Low Countries / Amsterdam

BREDERO, Gerbrand Adriaensz. Alle de wercken, soo spelen, gedichten, brieven en kluchten.
Amsterdam, Joost Hartgersz., 1644. 12 parts in 1 volume. 8vo. 18th-century mottled calf, with gold-tooled spine and board edges. Full description

BREEN, Daniel van. Van 't geestelijck triumpherende ryck onses heeren Jesu Christi ...
Amsterdam, Frans Kuyper, 1666. 4to (22.5 x 18.5 cm). Early 18th-century parchment. [8], 166, [26] pp. Full description

BROES, Willem. Berigt omtrent het leven, het karakter en de laatste godsdienst-aandoeningen der beruchte vergiftigster Hester Rebekka Nepping.
[Amsterdam], J. Ruys for Johannes Allart, The Hague, 1812. 8vo. Contemporary grey-blue wrappers. IV, 79, [1 blank] pp. Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Architecture peinture et sculpture de la maison de ville d'Amsterdam, representée en CIX. Figures en taille-douce.
Amsterdam, David Mortier, 1719. Royal folio. With a title-page in red and black with an engraved device (a portrait of Erasmus in an elaborate cartouche with allegorical figures), and 124 engraved architectural and sculptural illustrations on 109 numbered plates (6 double-page, 103 full-page).
Contemporary quarter brown sheepskin. 22 pp. + 109 plates Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Bouw schilder en beeldhouwkonst, van het stadhuis te Amsteldam, vertoont in CIX figuuren: ...
Amsterdam, Johannes Covens, Cornelis Mortier and Johannes Covens junior, [ca. 1758?, ca. 1767? or possibly 1772/83]. Large folio (49.5 x 30 cm). With the title page printed in red and black with J. Covens & C. Mortiers engraved device by Bernard Picart ("JCCM" cypher monogram in a laurel wreath carried by 6 putti, dated 1730); 2 preliminary plates containing portraits of Jacob van Campen [by Lutma] and Arthus Quellinus by Henricus Quellinus; CIX (109) numbered engraved and etched architectural plates. All plates have French captions, some with laudatory verses below, and are described in Dutch in the letterpress text (pp. 3-15). Contemporary half red roan (sheepskin), brown sprinkled paper sides. 15 pp. Full description

COMMELIN, Casparus. Beschryvinge van Amsterdam, zynde een naukeurige verhandelinge van desselfs eerste oorspronk uyt de huyse der heeren van Amstel, en Amstellant, haar vergrootingen, rykdom, en wyze van regeeringe, tot den jare 1691. Voor dezen uit verscheide oude historie-schryvers by gesteld, en uitgegeven; en nu uit een meenigte van oude schriften, authentyke stukken, en met kopere afbeeldingen verciert, nooit voor desen gedrukt geweest.
Amsterdam, widow of Aart Dirksz. Oossaan, 1726. 2 volumes. Folio (31 x 20 cm). Engraved title, two letterpress title-pages, each with the same woodcut coat of arms of the city of Amsterdam, 46 folding and double-page engravings, 11 full-page engraved plates, 77 engravings in the text and some woodcut illustrations of coat of arms and seals. Contemporary blind-tooled vellum. [20], 600; 601-1223, [1 blank], [40] pp. Full description

CROCUS, Cornelius. Comoedia sarca[!] cui titulus Joseph, ad Christianae iuventutis institutionem iuxta locos inventionis, veteremque artem, nunc primum & scripta & edita per Cr. Crôcum Aemsterodami ludimagistrum.
Strasbourg, Jacobi Jucundi [=Jakob Frölich], 1542. 8vo. With a printer's device on the title page and final page, two decorated woodcut initials, a woodcut headpiece, and three woodcut tailpieces. Early 18th-century gold tooled mottled brown calf. [40] ll. Full description

CUNO, Johann Christian, David Sigmund BÜTTNER and Friedrich WAGNER (transl.) Ode über seinen Garten: Nachmahls Besser. Amsterdam, Jacob Cornelis Schoots van Cappelle, 1750. 8vo. With a folding engraved allegorical title-plate, an engraved printers device on the title-page, an elaborate engraved coat-of-arms on the dedication page and 11 engraved plates (1 folding). Further numerous woodcut allegorical capitals. Contemporary calf. [34], 260 pp. Full description

DAM, Dirk Jansz. van. Almanach, d'erven stichters comptoir op 't jaar onses Heeren Jesu Christi, 1771. Voorzien met alle de jaar-, paarden-, beesten- en leermarkten, als mede de vacantien, het varen der trekschuyten en beurtschepen, het ryden der posten, &c. Nevens de maans op en ondergang.
Amsterdam, the heirs of the widow of Cornelis Stichter, [1770]. 4to. With a woodcut printer's device on the title page of ad 1, a large coat of arms of Amsterdam on the title-page of ad 2, and 12 half-page woodcuts, one for each month, printed in red and black in ad 1. With: [ALMANAC]. Schutters wagt-almanach, anno 1771, aanwijsende wat compagnien, en op wat nagt zy te zamen waken moeten, om de vijftiende nagt. Nevens een ordre wat posten yder heeft te besetten. Onder de E. E. Heeren Colonellen Jacob Elias. Arent Hartjes. Theodorus Wynants. Hendr. Balth. van Aalst. en S. J. B. Barchm. Wuytiers.Amsterdam, the heirs of the widow of Cornelis Stichters, [1770].
Contemporary elaborately silver-tooled vellum, with the coat of arms of Amsterdam in the centre of the front board, and an impression of three drummers on the back, both signed "Duisburg F[ecit]", both boards with a baroque ornamental border, with the coats of arms of each of the seven Dutch provinces at the top (with that of Holland prominently in the middle), the coats of arms of the 20 largest Dutch cities on the sides (Dordrecht, Delft, Amsterdam, Haarlem, Rotterdam, Leiden, Gouda, Hoorn, Alkmaar and Enkhuizen on the left side; Middelburg, Vlissingen, Amersfoort, Arnhem, Nijmegen, Groningen, Leeuwarden, Franeker, Zwolle and Deventer on the right side), and at the bottom an image that probably shows the transfer of goods near a city. [32]; [5], [1 blank] pp. Full description

DAM, Jan Albertsz. van. Nieuw geinventeerde koopmans comptoir- en schrijf-almanach, op het schrikkel-jaar onzes heeren J. Christi M DCC XII. Na de nieuwe styl. Versien met de jaarmarkten, paarde- beeste- en leer-markte, en de dageliksche uure van de maans op en ondergang.
Amsterdam, the heirs of Albert Magnus, [1711 (for the year 1712)]. 12mo. Printed in red and black throught, the title-page with Magnus's woodcut device (Atlas with an armillary sphere on his shoulders), numerous typographical symbols in the text: for example a horse and a goat representing horse and other animal market days, moons in different phases, planetary signs and manicules (pointing hands). With a small etching of an angel (39 mm tall) holding a wreath, cut out of an unidentified source and loosely inserted between 2 blank pages at the end of the book. Contemporary, elaborately gold-tooled mottled calf over thin wooden boards by the so-called Art Book Bindery (1705-1741) in the style made famous by Albert Magnus himself, with more than 100 impressions of about a dozen stamps and one roll, gold-tooled board edges. Further with 4 silver anchor plates (2 on each board), each with the coat of arms of the States of Holland in a decorative cartouche, and each with a silver eye extending over the fore edge, with a silver combination stylus/lead pencil used to fasten the book through the eyes, gilt edges. [120] pp. bound with 46 blank free endleaves: [12] pp. at the front and [22 (coated paper)], [12] pp. at the back. Full description