, [2], 144, [6] pp. Full description

VISSCHER, Roemer. Brabbelingh. By hem selven oversien, en meer als de helft vermeerdert.
Amsterdam, Willem Jansz. (Blaeu), 1614. 16mo. Woodcut emblem on title-page, 2 engraved emblems with jesters titled "Elck heeft de zijn" and ''Quaeso''. Contemporary vellum. 220, (2) pp. Full description