Art, Architecture & Photography / Art & Art History

[BIANCONI, Giovanni Lodovico]. Lettere al marchese Filippo Hercolani ... sopra alcune particolarita della Baveria, ed altri paesi della Germania.
Lucca, Giovanni Riccomini, 1763. 8vo. Contemporary Italian marbled paper over flexible paperboards. XVI, 272 pp. Full description

BILDERDIJK, Willem. Redevoering, over de voortreffelykheid der schilderkunst, in derzelver voorwerp beschouwd. ...1794.
[The Hague, B. Scheurleer junior], 1794.
(2). KASTEELE, Reinier Pieter van de. Redevoering tot lof der vaderlandsche schilders en aanspraak.... 1809.
The Hague, P.F. Gosse, [1809]. With an engraved plate with seals of the Academie engraved by C. Lotter.
(3). KASTEELE, Reinier Pieter van de. Redevoering over het aangename en nuttige van de beoefening der teekenkunde. Uitgesproken in de akademiezaal van Pictura. Op den 3 van Bloeimaand 1810.
The Hague, B. Scheurleer junior, 1810. With an engraved plate with seals of the Academie engraved by C. Lotter.
(4). LIMBURG, T. van. Redevoering over het vermogen der schilderkunst ter gelegenheid van het uitdeelen der prijzen... 1811.
The Hague, B. Scheurleer junior, 1811. 8vo. 4 works in 4 volumes. Contemporary decorated paper wrappers. [24], 22, [2]; [16], 43, [3]; [20], 46; [20], 30 pp. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BODE, Wilhelm and Cornelis HOFSTEDE DE GROOT. The complete work of Rembrandt. History, description and heliographic reproduction of all the master's pictures with a study of his life and his art.
Paris, Charles Sedelmeyer, 1897-1906. 8 volumes. Folio. With 622 full-page photogravure plates. Later brown mottled calf, with the title and volume number lettered in gold on the spine, the original cloth front wrappers used as title-pages. [2 blank], [8], 178, [2]; [2 blank], [6], 178, [2]; [2 blank], [6], 202, [2]; [2 blank], [6], 223, [1]; [2 blank], [6], 213, [3]; [2 blank], [6], 206, [3]; [2 blank], [6], 254, [2]; [2 blank], VI, [2], 381, [1], [6 blank] pp. Full description

[BOTTLE IN BOOK FORM]. Esprit de Francklin ... Le B[on].homme Richard.
Chalonnes sur Loire, Fremy frères, Bottrel et Cie., [ca. 1830]. Blown glass bottle made in the form of a book (15 x 10 x 3 cm plus 1.5 cm neck and lip). The "spine" is covered with gold-tooled red morocco, with 7 horizontal rolls dividing it into 5 fields plus a smaller 6th at the foot, the title and the French form of Franklin's pen-name in fields 3 and 4 and a decoration in fields 1, 3 and 5, the "boards" covered with paper, each with an lithographed rectangular decorative border enclosing an oval laurel wreath around an oval paper overlay with a lithographed view, that on the front board showing Benjamin Franklin and that on the back board showing a man in the distillery, each with accompanying texts above and below the wreath. The paper sides (but not their overlays) have a slight reddish cast. Full description

BOUDARD, Jean-Baptiste. Iconologie tirée de divers auteurs. Ouvrage utile aux gens de lettres, aux pöetes, aux artistes, & généralement à tous les amateurs des beaux-arts.
Vienna, Johan Thomas von Trattner, 1766.
3 volumes. 8vo. With Trattners engraved device on the 3 title-pages. Contemporary half calf. [16], 203, [8]; [2], 219, [8]; [2], 208, [12] pp. Full description

[DRAWING]. BRANDS, Eugène. [Two manuscript invitations for an exhibition opening, each including an original drawing in colour].
[Amsterdam, 1948]. Each 14.7 x 11 cm. Pen-and-ink drawings; one with blue watercolour and the other with blue and yellow watercolour. 2 pp. Full description

[BROADSIDE - CIRCUS]. Mit hoher Bewilligung wird heute die hier angekommene Gymnastische- und Athleten-Gesellschaft unter der Direction des Hrn. Bartholomäus Ramini die Ehre haben sich zu produciren......
[Austria, ca. 1827]. Oblong folio (ca. 40 x 46 cm). With a large woodcut illustration (ca. 27 x 38 cm). The text is set in a Gothic type. [1] l. Full description