Art, Architecture & Photography / Art & Art History

PERLING, Ambrosius. Exemplaar-boek inhoudende verscheyde nodige geschriften, tot dienst van de leergierige ieught.
Amsterdam, Wilhem de Broen, [1721 or later]. Oblong folio (20 x 30 cm). With 51 plates drawn and engraved by the author. With a loose transparent paper sheet with a calligraphic drawing in ink. Contemporary red roan (sheepskin), marbled sides. [51] ll. Full description

PERRIER, François. Kunstkabinet, besluitende hondert der allerberoemste antique stantbeelden staende binnen Rome. Op eene uitvoerige wyze, naer de origineele afgeteekend, denende tot een vervolgh op de beschryving van het oude en nieuwe Rome van den heer François Desseine, en, om hunne uitmuntentheit, in het koper gebraght door de twee Cornelissen van Daelen. Een werk zeer nuttigh voor alle beeldhouwers, schilders, graveerders en teekenaers. Hier by komt eene uitvoerige beschryving van yder stantbeeld, aentoonende de plaetsen alwaer de zelve vertoond werden, de naemen der werkmeesters en de historie der zelve. Alles uit de oudheit der schryvers opgedolven.
The Hague, Bernardus van der Cloesen, 1737. Large folio. With a large engraved printer's device on the title page, the title printed in red and black, a richly engraved allegorical title page heading the print-series, and 100 full-page plates of Roman classical statues, engraved by Cornelis van Dalen, both the Elder and the Younger, after designs by François Perrier. Contemporary blind-tooled vellum. [2], 54, [2] pp. + 100 plates. Full description

PETZOLD, Eduard. Zur Farbenlehre der Landschaft. Beiträge zur Landschafts-Gärtnerei.
Jena, Friedrich Frommann, 1853. Small 4to (ca. 23 x 18.5 cm). With 7 variant diagrams of the colour spectrum printed on 4 full-page plates, all richly coloured by hand. Contemporary quarter black cloth. IX, [3], 68 pp. Full description

PHILIPPON, Adam. Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques, et modernes, tant dans la ville de Rome, ques autres villes et lieux d'Italie.
Croissant, Adam Philippon, 1645. Wholly engraved print series consisting of a title-page, dedication, privilege, and 50 plates. The leaves are numbered 1-42, followed by 10 plates with their numbers changed by hand, and the privilege.
With: (2) LE PAUTRE, Jean. Frizes feuillages ou Tritons marins antiques et modernes.
Paris, P. Mariette, [ca. 1664]. Series of 6 numbered engraved plates, each with two friezes. 2 series in 1 volume. Small folio (26.5 x 18.5 cm). Contemporary limp sheepskin parchment. [59] ll. Full description

[PHOTOGRAPHY - SHAH JAHAN ALBUM]. [20th-century photographic reproduction of the Shah Jahan Album].
[20th century]. 2 volumes. Folio. With 50 photographic reproductions in black and white mounted onto thick passepartout leaves, separated by thinner leaves, onto which typed descriptions are mounted. Contemporary gold- and blind-tooled burgundy buckram, with the title and volume number lettered in gold on the front and spine, a double fillet border on both boards, blind-tooled turn-ins, gold and burgundy floral end papers, gilt edges. [1 blank], [26], [2 blank]; [2 blank], [25], [2 blank] ll. Full description

[PHOTOGRAPHY - SHARJAH]. [The Blue Souk in Sharjah].
[Sharjah, 1980]. Ca. 19.5 x 29 cm. One photograph. Housed in a clear plastic folder, with a piece of cardboard for protection. 1 photograph. Full description

PICART, Bernard. Premier des magnifiques carosses de Monseigneur de le duc d'Ossuna, ambassadeur extraordinaire et premier plenipotentiaire de Sa Majesté Catholique Philippe: V. pour la paix faits pour l'entreé publique de son Excellence a Utrecht MDCCXIII.
Amsterdam, Bernard Picart, 1714. Folio. Series of 7 engraved plates (including title-page and 1 double-page). 19th-century gold-tooled green morocco, richly gold-tooled spine and turn-ins, gilt edges; bound by Durvand Thivet. Full description

PICART, Bernard. Explication des vignettes de la seconde edition des oeuvres de Boileau ...
Amsterdam, Bernard Picart, 1729. Oblong 4to. With 25 engraved vignettes and 2 engraved initials on 25 leaves. Contemporary blind-tooled mottled calf, gold-tooled spine, gold-tooled turn-ins. 8 pp., [25] ll. Full description

PIGNORIUS, Laurentius (Lorenzo PIGNORIO). Mensa Isiaca, qua sacrorum apud Aegyptios ratio & simulacra subjectis aeneis simul exhibentur & explicantur.
Including: PIGNORIUS, Laurentius (Lorenzo PIGNORIO). Magnae deum matris idaeae & attidis initia.
And: TOMASINUS, Jacobus Philippus. Manus aeneae, cecropii votum referentis, dilucidatio.
Amsterdam, Andreas Frisius, 1669. 2 works published and bound as 1, the second in 3 parts. 4to. With an engraved frontispiece (with Egyptian and other antiquities), a general title page with a small engraved scene, 3 divisional title pages, the first two with the same larger engraving (a small scene similar to that on the general title page, but flanked by figures of Minerva/Athena and Mercury/Hermes), the frontispiece, large engraving and probably the unsigned small engraving by A. Blotelingh. The first work with 11 folding engraved plates with hieroglyphics, 1 full-page engraved plate outside of collation, 5 full-page engraved plates in the text, and 16 smaller engravings in the text. The second work (in two parts) with 3 full-page engraved plates and several smaller engravings in the text. Further with woodcut decorated initials throughout and several woodcut head- and tailpieces. Contemporary vellum with the gold-stamped coat of arms of Arnhem on both boards, (faded) manuscript title on the spine, remnants of green ties. [1], [1 blank], [1], [1 blank], [6], 96, [12]; [1], [1 blank], [6], 96 pp. Full description

PONA, Francesco. Cardiomorphoseos sive ex corde desumpta emblemata sacra.
Verona, superiorum permissu, 1645. 4to. With engraved allegorical title-page (signed ''G.G.'' below right) showing King David and Saint Paul holding a heart, with the arms of the dedicatee, Cardinal Jules Mazarin, at the foot, 101 engraved emblems in text, each on the theme of the heart, with a letterpress title in any of about 7 different woodcut panels, and a letterpress explanation below, continuing onto the verso. Each is printed from an oval plate (10.5 x 8 cm). Contemporary sheepskin parchment. [8], 208 pp. Full description