Religion & Devotion

[ILLUMINATED MANUSCRIPT - ALTAR CANON]. Accipiendo in manibus hostiam dicat[!].... Initium Sancti Evangelii secundum Joannem. ... Cibavit illum dominus pane vitæ et intellectus.
[Belgium?], [ca. 1790?]. Three illuminated manuscript wall panels in matching style, forming a three-part altar canon lettered in blue and red ink on parchment (one 47.5 x 57 cm & two 31 x 22 cm; image sizes 46 x 54.5 cm & 29.5 x 21 cm), the larger stretched over a wooden frame and each of the smaller two over a wooden panel. All three panels meticulously and finely lettered in the style of roman printing types with 1 line in italic capitals, all 12 initials and some of their decoration in gold. All three panels richly illuminated around and between the text blocks with a gold background and extensive gold highlights, the illumination including decorated cartouches. The principal scenes at the head (miniatures in a wide variety of colours) show the Last Supper, Saint John the Evangelist and Christ washing his apostles feet; the central scenes at the foot (ink and ink wash drawings, probably emblematic, that on the large panel in grey and those on the small panels in red) show a lamb and cross on an altar, 4 standing figures with long staffs around a table with a platter (of bread?: some of the figures are eating something) and herald angels before a kneeling figure (it doesnt look like a shepherd or the Virgin Mary). Full description

[INCUNABLE - COLOGNE EDITION OF THE ARS MORIENDI]. Speculu[m] artis bene morie[n]di [= Ars moriendi].
[Cologne, Heinrich Quentell, ca. 1493/97]. Small (Chancery) 4to (20.5 x 14.5 cm). With a large woodcut on the title page. Set in a single column, with 36 lines to the page, in a rotunda gothic type, with a larger textura gothic for the first line of the title. With spaces left for manuscript initials with manuscript guide letters in black ink. Most pages with a few words underscored in black ink. Recent marbled paper over boards by the Geneva bookbinder Jean-Luc Honegger (signed with his "honegger" stamp in blue ink at the foot of the back paste-down), the marbled paper in an antique spot pattern, black morocco spine label with the title in gold roman capitals, reading up the spine. [31], [1 blank] pp. Full description

[INDIA - MISSIONARY WORK]. Vorstellung der Evangelisch-Ostindischen Kirche.
[Augsburg], ca. 1730. 86 x 59 cm. Copperplate engraving. Full description

INNOCENT III, Pope, and Pietro LAURO. Il disprezzo del mondo opera bellissima & utile e necessaria a cadauno Christiano. Novamente di Latino in volgar tradotta per Pietro Lauro Modonese. Con la tavola de tuute le materie e capitoli che sono ne lopera[!].
Venice, Comin de Trino di Monferrato, 1543. 8vo. With a woodcut illustration on the title page, which is repeated at the end, and 12 decorated woodcut initials. Modern gold tooled half red morocco. 29, [1], [2 blank] ll. Full description

INTORCETTA, Prospero. R.P. Prosperi Intorcetta societatis Jesu missionarii sinensis testimonium de cultu sinensi, datum anno 1668.
Paris, Nicolas Pepié, 1700. 8vo. With a small woodcut ornamental vignette on the title page and some head- and tail-pieces built up from typographical ornaments. Contemporary vellum with the manuscript title on the spine, blue sprinkled edges. [2], 318, [10] pp. Full description

JEROME (HIERONYMUS), Saint (subject). Epistola Beati Euseby ad Damasium Portunensem Episcopum & ad Theodomum senatorem Romanum de morte gloriosi Hieronimi doctoris eximy.
[d7:] Epistola Beati Augustini Episcopi ad Cirillum venerabilem Archiepiscopium Hierosolimitanum de vita obitu & miraculis Beatissimi Hieronimi prespiteri & doctoris eximy.
[e5:] Epistola Cirilli Archiepiscopi ad Beatimi Augustinum Episcopium de miraculis gloriosi Hieronimi necnon & de morte Beati Euseby discipuli Sancti Hieronimi.
[Blaubeuren, Conrad Mancz, ca. 1475/77]. Small folio (27.5 x 20 cm). Set in what is sometimes called a gotico-antiqua type (119 mm/20 lines, with 31 lines per page), in this case mixing some roman influences into what is largely a rotunda gothic type. With about 150 "Lombardic" initials in red ink: 2 4-line, 4 3-line, about 140 2-line (1 with pen-work decorations in brown ink) and 4 1-line, in spaces left for that purpose and capitals rubricated throughout.Modern parchment. [130] pp. Full description

JEROME (HIERONYMUS), Saint (pseudo), Eucherius of LYON (attributed). De essentia divinatis.
Including: AQUINAS, Thomas. De articulis fidei et ecclesiae sacramentis.
[Augsburg, Günther Zainer, before 1473]. Folio. With manuscript initials in red throughout. 20th-century quarter vellum. [11]; [21] [2 blank] pp. Full description

[JESUITS - EMBLEMS]. Imago primi saeculi Societas Iesu a provincia Flandro-Belgica eiusdem Societatis repraesentata.
Antwerp, Ex Officina Plantiniana, Balthasar Moretus, 1640. Folio. With an engraved title page and 126 engraved emblems, including the Leo Belgicus map. Contemporary calf over wooden boards, gold-tooled spine, blind-tooled boards; rebacked, with the original backstrip laid down, remnants of clasps, 4 small brass corner pieces. (8), 952, (22) pp. Full description

[JESUITS - JAPAN]. Cartas que los Padres y Hermanos de la Compañia de Iesus, que andan en los Reynos de Iapon ...
Alcalá [der Henares], Spain, Juan Iniguez de Lequerica, 1575. 4to in 8s. With woodcut of the Crucifixion on verso of the colophon (2R4v), woodcut Japanese characters in the text (I8v), and woodcut decorated initials throughout. Contemporary limp vellum, with ties. [6 (of 8)], 315, [5] ll. Full description

[JORIS, David]. Die eerste sullen die laetste, die laetste die eerste sijn.
With: (2) [JORIS, David]. Een twesprake tusschen man unde wijff, namelick Christus un[de] de gemeente oder verlorene mensch.
[Rostock, Ludwig Dietz, ca. 1550/52]. 8vo (15.5 x 11 cm). With gothic initials and a vine-leaf ornament. Set in schwabacher types with incidental and fraktur. Vellum (ca. 1680?). [211], [1 blank]; [71], [1 blank] pp. Full description