Literature & Linguistics / Greek & Roman Classics

[BECH, Philipp, ed.]. De disciplina puerorum, recteque formandis eorum & studiis & moribus, ...
Basel, Joannes Oporinus (colophon: Bern, Samuel Apiarius, March 1556).
With: (2) [MOREL, Guillaume, ed.]. Graecorum veterum selectae brevesque epistolae.
Paris, Guillaume Morel, King's printer for Greek, 1562. With a remarkable woodcut device on the title-page. With the Greek text set in Claude Garamont's famous Grec du Roi and the Latin translation set in his Aldine-style italic. 2 works in 1 volume. 8vo (15 x 10 x 4.5 cm). Richly gold-tooled tanned sheepskin (ca. 1700), gilt edges. 31, [21]; [16], "840" [= 804] pp. Full description

CATULLUS, Gaius Valerius and Marc-Antoine MURET. [Carmina]. Catullus, et in eum commentarius M. Antonii Mureti.
Venice, Paulus Manutius, 1554. 8vo. With Aldus's woodcut device on the title-page, repeated on the verso of the otherwise blank final leaf, and spaces with guide letters left for 2 5-line and about 60 3-line manuscript initials (not filled in). Set in an Aldine italic (with upright capitals) with occasional words (mostly names) in roman and frequent passages in Greek. Gold-tooled mottled calf (ca. 1700). [4], "134" [= 136], [2] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, Aldo I Manuzio, January 1502. 8vo. With more than 100 spaces (2 8-line, 6 6-line and the rest 2-line) with guide letters left for manuscript initials, none filled in. Set in Alduss italic type (with upright capitals) throughout, the first italic printing type, first used in 1501, with titles, headings, running heads, etc. set in the capitals of the same type, with an occasional word of Greek in the text. Gold-tooled, green long-grained sheepskin (vertical grain) (ca. 1800). [152] ll. Full description

CATULLUS, Gaius Valerius; Albius TIBULLUS; Sextus PROPERTIUS (Hieronymus AVANTIUS, ed.). [Opera]. Catullus. Tibullus. Propertius.
[colophon:] Venice, the heirs of Aldo I Manuzio & Andrea I Torresano, March 1515. 8vo. With Aldos woodcut anker and dolphin device on the title-page and on the verso of the last leaf, each flanked by "AL ... DVS" in letterpress capitals. Set in Aldos italic type (with upright capitals), the first italic printing type. Blind-tooled brown goatskin morocco (early 20th-century) by the Paris bookbinder G. Vignal (active ca. 1890-ca. 1930), signed with a blind stamp in the foot of the front turn-in ("G. VIGNAL REL. DOR.". 148, [2] ll. Full description

CATULLUS, TIBULLUS & PROPERTIUS. Catullus, Tibullus et Propertius, pristino nitori restituti, & ad optima exemplaria emendati, cum fragmentis C. Gallo inscriptis.
Paris, J. Barbou, 1754. 3 parts. 12mo. Each part with its own title-page and engraved frontispiece. 19th-century brown morocco, double fillets in gold on the board edges, richly gold-tooled turn-ins, gilt edges. XVI, 96, [2], 97-168, [2], 169-344 pp. Full description

CICERO, Marcus Tullius. De officiis libri tres. Cato major sive de senectute. Laelius sive de Amiciria. Paradoxa. Somnium Scipionis. Ex recensione Joannis Georgii Graevii cum eiusdem animadversionibus.
Amsterdam, Hendrik Wetstein, 1691. 3 parts (books) in 1 volume. 12mo. With an engraved frontispiece, a woodcut vignette on the title-page which is printed in red and black, woodcut initials. Contemporary vellum. [20], 470, [18] pp. Full description

OVIDIUS NASO, Publius (Lodovico DOLCE, translator). Le trasformationi, ... . In questa quarta impressione da lui in molti luoghi ricorrette.
Venice, Gabriele Giolito de Ferrari, 1557. 4to. With title in a richly designed architectural woodcut frame, a half-page woodcut hemispherical map of the Americas, Europe and Africa and 82 large woodcut illustrations (plus 2 repeats) with fine ornamental and grotesque borders at either side. Contemporary(?) Polish(?) blind-tooled calf. 17th- or 18th-century endpapers. [16], 309, [3] pp. Full description

EUCLID and Jan Pieterszoon DOU. De ses eerste boecken Euclidis.
Amsterdam, Willem Jansz. Blaeu, 1626. 8vo. With numerous woodcut geometrical figures in the text. Contemporary vellum. [14], 224 [2 blank] pp. Full description

EURIPIDES. [Title in Greek then Latin:] Tragoediae septendecim [recté octodecim], ex quib[us]. quaedam habent commentaria. & sunt hae. Hecuba[,] Orestes[,] Phoenissae[,] Medea[,] Hippolytus[,] Alcestis[,] Andromache[,] Supplices[,] Iphigenia in Aulide[,] Iphigenia in Tauris[,] Rhesus[,] Troades[,] Bacchae[,] Cyclops[,] Heraclide[,] Helena[,] Ion[, Hercules furens].
(Colophon to each volume: Venice, Aldus Manutius, February 1503). 2 volumes. 8vo. With Aldus's anchor device on the last page of each volume, printed in Aldus's beautiful Greek type.Matching limp vellum (made from 2 leaves from a ca. 1560/70? Spanish legal manuscript), constructed or reconstructed ca. 1900. [268]; [190] ll. Full description

FALCONIA PROBA, Valeria, Francesco POLA, Bernardus BRUSCHUS (all after VIRGILIUS & OVIDIUS) and Carolus SCRIBANIUS. [Elegantes variorum Virgilio-Ovidio-centones de opificio mundi, Christo Deo, Deique Matre, SS. Francisco et Car. Borromaeo].
[Munich, Anna Berg (widow of Adam Berg the elder) for Raphael Sadeler, 1617]. Small 8vo (15 x 9.5 cm). Contemporary French gold- and blind-tooled black morocco, each board with a frame of blind fillets and a gold centrepiece comprising an HD monogram surrounded by 4 gothic S's (Hobson's S fermé), and the 6 spine compartments with alternately a gothic s and a small fleur-de-lis, the 2nd compartment with "[PR]OB[A]" above the fleur-de-lis:, blind fillets on the board edges. 82 of 98, [2] pp. Full description