Art, Architecture & Photography / Art & Art History

[ALBUM AMICORUM - EQUESTRIANISM - HERALDRY]. [Late 16th- and early 17th-century album amicorum].
[North-western Europe (specifically the vicinity of Brussels?)], [1585-1615]. 4to. With 45 hand-coloured and highlighted in gold engraved plates of horses and their riders from Europe, North Africa, and the Near and Middle East, numbered 1-50 (skipping nos. 2, 21, 27, 35, and 36), 46 hand-coloured and highlighted in gold engraved heraldic plates (sometimes filled in with manuscript notes), 2 hand-coloured manuscript coats-of-arms on l. 15v, and 1 black and gold hand-coloured manuscript coat of arms on the back paste-down. Contemporary elaborately gold- and blind-tooled mottled calf, with gold lettering on both boards (front: RVB HZC VFB C.) (back: 1590). 164 ll. Full description

[ALPAGO, Cesare et al.]. Per le nozze del Sig.r. Marchese Guglielmo de' Fulcis, cavalier di Malta, maggiore attuale al servizio delle LL. MM. II. RR. con la Sig'.ra. Contessa Francesca de' Migazzi de Vaal e Sonnenthurn.
[Venice], (colophon: nella stamperia Albrizzi con privilegio dell' Ecc.mo Senato per tutti li rami che adornano le di lui stampe, 1776). Folio (35 x 25 cm). Engraved frontispiece with a decorative rococo border, engraved title in a rococo border incorporating the coat-of-arms of Guglielmo de' Fulcis, engraved full-page colophon on the last leaf; 7 pp. with additional engraved allegorical vignettes, one on C3 signed ''Piazzetta inv.''. Contemporary light green paper wrappers with gold rococo ornamental borders and a gold centre piece with allegorical seated figure on the front and back side of the wrappers, probably made for presentation to the bride, groom or an important person who attended the wedding. [57], [1 blank] pp. Full description

BARGAGLI, Scipione. Dell' imprese die Scipion Bargagli ... Alla prima parte, la seconda, e la terza nucoamente aggiunte.
Venice, Francesco de Franceschi, 1594. Small 4to (20.5 x 15 cm). With oval engraved device on title-page, full-page engraved portrait of Rudolf II, full-page engraved dedicatory emblem, and 138 engraved oval emblems in text. 19th-century half sheepskin parchment. [24], “573” [=604], [15], [1 blank] pp. Full description

[BELGIAN REVOLUTION; ART EXHIBITION]. Lyst van kunstwerken, door beoefenaars en verzamelaars bijeengebragt, om verloot te worden te behoeve van het Vaderland; tentoongesteld te Amsterdam, in het Nationale Geregtshof.
Amsterdam, Christiaan Andersen Spin, 1831. 8vo. With a lithographed frontispiece. Slightly later neoclassical gold- and richly blind-tooled long-grained red morocco, gilt edges. [2], 76, 8 pp. Full description

BEUNAT, Joseph. Recueil des dessins dornaments darchitecture de la manufacture de Joseph Beunat. A Sarrebourg, et a Paris, Rue St. Avoye, no. 63. Contenant tout ce qui rapport a la decoration des apartments ...
Sarrebourg and Paris, [ca. 1814]. Large 4to (32.5 x 25 cm). Engraved series of 86 prints (including the decorative title-page) with many hundreds of different designs. Contemporary German tree calf, flat spine with contemporary manuscript paper label in ink. With the original publishers grey printed wrappers bound in, with the title in German. Full description

[BIANCONI, Giovanni Lodovico]. Lettere al marchese Filippo Hercolani ... sopra alcune particolarita della Baveria, ed altri paesi della Germania.
Lucca, Giovanni Riccomini, 1763. 8vo. Contemporary Italian marbled paper over flexible paperboards. XVI, 272 pp. Full description

GALLI BIBIENA, Ferdinando. Direzioni a' giovani studenti nel desegno dell' architettura civile, nell' Academia Clementina dell' Instituto delle Scienze.- Direzioni della prospettiva teorica, correspondenti a quelle dell' architettura instruzione a' giovani studenti di pittura, e architettura nell' Academia Clementina dell' Instututo delle Scienze.
Bologna, Lelio dalla Volpe, 1745 & 1732. 2 volumes. Small 8vo. With numerous geometrical figures and architectural plans and designs on 74 full-page engraved plates in the first volume, and numerous perspective projections and perspective architectural plans and designs on 58 full-page engraved plates in the second volume, of which 18 folding. Contemporary vellum, red marbled edges. (12), 143, (1); 159, (1) pp. Full description

BILDERDIJK, Willem. Redevoering, over de voortreffelykheid der schilderkunst, in derzelver voorwerp beschouwd. ...1794.
[The Hague, B. Scheurleer junior], 1794.
(2). KASTEELE, Reinier Pieter van de. Redevoering tot lof der vaderlandsche schilders en aanspraak.... 1809.
The Hague, P.F. Gosse, [1809]. With an engraved plate with seals of the Academie engraved by C. Lotter.
(3). KASTEELE, Reinier Pieter van de. Redevoering over het aangename en nuttige van de beoefening der teekenkunde. Uitgesproken in de akademiezaal van Pictura. Op den 3 van Bloeimaand 1810.
The Hague, B. Scheurleer junior, 1810. With an engraved plate with seals of the Academie engraved by C. Lotter.
(4). LIMBURG, T. van. Redevoering over het vermogen der schilderkunst ter gelegenheid van het uitdeelen der prijzen... 1811.
The Hague, B. Scheurleer junior, 1811. 8vo. 4 works in 4 volumes. Contemporary decorated paper wrappers. [24], 22, [2]; [16], 43, [3]; [20], 46; [20], 30 pp. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description