Art, Architecture & Photography

PASSE, Crispijn de (the elder) [after Maarten de VOS]. [The acts of mercy, including the Last Judgement].
Antwerp, Adriaen Collaert (7 plates with the Acts of Mercy) & Johannes Galle (the Last Judgement), ca. 1580-1588. Folio (7 of 8 plates trimmed). 8 engravings (ca. 17.5 x 20.5 cm) on laid paper by Crispijn de Passe I (the elder) after Maarten de Vos with the central scene framed by an exquisite ornamental border showing crafts, tools and scenes relating to the subject. All engravings captioned with engraved Latin text in a cartouche below the images. Loose prints. Full description

[PASSE, Crispijn de (the younger) and Jan VOS]. Verklaringe van verscheyden kunst-rijcke wercken en hare beweginghe, door orlogie-werck ghedreven, ... Alles te sien in 't Oude Doolhof tot Amsterdam, op de hoeck van de Loyers-gracht.
Amsterdam, Tymen Houthaeck, 1648. Small 4to (19 x 15 cm). With a engraved illustration of a labyrinth on title-page, an engraved plate by P. Holsteyn after A. Vinckenbrinck, 3 engravings in text and a folding engraved plate of David & Goliath. Modern marbled wrappers. [8] ll. Full description

PASSE the Younger, Crispijn van de. Den blom-hof, inhoudende de rare oft ongemeene blommen die op den tegenwoordighen tijdt by de lief-hebbers in estimatie ghehouden werden. Ghedeelt naer de vier deelen des jaers ... Noch hier by ghevoecht de manier soomen dese bloemen naer haer eyghen coleuren ofte verven sal illumineren ofte afsetten ...
Utrecht, for Crispijn van de Passe, 1614. 2 parts in 1 volume, the first in 4 sections. Oblong folio (ca. 18.5 x 26.5 cm). With a full-page plate of Flora embracing the cornucopia in a landscape with an epigram by Arnoldus Buchelius in a cartouche in the left hand corner, engraved by Simon van de Passe after Crispijn van de Passe, 2 different frontispieces (both appearing twice) of ideal gardens full of flowers, and 174 full-page engraved plates of flowers, fruits, fruit trees, and medicinal plants, mainly by Crispijn van de Passe the Younger, 3 by his brother Willem van de Passe. Later half calf, decorated paper sides, gold-tooled spine, and red sprinkled edges. [26] pp., [118] engraved ll.; [1], [1 blank] pp., [61] engraved ll. Full description

[PAUWELS, Jan Antoon Frans]. Berigt, van constig-gemaeckte sneeuwe beelden van half Januario tot het begin Februarii tot Antwerpen gezien . . .
Antwerp, Joannes Petrus de Cort, 1772. 4to. With title-page in a geometric border built up from cast fleurons and each page in a thick-thin border built up from cast units. 19th-century(?) decorated cloth, modern endpapers. 30 pp. Full description

[OTTOMAN PORT]. [PEETERS, Johannes (Jan) (after)]. [Ladimistri nel' archipelago].
[The Netherlands(?), ca. 1720?]. Oblong folio (19.5 x 31.5 cm). Pen and blue-black ink-wash drawing on laid paper, showing the city of Edremit, its harbour and fortifications, with an Ottoman and a Dutch(?) ship, and a lighthouse, in a brown thick-thin-thin border, signed in the border below right, but difficult to read (I. P. Sto...?, I. P. Ste...?). Framed (37 x 49 cm). Full description

PELLY, Lewis Remarks on the Pearl Oyster Beds in the Persian Gulf. [In:] The Transactions of the Bombay Geographical Society. From January 1865 to December 1867. Volume XVIII.
Bombay, printed at the Education Societys Press, Byculla, 1868. 8vo (14.5 x 21.7 cm). With 5 folding maps, including 3 hand-coloured, and an illustration in the text. Contemporary half green calf and marbled paper over boards. 16, cxiii, [1 blank], 117 pp. [The article: pp. 32-35]. Full description

[PERAU, Gabriel-Louis Calabre]. L'Ordre des Francs-Maçons trahi, et le secret des mopses revelé.
Amsterdam, 1745. 8vo. With vignette on the title-page and 14 engraved plates (4 folding). 19th-century half calf. [16], 174, [1], [1 blank] pp. Full description

[PERKOIS, Jacob and Johannes Hubertus PRINS]. [Print series from: Verzameling van verschillende gekleede mans- en vrouwen-standen, ter oefening van jonge schilders en liefhebbers, naar 't leven geteekend].
[Rotterdam, J. Immerzeel, 1818 (engraved ca. 1790)]. 4to or cut down folio. A series of 32 (of 33) numbered full-page aquatint and stipple-engraved prints. Lacking plate 5, which has been replaced by an aquatint of a woman cleaning fish by Hermanus Fock. With 2 extra prints loosely inserted: colour-printed versions (inked a la poupée) of plates 20 and 25. Mid-19th-century half maroon sheepskin. 33 engr. ll. Full description

PERLING, Ambrosius. Exemplaar-boek inhoudende verscheyde nodige geschriften, tot dienst van de leergierige ieught.
Amsterdam, Wilhem de Broen, [1721 or later]. Oblong folio (20 x 30 cm). With 51 plates drawn and engraved by the author. With a loose transparent paper sheet with a calligraphic drawing in ink. Contemporary red roan (sheepskin), marbled sides. [51] ll. Full description

PERRIER, François. Kunstkabinet, besluitende hondert der allerberoemste antique stantbeelden staende binnen Rome. Op eene uitvoerige wyze, naer de origineele afgeteekend, denende tot een vervolgh op de beschryving van het oude en nieuwe Rome van den heer François Desseine, en, om hunne uitmuntentheit, in het koper gebraght door de twee Cornelissen van Daelen. Een werk zeer nuttigh voor alle beeldhouwers, schilders, graveerders en teekenaers. Hier by komt eene uitvoerige beschryving van yder stantbeeld, aentoonende de plaetsen alwaer de zelve vertoond werden, de naemen der werkmeesters en de historie der zelve. Alles uit de oudheit der schryvers opgedolven.
The Hague, Bernardus van der Cloesen, 1737. Large folio. With a large engraved printer's device on the title page, the title printed in red and black, a richly engraved allegorical title page heading the print-series, and 100 full-page plates of Roman classical statues, engraved by Cornelis van Dalen, both the Elder and the Younger, after designs by François Perrier. Contemporary blind-tooled vellum. [2], 54, [2] pp. + 100 plates. Full description