Art, Architecture & Photography / Art & Art History

[BELGIAN REVOLUTION; ART EXHIBITION]. Lyst van kunstwerken, door beoefenaars en verzamelaars bijeengebragt, om verloot te worden te behoeve van het Vaderland; tentoongesteld te Amsterdam, in het Nationale Geregtshof.
Amsterdam, Christiaan Andersen Spin, 1831. 8vo. With a lithographed frontispiece. Slightly later neoclassical gold- and richly blind-tooled long-grained red morocco, gilt edges. [2], 76, 8 pp. Full description

[BEVIER, B.]. [Portfolio with vivid portraits of famous painters and illustrations based on famous works of art].
[France or Belgium?], 1809-1811. Portfolio: ca. 75.5 x 60 cm. With 15 large format portraits (all 65.5 x 48 cm. except the last portrait: 49 x 38 cm), executed in chalk and colour, all signed by the artist "B. Bevier" and dated between 1809 and 1811. All manuscript captions are written by the same hand in brown ink. All portraits are mounted on otherwise blank leaves in a large portfolio. Later half calf. [1 blank], [15] ll. Full description

[BIANCONI, Giovanni Lodovico]. Lettere al marchese Filippo Hercolani ... sopra alcune particolarita della Baveria, ed altri paesi della Germania.
Lucca, Giovanni Riccomini, 1763. 8vo. Contemporary Italian marbled paper over flexible paperboards. XVI, 272 pp. Full description

BIE, Cornelis de. Het gulden cabinet vande edele vry schilder-const ontsloten door den lanck ghewenschten vrede tusschen de twee magtighe croonen van Spaignien en Vrancryck, waer-inne begrepen is den onsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne meest naer hrt leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreuken.
Antwerpen, Jan Meyssens, 1662 (colophon: Juliaen van Montfort, 1661). 3 parts in 1 volume. 4to. With an engraved frontispiece by Cornelis Meyssens after Abraham van Diepenbeeck, a full-page portrait of the dedicatee Antoine van Leyen by Richard Collin (1661), a full-page portrait of the author by Jan Meyssens after Erasmus Quellinus, and 97 full-page engraved and etched portraits of painters, engravers, architects and sculptors, engraved by Jan Meyssens, Wenceslaus Hollar, and numerous others, after drawings by Anthony van Dyck, Paulus Pontanus, Jan Lievens, etc. 18th-century gold-tooled half sheep. [2], "584" [= 586], [3] pp. Full description

BILDERDIJK, Willem. Redevoering, over de voortreffelykheid der schilderkunst, in derzelver voorwerp beschouwd. ...1794.
[The Hague, B. Scheurleer junior], 1794.
(2). KASTEELE, Reinier Pieter van de. Redevoering tot lof der vaderlandsche schilders en aanspraak.... 1809.
The Hague, P.F. Gosse, [1809]. With an engraved plate with seals of the Academie engraved by C. Lotter.
(3). KASTEELE, Reinier Pieter van de. Redevoering over het aangename en nuttige van de beoefening der teekenkunde. Uitgesproken in de akademiezaal van Pictura. Op den 3 van Bloeimaand 1810.
The Hague, B. Scheurleer junior, 1810. With an engraved plate with seals of the Academie engraved by C. Lotter.
(4). LIMBURG, T. van. Redevoering over het vermogen der schilderkunst ter gelegenheid van het uitdeelen der prijzen... 1811.
The Hague, B. Scheurleer junior, 1811. 8vo. 4 works in 4 volumes. Contemporary decorated paper wrappers. [24], 22, [2]; [16], 43, [3]; [20], 46; [20], 30 pp. Full description

BLOEMAERT, Abraham. Eerste beginselen der teken-kunst, vervattende in haar veelerlei oogen, neusen, monden, ooren, als meede natuurlyke beweegingen van hoofden, troniën, handen, voeten, armen, beenen, enz.
Amsterdam, Reinier & Joachim II Ottens, [ca. 1730]. Folio. With engraved frontispiece self-portrait of Bloemaert engraved by Joachim Ottens, here serving as no. [1] of 140 engraved plates with drawn models of parts of the human body, and human figures and characters in various postures, movements and scenes. Mottled half sheepskin (ca. 1840?). [1] leaf plus plates. Full description

BODENHEIM, Nelly (illustrator) en Lizzy ANSINGH. Een vruchtenmandje. Teekeningen van Nelly Bodenheim bij versjes van Lizzy Ansingh.
Amsterdam, De Spiegel, 1927. Folio (ca. 30 x 21.5 cm). All illustrations, including the illustrated front board, are lithographs designed by the illustrator herself on stone and coloured by hand by her as well. The verses by Lizzy Ansingh are written, in colour, by hand in a decorative, ornamental script (varying in style). Contemporary half green cloth portfolio with the original lithographed illustration on the front board, the back board contains the following verse: "Let op de pitten, die binnen in zitten". [1 blank], [24] ll. Full description

BODENHEIM, Nelly (illustrator), Lizzy ANSINGH and Jean-Paul VROOM (lithographer). Tante Tor is jarig.
Utrecht, Stichting De Roos (printed in Amsterdam by Dieperink & Co.), 1950.
With: (2) [ORIGINAL DRAWINGS - BODENHEIM, Nelly]. [2 drawings: one featuring beetles, a maybeetle, and (Spanish) flies and another showing "Aunt Beetle" in bed being congratulated by her mosquito maid]. [ca. 1950].
4to (ca. 27 x 19.5 cm). All text and illustrations, including the illustrated front board, are lithographs by the famous Dutch artist Jean-Paul Vroom in facsimile after the text and illustrations by Lizzy Ansingh and Nelly Bodenheim. The lithographs are hand-coloured under supervision of Vroom. The work is printed on Simili Japon paper. Together with two original drawings by Bodenheim, hand-coloured and signed in her initials, mounted on a grey passepartout folder highlighting the scene with the beetles, maybeetle, and fly. The illustration of "Aunt Beetle" and her mosquito maid can be found on the back. Original hand-coloured lithographed paper over boards with the title stamped in decorative letters on the spine. [1], [1 blank], [1], [1 blank], [25], [1 blank], [1], [1 blank] pp. Full description

BODE, Wilhelm and Cornelis HOFSTEDE DE GROOT. The complete work of Rembrandt. History, description and heliographic reproduction of all the master's pictures with a study of his life and his art.
Paris, Charles Sedelmeyer, 1897-1906. 8 volumes. Folio. With 622 full-page photogravure plates. Later brown mottled calf, with the title and volume number lettered in gold on the spine, the original cloth front wrappers used as title-pages. [2 blank], [8], 178, [2]; [2 blank], [6], 178, [2]; [2 blank], [6], 202, [2]; [2 blank], [6], 223, [1]; [2 blank], [6], 213, [3]; [2 blank], [6], 206, [3]; [2 blank], [6], 254, [2]; [2 blank], VI, [2], 381, [1], [6 blank] pp. Full description

BORGHINI, Raffaello. Il riposo ... in cui della pittura, e della scultura si favella, de piu illustri pittori, e scultori, e delle piu famose opere loro si fa mentione; e le cose principali appartenenti à dette arti s'insegnano.
Florence, Giorgio Marescotti, 1584. 8vo. With Marescottis woodcut "et vult et potest" device on the title page (ship in an oval cartouche with motto, and a monogram at the foot) and a full-page allegorical woodcut on art and on fame in an oval cartouche, a woodcut tailpiece, and 6 woodcut decorated initials (4 series). 19th-century gold-tooled sheepskin parchment (ca. 1890?). [48], 648 pp. Full description