Literature & Linguistics / Emblem, Fable & Songbooks

HEEMSKERK, Jan van. Minne-kunst. Minne-baet. Minne-dichten. Mengel-dichten.
Amsterdam, Hessel Gerritsz, 1626-1627. 4 parts in 1 volume. Oblong small 8vo. With 4 separate titles, and 20 fine engraved plates, including frontispiece, by Pieter Serwouters.Modern vellum. [8], 446, [2] pp. Full description

HEINSIUS, Daniel. Lof-sanck van Jesus Christus den eenigen ende eeuwigen sone Godes: ende zyne andere Nederduytse poemata. Nieuwelijcks oversien, vermeerdert, ende verbetert. Met de uytlegginghen.
Amsterdam, Jan Jacobsz. Schipper, 1650. 8vo. With a woodcut interlaced decoration on the title-page, a small engraved nativity scene (for the Lof-sanck), a full-page engraving of the memorial monument for Jacob van Heemskerk (for the Neder-Duytsche poemata) and 72 emblematic engravings (4.5×6.5 cm), mostly by Crispijn de Passe. 17th-century vellum. 301, [1] pp. Full description

[HOOFT, Pieter Cornelisz.]. Emblemata amatoria. Afbeeldinghen van minne. Emblemes d'amour.
Amsterdam, Willem Jansz. Blaeu, 1611. Oblong 4to (15 x 19 cm). With an engraved title-page, with the title in Latin, Dutch and French. With 30 engraved emblems (ca. 10.5 x 13.5 cm), each with tri-lingual mottos in the engraving and distichs in Dutch with Latin and French translations on the opposite page. The Dutch text is mainly set in gothic letters, while the Latin and French texts are set in roman and italic letters respectively. The Dutch songs and sonnets in the second half of the work are set in roman and gothic letters, sometimes in two columns. 19th-century gold-tooled red sheepskin, with two triple-fillet frames and 4 ornamental corner pieces between the two frames. With an elaborately gold-tooled spine, including the French title and the year of publication, gold-tooled board edges and turn-ins, gilt edges, marbled endpapers and a yellow, red and green reading ribbon. 144 pp. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description

IRIARTE (YRIARTE) y Oropesa, Tomas de. Fábulas literarias.
Madrid, Imprenta Real, 1782. 4to. With rococo decorated capitals. Mottled calf, richly gold-tooled spine with red morocco label lettered in gold, double blind fillets on boards. [4], 157, [16] pp. Full description

ISSELBURG, Peter and Georg REMUS. Emblemata politica. In aula magna Curiae Noribergensis depicta quae sacra virtutum suggerunt monita prudenter administrandi fortiterque defendendi Rempublicam.
[Nuremberg, Peter Isselburg, 1617]. Small 4to (19 x 14 cm). With an engraved title-page, engraved dedication with the Nuremberg coat of arms and the coat of arms of the eight Nuremberg Senators, and 32 engraved plates with emblems, with engraved captions above and four-line Latin verses below. Modern brown morocco with a large panel on both sides of green imitation reptile skin, encrusted with small gems in centre, chamois endleaves, with matching half morocco chemise and matching half morocco slipcase (Perez-Noriega, 1995). [5] ll. of text. Full description

[JOCELIN, Elizabeth Brook]. Uyterste wille van een moeder aan haar toekomende kind, toegeeigent aan de volmaaktste huysmoeder. Den Tweden Druk. [With extensive verses and other additions by Adriaan SPINNEKER].
Together in a single edition with:
HOUTE, Soetgen van den. Uyterste wille, dewelk sy hare kinderen David, Betgen en Tanneken, tot een memorie en voor het alderbeste goet heeft nagelaten, en heeft dat met haren dood bevestigt, tot Gent in Vlaenderen. [With several educational verses by Gezine BRIT].
SPINNEKER, Adriaan. Morgen- en avondgezangen, gebedswijze berijmt.
Amsterdam, Jacobus van Nieuweveen, 1699. 3 works plus additional verses in 1 volume. Small 8vo. A single edition, containing three main works, each with its own title-page with Van Nieuweveens imprint (the first undated, the others 1699) and with all engravings on integral leaves (frontispiece and 16 nearly full-page emblematic engravings by Jan Luyken and 6 smaller emblematic engravings plus 2 small engravings of Hope and Faith, some possibly by Jan Luyken). The first work with a richly engraved allegorical frontispiece, an engraved figure of Faith (with cross and book) on the title-page, and 7 nearly full-page engraved emblems; the second with an engraved figure of Hope (with anchor and bird) on the title-page, a nearly full-page engraved portrait of the author writing in her prison cell, 2 nearly full-page engraved emblems and 4 smaller emblematic engravings in the main text, and 6 nearly full-page engraved emblems and 2 smaller ones accompanying the added verses; and a woodcut vase of flowers on title-page of the third work. Further with several woodcut tailpieces and decorated initials. Contemporary vellum. [8], "259" [= 267], [1, 4 blank] pp. Full description

JONCHÈRE, Charles Chrétien de la. Fables imitées de Lessing, Gellert, Lichtwer, Pfeffel, Dodley, et autres fabulistes étrangers suivies de fables originales.
Stockholm, Johan Imnelius, 1819. 8vo. Contemporary gold-tooled red morocco, gilt edges. [2], 144, [2] pp. Full description

JUNIUS, Hadrianus. [title-page *1:] Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum jurisconsultum. [title-page A1:] Emblemata, ad D. Arnoldum Cobeliu. Eiusdem Aenigmatum libellus, ad ... Arnoldum Rosenbergum.
Antwerp, Christoffel Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. Small 8vo (17 x 11.5 cm). With 57 woodcut emblems, mainly by Gerard Janssen van Kampen with a few by Arnold Nicolai, all after Geoffroy Ballain and Pierre Huys. Red goatskin morocco (ca. 1850/60?) by Charles-François Capé in Paris, signed "CAPÉ" in the foot of the front turn-in. [15], [1 blank]; 149, [3] pp. Full description

JUNIUS, Hadrianus. Emblemata, ad D. Arnoldum Cobelium. Eiusdem aenigmatum libellus, ad D. Arnoldum Rosenbergum.
Including: IDEM. Aenigmatum libellus, ad vivum clarissimum, Arnoldum Rosenbergum jurisconsultum.
Antwerp, Christophe Plantin, 1565 (colophon: 15 May 1565). 2 works in 1 volume. 8vo (ca. 17 x 11 cm). With Plantin's woodcut printer's device on both title-pages, 57 woodcut emblems by Geeraard Jansen van Kampen and Arnout Nicolai after Geoffroy Ballin and Peeter Huys. The text of the entire first work and the title-page of the second work are set within a decorative frame built up from typographical ornaments. Further with two woodcut decorated initials. Splendid late 19th-century elaborately gold-tooled red morocco bound by a French book binder named Allô, possibly Paul Charles Allô (1824-1890) and signed "Allo" in the lower turn-in of the front board. With the title lettered in gold on the gold-tooled spine, gold-tooled board edges and turn ins, gilt edges. 149, [3]; [1], [1 blank], [13], [1 blank] pp. Full description