Literature & Linguistics / English, French & German Literature

[REYNARD THE FOX]. The most delectable history of Reynard the Fox. Newly corrected and purged...
London, Thomas Ilive for Edward Brewster,1701.
With:
(2) [REYNARD THE FOX]. The most pleasant and delightful history of Reynard the Fox. The second part. ...
London, Anne Maxwell and Robert Roberts for Edward Brewster, 1681.
(3) [REYNARD THE FOX, ADDITIONS]. The shifts of Reynardine the son of Reynard the Fox, ...
London, Thomas James for Edward Brewster and Thomas Passenger, 1684. 3 parts in 1 volume. 4to.
With woodcut of King Lion's court on title-page, 61 woodcuts in text of part 1 (including 23 repeats), 15 woodcuts in part 2, all repeated from part 1. Late 18th-century calf. [160]; [112]; [4], 160 pp. Full description

RIHANI, Ameen. Around the coasts of Arabia.
London, Constable & Co., 1930. 8vo. With a pictorial map as frontispiece, 31 photographic half-tone plates and a full-page map on an integral leaf. Original publishers black cloth, with title in gold on spine. X, [2], 364 pp. Full description

ROUSSEAU, Jean Baptiste. Odes sacrées ..., détachées du corps de ses ouvrages.
Brussels, Gilles Stryckwant, 1738. 4to. With a woodcut coat of arms of Austria on title-page. Contemporary mottled calf, richly gold-tooled spine and board edges. [6], 109, [1 blank] pp. Full description

SANCTA CLARA, Abraham à. Huy! und Pfuy! der Welt. Huy, oder Anfrischung zu allen schönen Tugenden. Pfuy oder Abschreckung von allen schändlichen Lastern. Durch unterschiedliche sittliche Concept, Historien, und Fabeln vorgestellt. Worinnen der Poet, Prediger, und waserley Standes-Personen für ihren Kram etwas finden können.
Nuremberg, Christoph Weigel; Würzburg, Martin Frantz Hertzen, 1707. Folio. With engraved allegorical title-page and 100 engraved emblems in text (measuring 10.5 x 12 cm). Contemporary vellum. [10], 200, [4] pp. & 100 ll. Full description

SAVARY, (Nicolas) Claude Étienne. Brieven over Egypte.
Amsterdam, Martinus de Bruyn, 1788-1789. 3 volumes. 8vo. With 4 numbered engraved folding plates, including maps of Egypt and northern Egypt, a plan of Alexandria, and a cross-section of the Great pyramid. Contemporary mottled calf, richly gold-tooled spines and binding edges. XVI, 446, [1], [1 blank]; XVI, 364, [2 blank], [1], [1 blank]; “XIV” [=XXIV], 390, [1], [1 blank] pp. Full description

SAVARY, Jacques. (= Jacques TIMENT). Album hipponae sive hippodromi leges. Ad Christianissimum et invictissimum Galliae et Navarrae regem Ludovicum XIV deo-datum.
Caen, Claudius Le Blanc, 1662. 4to. With a woodcut title-vignette and several woodcut initials, head- and tailpieces. 19th-century marbled paper over boards, red sprinkled edges. [6], 2, 72 pp. Full description

SHAKESPEARE, William and Abdullah CEVDET (translator). [Makbet = Macbeth in Ottoman Turkish].
Cairo, Egypt, Kütübhane-i Içtihad, 1909. 8vo. With practically all text set in Arabic type. Half maroon cloth and brown decorated paper sides. [5], 153, [2] pp. Full description

[SPEER, Daniël]. Zwey nachdänkliche Traum-Gesichte, von dess Türcken Untergang. Zweifels ohn von göttlicher Direction. Herauss gelassen von mehrmals zugetroffen erfahrnem Designante Somniatore.
[Ulm, Matthäus Wagner], 1684. 4to. With engraved frontispiece, allegorically illustrating the Ottoman defeat in 1683. Modern wrappers. [2], "31" [= 29] pp. Full description

[SULZER, Franz Joseph (subject)]. Der irrende Don Quitschot unsrer zeit, oder Beylage zu den dreyen Sendschreiben des k.k. Rittmeisters, und Auditors bey dem löblichen Dragoner Regimente Savoyen, J. Sulzers über seine litterarische Reise an Herrn Prediger Theodor Lang zu Cronstatt in Siebenbürgen.
[Vienna?], 1783. 8vo. Later plain boards. 71, [1 blank] pp. Full description

VERHAEREN, Émile. Les plaines.
Paris, Henri Piazza (colophon: printed by G. Kadar, Paris, 15 February 1934). 4to (23 x 16 cm). With an original watercolour drawing (10 x 10 cm), 35 colour collotype facsimiles of watercolour drawings (1 as frontispiece, the others in the text), some finished by hand, and 70 plates repeating the 35 illustrations: once in black and white and once in colour, all by Henri Cassiers. Contemporary (1934) gold-blocked brown morocco by George Canape and Georges Corriez in Paris, each board with an unidentified (prince's or duke's?) coat of arms in the centre in a frame of rose branches (the roses in red), spine with author and title in gold and rose branches in red and gold, gold fillets on board edges, turn-ins in gold with red roses, decorated cloth doublures and free endleaves (yellow background with multi-coloured flowers all woven), gilt edges. 174, [2] pp. plus 70 plates and 1 watercolour drawing. Full description