Religion & Devotion

[MANUSCRIPT]. DODOENS (DODONAEUS), Rembert. [Declaration of financial and other documents received as incoming churchwarden of the Church of Saints Peter and Paul in Mechelen].
[Mechelen], 27 December 1558. Oblong 4to (19 x 21.5 cm). A document written in dark brown ink on paper, with the opening words filled in afterwards in light brown ink and the signature in light brown ink. [1] ll. Full description

[MANUSCRIPT - PRAYER AND HYMN BOOK - LATIN]. [Devotionarium].[Incipit leaf 2r:] Or[ati]o deuota q[ue] debet dici[t] i[n] ficem diei ante dormitione[m].
[Northern Germany(?), 15th century]. 8vo. Written in Latin on relatively thin parchment (leaf 11.5 x 8.5 cm, text block 7.8 x 5.2 cm), in a gothic hand in one column of 17 lines per page using black/dark brown ink. The manuscript is rubricated throughout, with a 3-line red and blue initial at the start of each part, and 2- or 1-line lombards, alternating in red and blue, at the start of each smaller section, ruled in pencil. Early 19th-century(?) gold-tooled vellum showing a gold-tooled floral frame on both boards, with a leather closing tie on the front, gold-tooled board eges, gilt edges. [131] ll. Full description

[MANUSCRIPT - PRAYERBOOK]. [1st rubric:] Form zu betten unser liebe[n] frawen mantel, Gebet. [incipit:] Cegrüest seiestu o süesse aller heiligste junckfraw maria ...
[Ravensburg?], [ca. 1670]. Small 16mo in 8s (10 x 8.5 x 4 cm; leaf: 9 x 7.5 cm). German manuscript in red and black ink on paper, written in an upright, semi-cursive gothic hand, with so-called lombardic initials in red, rubricated throughout. With 11 lines per page, text block 7 x 5.5 cm. Contemporary blind-tooled pigskin over bevelled wooden (beechwood?) boards, sewn on 3 double supports, In total more than 100 impressions of about 9 stamps. Further with 2 strap fastenings with brass clasps (each with an owners(?) stamp: 1.5 mm roman capital initials "LH" above a 3 mm head in profile, facing right), catchplates and anchor plates, plain headbands, blue edges. With 27 mm roman capital initials "BR" in brown ink on the foot edge. [423], [3 blank] pp. plus 3 endleaves at the front and 5 at the back. Full description

[MANUSCRIPT - PRAYER BOOK - GERMAN]. Geistlicher Seelen-Wecker. Allen in Gott Christlich glaubenden Seelen zu Nurz[!] und grösserem Eyfer zusam[m]en getragen. Darin[n]en Schöne auserlösene Morgen- Abend- Mess- Beicht und Communion Gebetter.
[Germany, Franconia, diocese Würzburg?, ca. 1780]. 8vo (17.5 x 11.3 cm). Written in a clear German cursive in brown ink with chapter titles and captions in Fraktur script in gold, blue, black, and red with red pen flourishes; the text is written within a manuscript double-lined frame in brown ink. With two mezzotint engravings of Christ carrying the cross and Christ's Vera effigies with a crown of thorns, mounted on p. [6] and p. 7; both engravings show Christ's wounds and blood painted red. The engravings are by Johann Martin Will (1727-1806), engraver and art dealer in Augsburg. Contemporary gold-tooled dark brown leather. [1], [3], 307, [9], [4 blank except for the text frames] pp. Full description

[MANUSCRIPT - PRAYER BOOK - GERMAN]. Andachts Eyfer Worinnen enthalten Fruh- Abend- Meess Beicht und Kommunion dann andere heilige Gebether. Geschrieben in Jaht Christi 1791 von Johann Karl Erbes.
[Germany], 1791. 8vo (18.5 x 11 cm). Written in a clear Roman script by Johann Karl Erbes, title in a structured floral frame, all text is written in 15 to 18 lines per page, all within a manuscript floral frame. Contemporary gold-tooled black morocco. The work is kept in a mottled leather and floral paste paper slipcase. [1 blank], [2], [1 blank], 206, [2], [6] pp. Full description

[MANUSCRIPT - SPANISH - Vincent MORALES]. Compendio de la exemplar vida, y santa muerte, [d]el p[adre] Juan de S[an]tiago...
[Córdoba?], ca. 1770. 8vo. With a large engraving of Juan de Santiago on the second leaf and a pen drawing on page 102. Contemporary limp parchment. [4], "159" [= 162] pp. Full description

MARINI, Giovanni Filippo de. Relation nouvelle et curieuse des royaumes de Tunquin et de Lao. [Part 2:] Histoire nouvelle ...
Paris, Gervais Clouzier, 1666. 2 parts in 1 volume. 4to. Later half sheepskin. [8], 327, [5], 329-436 pp. Full description

MARLOT, Guillaume (& FLODOARDUS REMENSIS). Metropolis Remensis historia, a Frodoardo primum arctius digesta, nunc demum aliunde accersitis plurimum aucta, et illustrata, et ad nostrum hoc saeculum fideliter deducta. Tomus I; [Title of vol. 2:] Metropolis Remensis historia. Sive supplementum Frodoardi, ab anno CMLXX. Ad nostram aetatem fideliter et accurate productum.
Lille, Nicolas de Rache, 1666 (vol. 1) & Reims, Protasius Lelorain, 1679 (vol. 2). 2 volumes. Folio. With woodcut vignettes on the title-pages, vol. 1 with one full-page engraving of the facade of the Cathedral of Rheims and 6 half-page engravings by J. Dassonneville, and with woodcut initials, head- and tailpieces. Vol. 1: gold-tooled calf (dated "1740"), each board with the coat-of-arms of the Holy Roman Emperor Charles VI (1685-1740), in the centre, and the front board dated "1740", gold-tooled spine, gilt edges; vol. 2: contemporary mottled calf, gold-tooled spine with two red morocco labels lettered in gold. [14], 668, [16]; [8], 1-754, [2], 755-858, [2], 867-886, [28] pp. Full description

[MARNIX VAN SINT ALDEGONDE, Philips van]. Binenkorb dess Heyl. Römischen Imenschwarms, seiner Hummelszellen (oder Himmelszellen) Hurnausnäster,Brämen- geschwürm und Wäspengestöss. Sampt Läuterung der H. Römischen Kirchen Honigwaben; Einweihung und Beräuchung oder Segfeurung der Imenstöck: und Erlesung der Bussenblumen, des heydnischen Klosterhysops, der Suiter Säudisteln, der saurbonischen Säubonen, dess Magisnostrischen Liripipesenchets, und dess Imenplatts der Plakimen: auch dess Messthaues und H Saffts von Wunderbäumen, &c. Alles nach dem rechten Himelstau oder Manna justirt, und mit Mentzerkletten durchzirt.
Christlingen [= Strassbourg], Ursino Gottgewin [= Bernard Jobin], 1580. Small 8vo. The title-page, with the woodcut illustration of a beehive, is printed in red and black, the same woodcut repeated in the text, and a devotional woodcut by T. Stimmer in the text. 19th century half vellum. 246, [18] ll. Full description

[MARTIN, David and Willem SEWEL (translator)]. Historie des ouden en nieuwen testaments, verrykt met meer dan vierhonderd printverbeeldingen in kooper gesneeden.
Amsterdam, Pieter Mortier, 1700. 2 parts in 3 volumes. Folio. With an engraved title page for both parts (vols. 1 and 3), a large engraved vignette on each of the 3 typographical title pages, 3 engraved headpieces (1 in vol. 1 and 2 in vol. 3), 28 engraved tailpieces is vol. 3, 2 identical engraved initials (one in vol. 1, the other in vol. 3), a total of 210 full-page engraved plates containing 2 illustrations each (64 in vol. 1; 72 in vol. 2; 74 in vol. 3), and 5 double-page engraved maps in volume 3. Contemporary gold-tooled half calf,with a green and a blue label lettered in gold on each spine, sprinkled paper sides. [1], [1 blank], [1], [1 blank], [14], 128; [1], [1 blank], 129-282 [= 154 pp.], [8]; [1], [1 blank], [1], [1 blank], [22], 154, [1 blank], [2], [2 blank], [2], [2 blank], [2], [1 blank], 155-163 [= 9 pp.], [1 blank], [11], [1 blank] pp. Full description