Literature & Linguistics / Emblem, Fable & Songbooks

GODDAEUS, Conrad. Nieuwe gedichten. Sonder rym, naa de Griexe en Latynse dicht-maten, op allerhande soorten van verssen, ingestelt. Noit voor desen in Neder-duits gesien, noch gebruiklik.
Harderwijk, Joannes Toll, 1656. Oblong 4to. With woodcut of King David playing his harp on the title-page, a fine engraved frontispiece with an open music book below the title in centre, which is flanked by King David playing his harp and Horace playing his lyre, each on a pedestal, with a white swan above and publisher's address below. Contemporary mottled calf. [4], 184, [2] pp. Full description

GOLIUS, Theophilus. Educationis puerilis linguae Graecae.Including: AESOP. Fabellae quaedam Aesopi Graecae, ad puerilem educationem selectae.
Frankfurt, [printed by Erasmus Kempfer?] for Nikolaus Stein, 1618-1619.
With: (2) [GOLIUS, Theophilus]. [Grammaticae, sive educationis puerilis linguae Graecae. ... Pars altera].
3 parts in 1 volume. 8vo. With 2 title-pages, the first with woodcut printers device. Contemporary vellum (made from one leaf from a 14th or 15th century moral manuscript, rubricated in red and blue), red edges. [50], [38]; 512, [32] pp. Full description

HAECHT GOIDTSENHOVEN, Laurens van. Le microcosme contenant divers tableaux de la vie humaine representez en figures avec une brieve exposition en vers francois.
Amsterdam, Theodore Pierre (= Dirck Pietersz.), [not before 1613]. 4to. With the engraved title-page of Joost van den Vondel's Der Gulden Winckel der konstlievende Nederlanders... (1613), with an engraved slip with the present title Le Microcosme contenant ... formerly mounted on it, now removed and kept separately; also with 74 engraved emblems in text (ca. 8.5 x 12 cm) by Gerard de Jode. 19th-century half calf, gold-tooled spine. [4], 74, [2] ll. Full description

HAEFTEN, Benedictus van. Regia via crucis.
Antwerp, Balthasar Moretus (Officina Plantiniana), 1635. 8vo (18 x 11.5 x 4 cm). With engraved title-page showing Christ, Saint Teresa of Avila and 2 unidentified men and 38 full-page emblematic engravings. Richly gold-tooled calf (ca. 1665), each board with the arms of (apparently) Abbot Placidus Buechauer (1611-1669) of Kremsmünster, gilt and elaborately gauffered edges. XL, 404, [26], [2 blank] pp. Full description

HEEMSKERK, Jan van. Minne-kunst. Minne-baet. Minne-dichten. Mengel-dichten.
Amsterdam, Hessel Gerritsz, 1626-1627. 4 parts in 1 volume. Oblong small 8vo. With 4 separate titles, and 20 fine engraved plates, including frontispiece, by Pieter Serwouters.Modern vellum. [8], 446, [2] pp. Full description

HEINSIUS, Daniel. Lof-sanck van Jesus Christus den eenigen ende eeuwigen sone Godes: ende zyne andere Nederduytse poemata. Nieuwelijcks oversien, vermeerdert, ende verbetert. Met de uytlegginghen.
Amsterdam, Jan Jacobsz. Schipper, 1650. 8vo. With a woodcut interlaced decoration on the title-page, a small engraved nativity scene (for the Lof-sanck), a full-page engraving of the memorial monument for Jacob van Heemskerk (for the Neder-Duytsche poemata) and 72 emblematic engravings (4.5×6.5 cm), mostly by Crispijn de Passe. 17th-century vellum. 301, [1] pp. Full description

[HOOFT, Pieter Cornelisz.]. Emblemata amatoria. Afbeeldinghen van minne. Emblemes d'amour.
Amsterdam, Willem Jansz. Blaeu, 1611. Oblong 4to (15 x 19 cm). With an engraved title-page, with the title in Latin, Dutch and French. With 30 engraved emblems (ca. 10.5 x 13.5 cm), each with tri-lingual mottos in the engraving and distichs in Dutch with Latin and French translations on the opposite page. The Dutch text is mainly set in gothic letters, while the Latin and French texts are set in roman and italic letters respectively. The Dutch songs and sonnets in the second half of the work are set in roman and gothic letters, sometimes in two columns. 19th-century gold-tooled red sheepskin, with two triple-fillet frames and 4 ornamental corner pieces between the two frames. With an elaborately gold-tooled spine, including the French title and the year of publication, gold-tooled board edges and turn-ins, gilt edges, marbled endpapers and a yellow, red and green reading ribbon. 144 pp. Full description

HULSIUS, Bartholomaeus. Den onderganck des Roomschen Arents, door den Noordschen Leeuw. Af-ghebeeldt in verscheyden konstige figuren, met sin-rijcke verklaringhen der selver, beydes in en buyten rijm, vertoonende, in 't kort, de gedenckwaerdighste saken, die van den beginne, tot noch toe, in dese oorlogen zyn omgegaen. Met een verhael van den doodt des Koninghs. Hier zyn noch by ghevoeght de victorien der Croon Sweden, sedert de doodt des auteurs vercreghen.
Amsterdam, Crispijn vande Passe, 1642. 4to. Engraved allegorical title-page with engraved title in a central panel below Fame sitting on a swan. Beautifully bound in 19thcentury light brown gold-tooled calf (1850s or 1860s?), each board with triple along the edges, decorated spine with red and green labels lettered in gold, gold-tooled board edges and turn-ins, marbled endpapers, signed "PETIT SUCCr DE SIMIER": Charles Petit operated a Paris bindery from 1848 to 1873 as successor to René Simier (1772-1843), relieur du roi from 1815, and his son. [12], 91, [1 blank] pp. plus engraved title-page. Full description

IRIARTE (YRIARTE) y Oropesa, Tomas de. Fábulas literarias.
Madrid, Imprenta Real, 1782. 4to. With rococo decorated capitals. Mottled calf, richly gold-tooled spine with red morocco label lettered in gold, double blind fillets on boards. [4], 157, [16] pp. Full description

ISSELBURG, Peter and Georg REMUS. Emblemata politica. In aula magna Curiae Noribergensis depicta quae sacra virtutum suggerunt monita prudenter administrandi fortiterque defendendi Rempublicam.
[Nuremberg, Peter Isselburg, 1617]. Small 4to (19 x 14 cm). With an engraved title-page, engraved dedication with the Nuremberg coat of arms and the coat of arms of the eight Nuremberg Senators, and 32 engraved plates with emblems, with engraved captions above and four-line Latin verses below. Modern brown morocco with a large panel on both sides of green imitation reptile skin, encrusted with small gems in centre, chamois endleaves, with matching half morocco chemise and matching half morocco slipcase (Perez-Noriega, 1995). [5] ll. of text. Full description