Art, Architecture & Photography / Art & Art History

BRUGGE, Geerard ter, and Willem GOEREE. Verligterie-kunde, of, regt gebruik der water-verwen. In welke desselfs kennis, en gebruik tot de schilderkunde, en de illuminatie of verligterie noodig zijnde, kortelijk geleerd word. Eertijds uytgegeven door den voortreflijken verligter Mr. Geerard ter Brugge. Ende nu tot nut der liefhebbers, doorgaans met noodige aanmerkingen vermeerderd, om neffens het illumineeren of afzetten, insonderheid het schilderen met water-verwen te oeffenen, ... Den derden druk.
Amsterdam, Daniel van den Dalen, 1697. 8vo. With an engraved title. Modern half sheepskin parchment, marbled paper sides. 92 pp. Full description

BUIJS, Jacobus. [Set of 22 drawings and 1 engraving].
[Ca. 1781]. Various sizes. 22 washed pen and ink drawings and 1 engraving on paper. Mostly loose, nos. 8, 10, 20-23 pasted on paper support. Full description

[BUONANNI, Filippo]. Verhandeling over de vernissen, waar in de wyze opgegeeven wordt, om 'er een toe te stellen, dat 't Chineesch vernis volmaakt gelykt: benevens verscheyde andere zaken rakende de schilderkunst, 't vergulden, 't etsen, etc. ...
Leiden, Jacobus Willeke, 1742. 8vo. With the title printed in red and black, 4 full-page engraved plates illustrating the necessities for varnishing and lacquering. Contemporary brown sprinkled paper wrappers. 16, 218, [24] pp. Full description

BURNET, John. A practical treatise on painting. In three parts. Consisting of hints on composition, chiaroscuro, and colouring. The whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools.
London, James Carpenter, 1826-1827. 3 parts in 1 volume. 4to. With 25 full-page partly handcoloured etched and aquatint plates with 105 reproductions by Burnet of famous paintings. Contemporary calf, covers blind-tooled in a checkered pattern, marbled edges. [4], 31, [1 blank]; VI, 45; V-IX, [3], 64 pp. Full description

BUTTURA, Antonio. Sonetti a Bonaparte.
Paris, Pierre Didot laîné, An VIII [after Floréal, so 1800]. 8vo. Finely printed on vellum. Contemporary long-grained and gold-tooled red goatskin morocco, each board with a frame made from a decorated roll with palm leaves between 2 fine-line fillets, the smooth spine with the title in the 2nd of 6 fields, an acorn with leaves in each of the others, gold-tooled board edges and turn-ins, light green watered silk endleaves. [2 blank], [1], [1 blank], [8], [4 blank] pp. Full description

[CALLOT, Jacques, Carel ALLARD & others]. [Collection of 120 engravings by French, Dutch, Italian and German artists].
Venice, Paris, [Amsterdam], etc., 1601-1725 (album ca. 1745?), with additions [1788] & [ca. 1790]. 8vo, 4to, etc. (19 x 13 cm). 120 engraved prints, namely 44 from 4 complete print series (1 with a title-print), 57 (including 3 title-prints) from 10 or 11 other series and 19 prints apparently not from any series, by Jacques Callot (1 complete series), Odoardo Fialetti, Herman Weyen, Balthasar Moncornet, Henri Bonnart, Carel Allard (3 complete series), P. Landry and others (see contents, below). Mottled sheepskin (ca. 1745?). 95 ll. Full description

[CAMPEN, Jacob van, Hubert QUELLINUS and Jacob VENNEKOOL]. Bouw schilder en beeldhouwkonst, van het stadhuis te Amsteldam, vertoont in CIX figuuren: ...
Amsterdam, Johannes Covens, Cornelis Mortier and Johannes Covens junior, [ca. 1758?, ca. 1767? or possibly 1772/83]. Large folio (49.5 x 30 cm). With the title page printed in red and black with J. Covens & C. Mortiers engraved device by Bernard Picart ("JCCM" cypher monogram in a laurel wreath carried by 6 putti, dated 1730); 2 preliminary plates containing portraits of Jacob van Campen [by Lutma] and Arthus Quellinus by Henricus Quellinus; CIX (109) numbered engraved and etched architectural plates. All plates have French captions, some with laudatory verses below, and are described in Dutch in the letterpress text (pp. 3-15). Contemporary half red roan (sheepskin), brown sprinkled paper sides. 15 pp. Full description

CAMPER, Petrus. Verhandeling van Petrus Camper, over het natuurlijk verschil der wezenstrekken in menschen van onderscheiden landaart en ouderdom; over het schoon in antyke beelden en gesneedene steenen. Gevolgd door een voorstel van eene nieuwe manier om hoofden van allerleye menschen met zekerheid te tekenen.
Utrecht, B. Wild and J. Altheer, 1791. Large 4to (ca. 26 x 20 cm). With 10 engraved plates: 5 folding double-page plates, 4 full-page plates, numbered I-IX and all dated ca. 1768-1786 in the plates, depicting heads and skulls of humans and apes engraved by Reinier Vinkeles after Petrus Camper, and 1 unnumbered plate depicting a geometric figure. 19th-century mottled calf, with a circular green morocco inlay lettered in gold, within a gold-tooled laurel wreath as a centre piece on both boards. "VIII" [= X], 108, [1]. [1 blank] pp. Full description

CAUS (CAULS), Salomon de. La perspective avec la raison, des ombres et miroirs.
London, John Norton [printed partly by Jan Mommaert the elder in Brussels and partly by Richard Field in London], 1612. Royal folio (52 x 28.5 cm). With an engraved title page and 80 etched and engraved illustrations: 64 on otherwise blank pages, mostly on integral leaves (2 across double-pages, further mostly full-page), and 16 on the text pages (from small to half-page). Contemporary dark brown calf. Rebacked, restored and with new endpapers. engraved title + [5], 49, [16] ll. including engravings. Full description

CHIUSOLE di Roveredo, Adamo. Dell'arte pittorica libri VIII. Coll'aggiunta di componimenti diversi.
Venice, Caroboli & Pompeati Comp., 1768. 8vo (20 x 14 cm). With engraved portait of Cicero on the title-page and several interesting engraved head- and tailpieces (some signed "AF"), including scenes related to the subject of painting. In its first binding, though possibly a few decades after publication: stiff paper wrappers. 296 pp. Full description