Religion & Devotion / Bibles, Liturgy & Devotional Works

HWIID, Andreas Christian. Specimen ineditae versionis Arabico-Samaritanae Pentateuchi e codice manuscripto Bibliothecae Barberinae.
Rome, Praesidum Facultate, 1780. 8vo. With a woodcut vignette on the title page, two decorated woodcut initials and a woodcut tailpiece. Latin, Samaritan and Arabic type throughout, and occasionally Coptic and Greek type. Contemporary gold- and blind-tooled mottled calf, with a red morrocco title label lettered in gold on the spine. 63, [1], XXXVIII, [1], [1 blank] pp. Full description

[INCUNABLE - COLOGNE EDITION OF THE ARS MORIENDI]. Speculu[m] artis bene morie[n]di [= Ars moriendi].
[Cologne, Heinrich Quentell, ca. 1493/97]. Small (Chancery) 4to (20.5 x 14.5 cm). With a large woodcut on the title page. Set in a single column, with 36 lines to the page, in a rotunda gothic type, with a larger textura gothic for the first line of the title. With spaces left for manuscript initials with manuscript guide letters in black ink. Most pages with a few words underscored in black ink. Recent marbled paper over boards by the Geneva bookbinder Jean-Luc Honegger (signed with his "honegger" stamp in blue ink at the foot of the back paste-down), the marbled paper in an antique spot pattern, black morocco spine label with the title in gold roman capitals, reading up the spine. [31], [1 blank] pp. Full description

JEROME (HIERONYMUS), Saint. Explanationum in Esaiam prophetam libri IX-XVI
[Southwestern Germany, 825-850 CE]. Folio (34.2 x 26.3 cm). Latin manuscript on vellum, written in an admirably elegant, clear Caroline minuscule in brown, black, and red ink, with large initials. Leaf dimensions 32.7 x 25.1 cm., written in 2 columes (9.4 x 25.5 cm.) of 30 lines each, ruled in drypoint. 15th-century half-calf and wooden boards, manuscript-waste pastedowns, with text written in a Caroline minuscule. Stored in a custom-made half morocco case. [101 (of 139)] ll. Full description

JEROME (HIERONYMUS), Saint (pseudo), Eucherius of LYON (attributed). De essentia divinatis.
Including: AQUINAS, Thomas. De articulis fidei et ecclesiae sacramentis.
[Augsburg, Günther Zainer, before 1473]. Folio. With manuscript initials in red throughout. 20th-century quarter vellum. [11]; [21] [2 blank] pp. Full description

[LECTIONARY - SYRIAC]. [JOSEPH DAVID, Clemens]. Lectionarium Syriacum seu collectio orationum et lectionum quae in horis canonicis per totum anni decursum excepto jejunio quadragesimali ab ecclesiae Syriacae clero adhiberi solent.
Mosul, typis Fratrum Praedicatorum (= Dominican printing office), 1879. Folio. With a Latin title-page set in roman type and a Syriac title-page set in Syriac type, both within a red and blue ornamental frame. Preliminary leaves also set within a red ornamental frame. Text set in Syriac type and printed in black and red. With a few religious illustrations throughout the text. Contemporary half blue sheepskin, blue cloth sides, gold-tooled spine lettered (in Syriac) in gold, marbled endpapers. 648 pp. Full description

LACTANTIUS, Lucius Caecilius Firmianus and Giovanni Andrea BUSSI) (editor) [and others]. Opera [and additional works].
Comprising:
(1) LACTANTIUS, Lucius Caecilius Firmianus. De divinis institutionibus
(2) LACTANTIUS, Lucius Caecilius Firmianus. De ira Dei.
(3) LACTANTIUS, Lucius Caecilius Firmianus. De opificio Dei.
(4) LACTANTIUS, Lucius Caecilius Firmianus. De phoenice carmina.
(5) LACTANTIUS, Lucius Caecilius Firmianus. [Epitome divinarum institutionem]. Nephytomon.
Additional works:
(6) RAUDENSIS, Antonius. [Lactantii Firmiani errata].
(7) GENUENSIS, Adam. His carminibus frater Adam Genuensis increpat fratrem Antonium. [Incipit:] Hic male corripuit stolidis Antonius aussis.
(8) BUSSI, Giovanni Andrea. Ioannis Andreae episcopi Aleriensis ad Paulum secundum Venetum pontificem maximum epistola.
(9) OVIDIUS, Publius Naso. Metamorphoses (extract).
(10) ALIGHIERI, Dante. Comedia, inferno XXV (extract).
(11) FORTUNATUS, Venantius. [De christi resurrectione]. [Incipit:] Lactantii fir. de resurrectio[n]is dominicae die/ [S]alve festa dies toto venerabilis aevo.
(Colophon:) Venice, Theodorus de Ragazonibus, 1390 [=1490]. 5 works and 6 additional texts in 1 volume. Folio. The text is set in Roman type with some incidental Greek.20th-century goatskin parchment, with the author and title stamped on the spine with black foil, the name of the author added in manuscript on the bottom edge of the book block. [1 blank], [147] ll. Full description

[LANDRY, Pierre]. La Sainte Messe, ou sont representés par les actions du prêtre les misteres de la passion de Notre Seigneur Jesus Christ avec les oraisons appliqué à chacun mistere. Ouvrage tres utile aux fideles pour assister devotement a ce Saint Sacrifice.
Paris, chez Pierre Landry, [ca. 1690]. 12mo. With an engraved title, 35 numbered full-page engraved plates, and 37 engraved text leaves. Early 20th-century richly gold-tooled red morocco, signed and dated (1918) by Charles de Samblanx. [73] ll. Full description

LAPIDANUS, Guilielmus. Meditationes in septem psalmos poenitentiae.
(Colophon:) Louvain, Henricus Baers, 1530. 8vo (13.2 x 9.4 cm). With a woodcut frame on the title page, a full-page woodcut device at the end partially coloured green, some woodcut decorated initials throughout, and the manuscript section rubricated in red. Modern vellum, red edges. [56], [4] ll. Full description

LUYKEN, Caspar. Onfeylbare regel van winste sonder verlies... Hier is noch achter gevoeght De wissel-banck, geopent door den selven autheur. De derde druck.
Amsterdam, Christoffel Luycken, 1663. 2 parts in 1 volume. 12mo. With small woodcut vignette on 2 title-pages. Contemporary vellum with manuscript title on spine, red speckled edges. 212; 52 pp. Full description

[MANUSCRIPT - SERVICE BOOK - DIVINE OFFICES]. Ordine da osservarsi nell'oratorio di Santa Maria di Passione, circa gli Essercicii Spirituali delle feste cavato dalla Regola maggiore.
[Milan], [18th-century]. Folio (27,5 x 18,5 cm). With 5 full-page and 2 half-page, hand-painted religious illustrations and 9 hand-painted initials on a blue background, heightened with gold and silver. 18th-century gold- and blind-tooled parchment, each board with a blind ornamental centre-piece ornament in a blind-tooled frame, in a larger frame of gold fillets, with a gold flower in each of the 6 spine compartments. [1 blank], [1], 66 pp. Full description